I'm kinda with Dorkman when it comes to Stories We Tell. Exploring how we control narratives is an interesting idea, but I think we got too much of that and not enough actual narrative. Initially, the family seems blasé about the whole thing. I doubt was actually the case, but it left me feeling, "if these people don't care, why should I?" As the story moves along, it becomes clear that there are a lot of strong feelings there, but it was all so removed from what I was feeling about the story that I was kind of left unmoved by the whole thing.
People in this movie, particularly Michael, repeatedly say things that sound pretty devastating with a nonchalance that is very off putting. I find the picture the family paints of Diane rather unpleasant but unintentionally so, and her friends don't make her seem any better. The only fully positive portrait comes from Harry, who's an unapologetic defender of what he perceives as his story. But I didn't really like him, anymore than I liked Diane.
Sarah is mostly a non-entity in the film, and I don't think I would've been more interested had I been aware of who she was. Certainly most Canadian audiences would have known, but I'm with Trey in liking that she didn't trade on it.
Michael is the only reason I could make it all the way to the end. He gets a lot of shit in this movie, and it's hard to tell how much of it is deserved. But by the end, he was the only one I was paying attention to.
As for Overnight, it didn't really leave an impact on me. I watched a couple of months ago getting ready for this episode, but at this point I can barely remember it, which is unusual for me. I didn't really find Duffy a compelling character to watch, so his total blindness to how destructively he's behaving isn't interesting to watch. He just seems like a one-note narcissist. Whether or not he made good movies is irrelevant when he's kinda boring.