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There Will Be Blood can't be judged as an adaptation of that book because that's not what it is. It uses the book as inspiration and then goes off and does its own (brilliant) thing. And anyway, movies shouldn't be judged on their faithfulness to their source material.
Nymphomaniac Part 1 is a very good first half of a movie. I can't judge it as a complete experience because it isn't one. Still, what I saw was very good.
Having 2 characters smoke marijuana is the least shocking thing that the show has gotten away with.
This show's treatment of death is so mature and elegiac. It's really extraordinary.
ShowRIP Bev.

Or not! I certainly hope not. And they left it ambiguous for a reason. But I think she's gonna be on a dinner plate next week. Too bad. She was one of the show's strongest aspects, especially since the other major female presence (Alana) is kind of a weakly-written character.
Just finished Thor: The Dark World. Wow, you guys complained that Iron Man 3 was a mess? THIS is a mess. The sloppy editing can barely manage to communicate the incomprehensible story. Iron Man 3 is a really smart, funny movie. This is a boring pile of shit. Marvel's first movie since Iron Man 2 that I'd call truly awful.
Planning on seeing Volume 1 in theaters and Volume 2 on VOD, so that I can see them back-to-back and still see the uncut Volume 1.
Apparently the stuff with Giordano Bruno in the first episode was really, really bad history and manipulated to serve the show's agenda. But hey, this isn't a history show. I think it's pretty good so far. I'm not learning anything new, but my little sister is, and that's what really matters.
Squiggly_P wrote:It's stacked so high with atrocities and evil people that it almost started being funny. The next scene is going to be something horrible happens and they cut to a lot of Chiwetel reaction shots. There's always this threatening thing going on in every scene.
I mean, that's life as a slave. Of course there's no respite from the horror in this movie. There never was.
Squiggly_P wrote:There's a scene where he's talking to Brad Pitt, and one of the other guys is over at the house and for some reason decides that he doesn't like these two talking. He's not just walking over there. He's walking over because he's suspicious of something. There's no reason for that moment. It's only there to keep the pressure on, like there's some huge risk going on right now in this very scene of being caught. What was the guy's plan? Walk up and say "Hey, you planning on freeing this slave or something?"
I really don't know what scene you're referring to, but Pitt's character was an outspoken opponent of slavery, and he wasn't shy about how despicable he found the institution. And he's a drifter, so no one knew him that well. If you're a plantation owner, there's reason to be suspicious when that guy is privately chatting up one of your slaves.
It's also worth mentioning that most of Solomon's book has been independently verified by outside sources. And given what else we know about life for slaves on plantations, there's no reason to assume that he lied about anything.
I just finished watching Tarnation. I would absolutely love a Documentality episode on it. Not sure what the theme would be, since I've never seen a film like it, but I'm very curious what Eddie and the others have to say about it.
Squiggly_P wrote:12 Years A Slave

I probably have an unpopular opinion on this one, but I wasn't really that amazed by this flick, aside from the acting which is pretty good if not a bit scenery-chewy in some of the earlier bits. The writing seems very off to me, tho. I've never read the book, so I don't know how much they took from it vs how much they tarted up for cinematic purposes, but it feels like they tarted it up a lot.
They do a lot of things in this flick to heighten the emotional impact of events. The way things are shot, the way things are timed. Big swelling music bits with Zimmer playing his inception BWAM sounds a lot earlier on. It feels really movie. I don't know how best to say that. Fake, I guess.
I think would have been better to have written and shot it more starkly, without some of the weirder scenes. Some of the shit that happens, while it may be 100% absolutely positively accurate as fuck, comes off as ludicrous because the films is nothing but horrible shit happening to the main character or the people around the main character. It's stacked so high with atrocities and evil people that it almost started being funny. The next scene is going to be something horrible happens and they cut to a lot of Chiwetel reaction shots. There's always this threatening thing going on in every scene. There's a scene where he's talking to Brad Pitt, and one of the other guys is over at the house and for some reason decides that he doesn't like these two talking. He's not just walking over there. He's walking over because he's suspicious of something. There's no reason for that moment. It's only there to keep the pressure on, like there's some huge risk going on right now in this very scene of being caught. What was the guy's plan? Walk up and say "Hey, you planning on freeing this slave or something?"
20 or 25 years ago this would have been a much classier flick. More subtle and patient. I would have forgotten at some point that I was watching a movie. I was constantly thinking about how they were shooting this flick and how it was being staged and the way people were telegraphing things. There was no subtlety here at all.
And then the last five or ten minutes happened, and i knew why it got nominated for best picture. That's some nice acting there in the final chunks of the film.
It's all directly from the book, which means it's all directly from real life. So criticizing it on that basis is a little shaky.
johnpavlich wrote:Anyway, Looper. 
I liked the part with the loop.
The Innkeepers was an exercise in extreme boredom. He took the wrong lesson from Jaws. Instead of teasing the monster and not revealing it until the end, he fucks around for like 90 minutes and then does some actual ghost stuff in the climax. His VHS segment was more of the same. 10 minutes of nothing and then a meaningless "twist." His ABCs of Death short was a fart. Haven't seen his other stuff but I'm not interested in seeking it out.
But hey, if you dig him, cool. That's one Happiness Point you've got over me.
That link misunderstands the way that time travel works in Potter. It has nothing to do with time paradoxes, the system is designed such that paradoxes will never factor in. Ever. Everything you do in the past has already happened. You can't change it, because whatever changes you try to make will ultimately serve the events of the original timeline. So paradoxes can't happen.
Oh god, I despised Salinger. Overblown to the point of hilarity. They present ten seconds of blurry footage of the guy (his back turned to the camera) like it's unseen footage of a second shooter on the grassy knoll.
But that's not how the Time Turner works! You can't change things with the Time Turner, you can only go back and do what you were always going to do. Voldemort is alive and Harry's parents are dead, so any attempt with the Time Turner to go back and change that will fail, because the timeline does not change.
I haven't liked anything Ti West has done so far. Even his ABCs of Death segment was garbage.
Oh my god yes. Yes yes yes.
A Christmas Carol is more fantasy, I think, because the time travel is explicitly spiritual/supernatural. Nothing scientific about it.
Kubrick did dabble in a bunch of genres, so that's probably more accurate, yeah.
Speaking of, you guys have covered almost all of his most popular films. Only big one left is A Clockwork Orange. And maybe Spartacus, but there's not a whole lot of Kubrick in that film.
I wouldn't call Kubrick a horror director, considering he only made one horror movie.
AshDigital wrote:
I love the look of disappointment from the dude on the right.
"You're gonna take a picture of this, huh? Gonna have a good laugh about the elephant butt? I thought better of you."
Finally checked out Enough Said. It's too bad I took so long to see it, because it's really great. Very funny and sweet. It's always nice when characters in movies act and speak like real people.
I did a post about magic beans on my blog recently after Rian Johnson started complaining about the theory on Twitter. It's not about there being "too much sci-fi" as it is about making your story as strong as possible in its structure. In my opinion, anyway. I think the guys explain it differently.
I just rewatched Where The Wild Things Are. Sooooooooooo good, and definitely worthy of a commentary.
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