Was it manufactured after the year 2000?
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Was it manufactured after the year 2000?
Some general points: Interesting that Waltz got the Oscar again for much the same performance he got his first Oscar for. He's charismatic nonetheless. Weird use of rap songs. Uneven tone. Editing was both disconcerting and a little loose. Tarantino needs an editor that can stand up to his ego. The last act was predictable cliche. Great cinematography. Strong performances, although the females were underwritten this time. Wasn't convinced by Tarantino's cameo as an Australian miner. He probably should resist the temptation to cast himself. When it was violent, it was deliciously over-the-top. All up, another very watchable Tarantino flick.
Overlong and mistaking smarm for charm, OZ THE GREAT AND POWERFUL — like Burton’s ALICE IN WONDERLAND — is probably going to make a mint, and continue this trend of making premakequelboots of various classic properties. If you’re the type to complain about every movie being derivative crap, wait for video if you must see it at all, because the runaway successes of movies like this are why we can’t have nice things.
Resonance FM radio has The OST Show podcast...
Here's some epic / ambient / instrumental score recommendations that came up on another thread...
fireproof78 wrote:New photo of Zoe Saldana featuring an apparent new take on the uniform-not sure what to think...
Into DarknessIt's a diving suit
This last decade shall be easily recognizable in future years for all the skin-tight Kevlar weave/mesh outfits everyone is wearing in everything. Beats spandex and tinfoil I suppose.
Wasn't there some story from Terminator 2 where the cameraman refused to do a helicopter stunt where it flies under a bridge, so guess who had to say 'step aside, I'll do it myself, girls?' Jim 'big balls' Cameron.
Missing the greatest feat of Steadicam EVAH!- Russian Ark
bullet3 wrote:Casino Royale really might be the best american action film of the 2000s forward.
James Bond movies are American action films, now?
Actually, they are. The Broccolis are US citizens. MGM is an American studio.
Little under 10K if I remember correctly. The pure math churns out 9.3K but it's based on some assumptions (15-perf 65mm IMAX).
Thanks - so we should get there about 2020 or so, as the industry tries to keep ahead of ultra HD 4K TVs in home theatres.
Does anyone know what 'K' equivalent of IMAX would be? 10K?
It's one small Thermal Exhaust Port for Luke, one giant plot hole for Lucas.
Just about any time-travel movie
Sorry 'bout the spoilers. I assumed the participants above had seen the film (it was released over three months ago, and is based on a bestselling book). What's the rule on spoilers? End of theatrical run? One year? The main attraction of the movie is the wonderful cinematography, effects, acting, and directing. The story doesn't hinge on a critical twist, like a murder mystery does. But apologies all the same.
(Mod Edit: Gettin' kinda spoilery all up in here - so, spoilerized )
This seems to me the key conversation...
It's back to Prometheus... as in "it's what I choose to believe"
avatar wrote:It's also very misanthropic to suggest humans are infantile and just want nice stories over the truth, and that rational truth seekers (e.g. scientists) are leading impoverished lives.
Are you saying the film argues that?
The Japanese investigators were asking 'what actually happened?' It was suggested that the recount of actual events was unsatisfactory, so why don't they accept the fantastical story instead? And they did. Imagine your grandmother died? Would you want the truth or the 'she's just gone away for a long time' explanation?
The movie suggests that you can seek truth through many different channels, and that it's closed-minded to suggest that one way is inherently "better" than any other way.
Different channels? What are the other ways that truth can be sought? Besides empirical science, there's....? Revelation? Authority? Tradition? Intuition? How have these last four contributed to our understanding of the universe?
The movie wasn't endorsing 'different channels at seeking truth'. It clearly stated the animal / floating island account was a story. A superior story, indeed, but still a story. Therefore, it's an aesthetic claim, not an epistemological claim.
Allison wrote:and religion.
Yeah, that's where it loses me. But that's just me I guess.
It's a glass half full, half empty scenario. Yes, it's sympathetic to religion, but it also acknowledges that religion is 'a story' and therefore made-up, which is actually braver than most Hollywood movies that pander to the supernatural.
Obviously to say 'religion is a better story' invites all sorts of responses: (1) which religion? any religion I pull out of my ass? (2) doesn't truth count for anything? (3) what about all the negative aspects of religion? bigotry? inquisitions? persecutions? anti-science? continually striving to pull us back into the dark ages?
It's also very misanthropic to suggest humans are infantile and just want nice stories over the truth, and that rational truth seekers (e.g. scientists) are leading impoverished lives. A scientist can enjoy Lord of the Rings like others, but doesn't seek to blur the lines between fantasy and reality.
So how did DiF do in picking the Razzie winners? Boy, was Prometheus snubbed or what?
Slow motion makes anything cool.
'specially when you're nonchalantly walking away from a 'splosion....
to return to topic...
Then there's the fancy bullet-time 180 degree camera move tracking an explosion in Swordfish. Here it is in HD...
The night was very Life of Pi heavy... I haven't seen it, is it really that good?
Yes, it's a gorgeous looking film - and deserves the awards it's won for directing, cinematography and VFX. It's a 'big screen' film too, so if you get a chance to see it as its best, go for it.
The War of the Worlds van scene...
What are the chances they overlook Roger Deakins yet again?
Have you seen Life of Pi? Jaw-dropping cinematography. The compositions, the lighting, the oners. As nice as Skyfall is, Life of Pi pips it.
bullet3 wrote:Honestly, if the ending was a bit stronger, Die Hard 3 would be my favorite of the series
Like this?
It's the Riddles in the Dark scene again "If Simon loses, we eats it whole"
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