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"11-year-old Davey, whose mother is dead and whose father is preoccupied with his own problems, has retreated into a world of video games and an imaginary hero-pal, the swashbuckling superspy Jack Flack. When an FBI agent about to be murdered slips him a video cartridge containing top-secret data, Davey is suddenly plunged into the intrigue and danger of real-life espionage. No adult believes his story, so he must run a gauntlet of violence and villainy aided only by a younger girl and the encouragement of "Jack Flack" at his side. How long can a comic-book role model guide him through this encounter with reality?"

Sam Raimi: It’s a movie that just didn’t work very well. I tried to make it work, but I didn’t really believe in all the characters, so that couldn’t be hidden from people who loved Spider-Man. If the director doesn’t love something, it’s wrong of them to make it when so many other people love it. I think [raising the stakes after SPIDER-MAN 2] was the thinking going into it, and I think that’s what doomed us. I should’ve just stuck with the characters and the relationships and progressed them to the next step and not tried to top the bar …

Sam Raimi: [But] directors don’t like to talk about their bad films.

Chris Hardwick: I don’t think that ‘bad’ is the right word.

Sam Raimi: Awful!