326

(49 replies, posted in Episodes)

I'm back from the fridge and that light bulb over my head is still glowing white. The movie plot simply isn't a love story, and me trying to push it into that box made it break. He never finds his lost ring, he leaves the tree/Izzi to launch into Xibalba and he doesn't return to Spain because it's not about him getting back with Izzi. It's about a guy's unhealthy obsession with death, and everything else (including his relationship(s) with Izzi) is consequences of that.

The film does have symmetry, I was just looking in the wrong place.

Thank you Down in Front! Well, mostly Dorkman. Pending a rewatching, I no longer bleh The Fountain.

327

(49 replies, posted in Episodes)

DorkmanScott wrote:

I think you've narrowed it down wrong. It's not about Tom's relationship with Izzi. It's about Tom's relationship with death.

In a bit of a light bulb moment, this actually makes me feel a lot better about the film. I'll have to think about it more, but that might be most of the "big point" that I feel I've been missing. It certainly helps the movie hold together more in my head if that's the focus.

Brb, I need to ponder on these new considerations at the fridge.

328

(49 replies, posted in Episodes)

Thanks for doing this episode, at least I now know why other people love this movie. I think I'll have to watch it again, but I'm still not convinced it pays itself off for me.

My problem with the movie comes down to a lack of symmetry between the three stories. Any one of them is fine, but they don't add up together. Even if we narrow the story down to boy+girl, we've got a story where Tomas is following Isabelle's bidding, a story where Tommy is trying to save Izzie so hard that he's ignoring her, and a story where he's isolated while eating a tree that symbolizes Izzie. The central story is neither mirrored nor contrasted by the other two parts of the triptych. They seem mostly held together by actors, colour scheme, and a love of geometry.

I'm not clear if the future section was a metaphor or literal. I'd be fine with either, and love it if both options added up and made it ambiguous, but neither adds up. Either literal Tommy didn't learn anything by the end of his story and spends 500 more years in isolation and mourning, or it's a metaphor about him slowly killing Izzie by living off of her in order to reach enlightenment. The literal option is depressing and breaks the emotional arc of Tommy, and the metaphor isn't paralleled in either other story.

The inconsistency in the tree symbolism really frustrated me. In the future Tom is living off a tree. We establish that it's an Izzie-tree and that it keeps him alive for hundreds of years. In the present, there's the plant he studies with special properties AND a tree seed Izzie gives him that he eventually plans on her grave. It would add up so much better in my head if they were the same organism, but they're just not, for no apparent reason. As well, in the past, the tree is the Tree of Life. When Thomas finds it he ends up sprouting Grim Fandango style, becoming part of the tree (and the ciiiiirrrcllllle, the circle of life). So in the past Thomas becomes the tree, when we already established that the tree is Izzie, which is just kinda awkward.

In the end I felt like it was this close to looking gorgeous AND holding together, but just doesn't for me. The lack of internal consistency in a movie that I want to love just makes me go bleh.

329

(32 replies, posted in Episodes)

Someone on the internet is wrong! And there aren't any all-knowing show notes to make me feel better. Monarchs at no stage in their life are beetles. Sometimes they look like this and sometimes this and in between they look like this. Thems not beetles.

As for Jurassic Park, it was one of the three VHS tapes we had in the house (the other two being An American Tail: Fievel Goes West and The Gondoliers). I watched it lots. Ian Malcolm might be part of the reason I grew up to be a mathematician. There aren't many movies out there with cool mathematicians.

330

(2,061 replies, posted in Episodes)

Back on the topic of suggest a movie:

The Fountain: I was bored by this movie, but apparently others loved it. I felt like I was watching something that thought it was deep and clever and full of metaphors in three parallel stories (which would be awesome), but either all the cleverness went woosh right by me, or there was really nothing there. It seemed to be full of literary allusions that I'm not remotely aware of. I was waiting for the three story lines to twine together into something mind blowing, but it just didn't add up. However, Dorkman (and others) seem to think it's the bees knees, and I must know why.

The Fall (the Tarsem Singh one): Also full of artistically beautiful shots. Also abstract and jumpy in it's plot. Also has multiple stories going on, one inside the other. But this movie mostly worked for me, despite being quite a bit too long. It's just so pretty.

331

(4 replies, posted in Off Topic)

Well, it worked. I did give it a trial run the night before by recording off of the CD player RCA out for a few hours to check if it was stable. The output off the sound board at the concert was not ideal, but Audacity didn't crash (huzzah). "Let's just stick a wire out of the box and record it onto a laptop" was somewhere around plan G, after renting or borrowing proper equipment fell through, so that it worked at all seems to be mission accomplished.

Thanks.

So I'm in a choir, and we have a concert this Saturday. We have some omnidirectional mics and speakers a sound board. I have a laptop with Linux and Audacity. I have cables to connect it all up tickety boo. Having just listened to the Anniversary show, I was wondering if Teague et. al. could pass on any advice regarding recording with Audacity for long periods of time without it going BOOM.

splat.