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Friends In Your Head | Forums → Posts by Dorkman
Random note that I might have brought up but don't remember because I was drunk and am too embarrassed to listen to it: the place I worked on the 3D conversion, one of my coworkers looked almost exactly like Loki. He got most of the Loki shots in our sequences.
Yeah, after 30+ years of this shit constantly happening you'd think they'd have figured out better city-wide disaster protocols than "run around panicking."
You should see CAPTAIN AMERICA and, somewhat unfortunately, THOR, as the plots of both of them tie fairly directly into the events of AVENGERS. Keep in mind that although AVENGERS doesn't have a number next to its title, it's properly considered the fourth or fifth movie in a series and therefore can't be expected to do too much hand-holding for the uninitiated.
Black Widow had no proper role in IM2, but has a more to do in AVENGERS.
For those wondering what was going on with me, I had just finished a really difficult project, was glad to be free, drank too much, ate too little, and long story short I barely remember doing the second half of THOR or any of this recording. I hope it's more amusing than obnoxious, I'd hate to have ruined some otherwise good eps. As I said on Twitter, alcohol & I have decided to see other people for a while.
Synecdoche is one of the worst movies ever and if you liked it I will fight you.
EDIT: Except Eddie. Eddie can like it if he wants.
It doesn't work with stuff I already intended to see.
SO THERE
By the way, I'm totally the most pushy person I know about stuff I think others would like/should see. So I'm just a big ol' hypocrite.
/everyone go watch JACKIE BROWN right now
I have to be honest, I get like that too. Not so much with good reviews, but when people I know tell me specifically I have GOT to see something, after I hear that too many times there's a part of my brain that goes "Fuck you! You're not the boss of me!" It's totally stupid but it's a knee-jerk reaction I can't really do anything about. Then I'll hold off on checking something out until I know the idiot resentment towards it has passed and I can give it a fair shake.
This is, incidentally, why I have yet to watch Community or Dr. Who.
Annual price of CS Production Premium subscription: $600
Price of upgrade from CS5.5: $375
It's a pretty sweet deal if you don't already own the CS products, but I'm just gonna get the upgrade I think. Also what Paul said.
RE: "I hate my voice" -- one of the most popular radio personalities in the U.S. is Ira Glass, who has one of the worst radio voices I can think of. If he can do it, anyone can.
Teague, you're talking about two different things and acting like they're the same thing.
1) Is a story necessary in a game.
2) Can you tell a story in a game without stopping the gameplay to do so.
I can agree with you on point 1, that it isn't necessary to add a story to a game. If you take away the story of Portal then it becomes very much like Mario -- you're trying to accomplish a task and not die, for fun. That it is also telling you a story as it goes is a value-add.
Obviously to point 2, you can tell a story without using cutscenes. Portal does so. Bioshock does so (except for a handful of cases). It's also worth noting that often cutscenes are setting up a situation that you then play through. Cutscenes do not necessarily remove story from the gameplay, necessarily.
If you removed the gameplay from the Portal games and just watched them, you would be watching a story. I don't understand what it is about being able to interact and try to not-die-for-fun during the story that suddenly makes it not a story, or what it is about adding a throughline to gameplay that suddenly makes it not gameplay.
I don't even understand the question. It works like storytelling. Things happen and they cause the next things to happen and the things eventually culminate in a final thing happening and then no more things happen.
EDIT: Well, it's like you said, it comes in drips and drabs through stuff you see in the environment and stuff you hear said to you by other characters, either directly or through recordings. It's cleverly written and much of it takes place in subtext, and at each stage once you've accomplished a goal it drives you toward another goal within the context of a plot.
For the record, I'd like very much for DIF to become a profitable enterprise if it could, but nothing we've talked about trying to do to that end has ever materialized in any meaningful way. But if it meant changing the show purely to kowtow to audience demand I wouldn't be down with that. If a change we want to make anyway could work in our favor where audience share is concerned -- like the shift in format -- then that's a point in the plus column when we're considering it but not a trump card.
Friends In Your Head | Forums → Posts by Dorkman
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