501

(219 replies, posted in Off Topic)

TrowaGP02a wrote:

Evelyn Beatrice Hall, actually tongue

And I equate gameplay to standing and staring at a painting or sitting in a theater.

You the MAN Shadow!

This is a good question, but your comparison doesn't line up. A painting isn't changed (except in the most philosophical/quantum mechanical ways) by the observer interacting with it. Nor the play...unless it's a play with audience participation...in which case...

502

(219 replies, posted in Off Topic)

With regards to the whole, "it's art if one or two people work on it, but not a large team" idea, let's remember that much of Medieval and Renaissance paintings and sculpture were actually created by whole teams of people, with the attributed artist merely being the lead of the operation, with many craftsmen working underneath him with direction.

It's just that the lead artist was the only one that signed their name.

503

(219 replies, posted in Off Topic)

Maybe not the intention to create what ends up created. But an intetion to create something - some intention of communicating a point, which is the reason the artist created it in the first place.

504

(219 replies, posted in Off Topic)

Agreed with Mike on all points.

505

(219 replies, posted in Off Topic)

downinfront wrote:

Even many of the "cinematic" ones are simply exploiting an artificial emotional response for the purpose of entertainment. And there's a law of diminishing returns.

Which I would argue is one of "art's" and entertainment's primary functions. The point of movies specifically and art in general is to produce some kind of emotional reaction from you. Yes, movies are exploitative in that respect, but they're supposed to be. They (nor other mediums) can be dismissed because of that fact.

506

(219 replies, posted in Off Topic)

Is Blackhawk Down not art because of Full Metal Jacket and From Here to Eternity?

507

(219 replies, posted in Off Topic)

Well, without a clear definition, the rest of the conversation is a complete waste of time.

Like I said, art is probably the most problematically defined word of all time and the questions of "what is and isn't art" and "is this or is this not art" are all about the ramifications of the definition you choose.

To beg the question without the definition is just useless.

508

(208 replies, posted in Episodes)

You wouldn't be the first person to come along and parody my parody, son.

But you might just be the craziest! Someone get this man a wise cracking dog!

509

(2,061 replies, posted in Episodes)

I was doing a thing.

"Forget it, Mayhew, it's..." Ah forget it.

510

(219 replies, posted in Off Topic)

For me, I find it helps clarify the topic by separating art out into distinct categories. And these are the definitions and distinctions I've laid out for myself, though far from any degree of certainty about the subject:

Narrative art and experimental art. Fundamentally, the whole point of artistic endeavors and creative expression is to further our understanding of who we are and the nature of the universe and how those pieces fit together. Art that tries to do that, I consider "narrative art," or art that has a point it's trying to convey through some kind of story. And yes, story can exist in mediums other than books, film, and stage.

Then there is experimental art, by which I don't necessarily mean the crazy crap in a modern art museum. Those things are that, but the term is broader than just them. Experimental art I define as any creative expression where the artist is testing a new tool or technique to see what the results will be. Ultimately, the point of experimental art is not to arrive at some insight about the human condition (though it might also do so), it is to provide a lesson in new ways of arriving at those insights on future projects.

"Art" is probably the single most problematically defined word in human language, second perhaps only to "God." I don't want to create too narrow of a definition that excludes art forms unduly, but at the same time, once a definition becomes broad enough and inclusive enough, it becomes meaningless.

So unless we can derive a definition with enough specificity that lays out clear lines of what is included and what is excluded and why, then the discussion strikes me as rather meaningless.

511

(208 replies, posted in Episodes)

Kyle wrote:

I think I'm going to make Christmas with the Kranzes as a horror movie, just to fuck with this same "THE SPIRIT OF THE ORIGINAL~!" thing Brian has going on.  And I'm going to ask Ken Mattingly at the next family reunion to star as the killer.

Well, you'd have to take that up with whoever made "Christmas With the Kranzes," since I never made any such movie.

512

(2,061 replies, posted in Episodes)

Forget it, Mayew.

513

(208 replies, posted in Episodes)

As a funny aside, last year I helped my teacher at a fund raising dinner for her daughter's school. She knew I was a Star Trek fan and introduced me to one of the other parents, who used to be a producer for it. When she told me this before hand, I was of course very excited. But not knowing anything about Star Trek herself, she didn't mention the fact that he was a producer for "Voyager."

Introductions, introductions, small talk. I ask what he worked on specifically and he responded, "Voyager." My face fell before I could catch it. "Oh," I tried to salvage. The first couple of seasons had potential, before the rest of them shit it all away. Maybe he worked primarily on those? "Were you there for the whole run...or maybe just a few seasons?" I ask. "Well, I worked on it the whole time but it wasn't until towards the end where I was really in control." (I'm paraphrasing) "Oh...that's awesome." My face fell again. Awkwardness. End of the conversation.

True story.

514

(208 replies, posted in Episodes)

Oh, Trey, you're such a bright fella. But there's just so much wrong with your post.

Snark aside, I think we simply have a different idea of what storytelling/filmmaking/art/whatever is supposed to be. For me, it's something that, in it's best moments, communicates some idea, some truth or essence of truth, about the human experience, our place in the universe, etc. etc.

For you, it's just something fun to pass the time. Okay. Different philosophies. In its absolute best moments, it's both.

Now, obviously I'm not privy to the conversations you've had with your friends, but what I've always read about the TNG writer's room was that it was Roddenberry's insistence on no interpersonal conflict between characters that was so tremendously stifling. And I totally get that. I'm a believer in utopia precisely because of Star Trek and even I think that's pretty out there.

But forcing your writers to concern themselves with incorporating some kind of (oh no!) point to the work, is not a bad thing. Can it be done badly? Yes. But the idea itself is not bad. In fact, I would say it's essential to good drama.

And I'm aware that it's possible to be a fan of Star Trek and not give a shit. Once upon a time I wholeheartedly gave a shit. Then came the early seasons of DS9. Then Voyager. And Nemesis. And Enterprise. I've done my time with lousy Trek.

And my claim wasn't about persecution. My claim was about my opinions on the story being dismissed out of hand because of a presumption that anything that came out of my mouth was going to be a nerdy nitpick. My claim was also about the cumulative effect of a dozen people making good natured jokes adding up to something tiresome. And as I stated on TFN, being mocked on a board like this for being a nerd is merely absurd, not impossible.

And AGAIN, I object to this idea that I'm somehow claiming to know better than anybody else what Star Trek IS or SHOULD BE. I don't think I've said that, and if I've implied it, I've disavowed it. Really, again, snark aside, stop putting words in my mouth. I'm not making any kind of claim that "my Star Trek" is purer than "your Star Trek." You're stuck on fighting this turf war that hasn't been fought since the 90s. It's as timely and useful to argue about which would win in a fight - the Enterprise or a Star Destroyer.

Anyway, Trek has been a lot of things in its long history, and quite often has been profoundly stupid. My point is, it COULD be better. It COULD be smarter while being just as fun. It COULD be ABOUT something and still blow some stuff up. It could contain an actual idea somewhere in it and still be just as full of the flashies you so righteously defend.

515

(208 replies, posted in Episodes)

Well, she should have done it in such a way that made sense for the situation and the other characters, as well. Maybe she puts together the pieces that Kirk puts together. And Kirk has to demonstrate his ability in some other way.

You're right, it is Chapel who more overtly had the thing for Spock. But there's at least one moment early on where Uhura sings accompaniment to Spock's Vulcan harp playing. I have to watch it again to see if there's really a romantic subtext played in that scene at all. I want to see there's one or two other instances of very subtle indications, but I can't recall them if there are.

I do remember that it was Sulu who had the main hots for Uhura.

516

(208 replies, posted in Episodes)

Something else that bothered me, Mayhew, though there is a tiny amount of precedent for it in the original series. What I have the greatest issue with is the fact that Uhura comes and bitches at Spock for not getting the assignment she wanted and he caves and reassigns her almost immediately. Neither of his actions in that situation - assigning her a post solely to avoid the appearance of favoritism nor caving feebly when confronted with it - are at all consistent with Spock's character.

517

(208 replies, posted in Episodes)

Nerd.

518

(208 replies, posted in Episodes)

And I think everybody has that about something.

Some people feel that way about sports teams for god's sake. A sentiment which I will, to my dying day, never understand.

519

(208 replies, posted in Episodes)

Listen, in all seriousness, I don't mind playing the role to an extent. There are aspects of it that I think are fun and funny and hey why not. Nobody should take themselves all that seriously.

But there is a line between having some good natured back and forth and fending off a literal virtual crowd of people each taking their best shot, all the while dismissing you as a cliche not deserving of respect and ridiculing what has been very important to you. And in the process, dismissing very real and valid criticisms you have with a very flawed movie.

Now, I'm a big boy and can handle whatever you bitches throw at me, cause let's be honest, you guys are bitches. Doesn't mean I'm going to like every moment of it. That's all.

EDIT: Oh, and Mike is totally going to be the Supreme Commander of the Fleet. Don't ask don't tell that shit, bitches.

520

(208 replies, posted in Episodes)

Thank you, guys.

Rest assured, when I launch my own utopian interstellar Federation, you guys can be the ambassadors to the pleasure planet.

521

(208 replies, posted in Episodes)

Gregory Harbin wrote:

Brian, nothing you said affected the point I've been making since the beginning, which is that it's crap to complain that Vulcan was blown up. It's crap to expect that a new Star Trek series wouldn't do some bold things with the continuity. It's crap to expect that we get another 'Star Trek: Insurrection' where nothing of any import happens anywhere near any of the planets we care about.

Yes, you can geek out and speculate as much as I can, but the storyline of Star Trek VI was HOLY CRAP KRONOS IS EFFED. Which was a bold departure from the position of strength the Klingon Empire was in before.

I know that, Greg, I was making an entirely different point.

I happen to agree with you. I like the fact that they blew up Vulcan, as I said in the commentary. But that's not what my post was about.

522

(208 replies, posted in Episodes)

I understand your point of view just fine, Trey. I just disagree with it. Last time I checked, reasonable people could do that.

Of course, you'd have more of a leg to stand on if you had ever really bothered to listen to any of the shows the old lady listened to. Or actually watched her drive more than once for part of her commute all those years.

Dorkman, I do find this double standard amusing, if frustrating. I think it's because the Star Trek nerd is such an old and cherished cliche in our society, that it somehow gives license to people who are otherwise immense nerds themselves some kind of moral superiority that they can dispense like they're the varsity quarterback in an after school special.

523

(208 replies, posted in Episodes)

Gregory Harbin wrote:

I don't think it's fair to say 'Oh, it was just the moon.' Praxis blew up, which caused the need for immediate evacuation from the home world of Kronos. This evacuation, assisted by the Federation, was what precipitated the Klingon Empire's joining of the Federation (although in some limited capacity, apparently).

They were relocated, as the 'Kronos' seen in TNG and DS9 looks quite different from the Kronos seen in Enterprise episodes such as the pilot.

Greg, with all due respect, you have got to stop reading into things and then talking about it like it's incontrovertible fact. Nowhere in Star Trek is it ever said, implied, or hinted that the Kronos we see after the events of Star Trek VI is an entirely different planet. That's perfectly valid speculation, sure but so is a bunch of other possibilities, and you're writing about it like we saw the entire process from start to finish.

And look, before anybody starts, this isn't about nitpicking Star Trek, it's about mistaking assumptions for facts and then behaving as if those assumptions are gospel that anyone else is an idiot to disagree with.

The reality of it is around the beginning of TNG, which was also the time Star Trek VI was produced, Roddenberry and the rest thought they were going to make the Klingons a member of the Federation and the events in VI are obliquely about setting that up. But further on they decided they didn't want the Klingons to be members, just allies and kind of retconned the whole thing, but never really went back and explained what happened with that whole "evacuating the home planet" idea. For all we know, Kronos is still liveable in the TNG era, it just has shitty weather all the time. My point being is that there are any number of possibilities as to the rest of the story, don't assume that your interpretation is the only possible one.

524

(21 replies, posted in Off Topic)

Oh thank god. Activity in a topic other than the Star Trek thread.

*reads title*

Shit.

525

(208 replies, posted in Episodes)

Welcome to the last twenty years of my life, fellas.

Gregory Harbin wrote:

Well let's not forget that Star Trek 6 blew up the Klingon homeworld for shits and giggles.

Incorrect. Praxis, the Klingon homeworld's moon blew up, causing devastation to the Klingon homeworld that necessitate an evacuation. One that was apparently never completed and never mentioned again.