
My "Love-Frustration" relationship with Nolan continues...
Saw it in 70MM Imax - all the praise heaped upon its immersive realism is warranted. Some striking images. And effective sound design - it must be the loudest flick I've seen in ages. Bullet jump-scares. The diving Stuka sequences were probably the highlight.
But once again, the editing lets it down. Too fragmented. One plotline resolves, and then Nolan rewinds time to bring you another perspective. Imagine Frodo drops the Ring into the lava, the Black Tower collapses and everyone rejoices, and then it cuts to another's perspective hours earlier where we have to go through all that again.
The refusal to use much CG gives it a small-scale perspective than what we're used to. No U-boats, no tanks, only three Spitfires, one bomber, very few warships, a dozen pleasure craft, and a few queues of extras on the beach. Contrast the Greek invasion armada in Troy - admittedly that's too much in the opposite direction. Dunkirk is also completely santized of any blood 'n guts, unusual in today's war movies. Contrast with Hacksaw Ridge.
The second downside of trying to capture everything in-camera is that action scenes are disjointed and confusing as there's not enough coverage. Poor continuity too. Then add in Nolan's fucking around with chronology, and there's no emotional through-line in the narrative. It's clear by now that Nolan is a poor director of action. Also, he doesn't care much about dialogue and is happy to have none or have it drowned out by Zimmer's bombast.
Only afterwards did I realise that the beach-wharf sequences played out over a week, while the boat narrative played out over a day, and Tom Hardy's Spitfire pilot sequences played out over an hour. The title card didn't make that clear. The way it's cut (and conventional movie logic) dictates that this all should be concurrent. Afterall, it's a very simple story - men need to evacuate the beach.
There was escalating tension, but it went on too long... the boys plugging holes in the trawler, the repetitive aerial dogfights (impressive the first and second times, but got boring after a while). And man, those Spitfires can glide and glide.
Also, no context with no overall historical geographical layout, also unusual in "highbrow" historical pics. Why didn't the Germans just send 100+ planes to finish off the BEF?
In short, Nolan, in all his mature movies, leans heavily on Zimmer, IMAX, an A-list cast, and sheer chutzpah. It seems enough. He gets away with it every time, despite the short-comings in editing. His movies promise more than they deliver e.g. remember the trailer for Inception that promised you an architecture-bending mind-fuck (that Dr Strange actually delivered) and instead you got a conventional James Bond shoot-out in the snow.
But overall, Dunkirk felt more like an "DUNKIRK EXPERIENCE" that you see in a War Museum, than conventional movie.