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Friends In Your Head | Forums → Posts by redxavier
Haven't listened to it yet. But why did you Americans rename it?
The hero's getting beaten by the big bad in a round of fisticuffs, and then is revived by a flashback of his dad, teacher, mother, neighbour etc. telling him 'be strong/ follow your heart/be the 'one', leading the big bad to suddenly forget how to block or fight...
Are you sure it's a movie and not, say, an episode of a TV series like Outer Limits or Twilight Zone.
What about The Thirteenth Floor?
New book's out today!
I thought Orion was now the MPCV, and Constellation was now Space Launch System?
Absolutely love the books. I've always been surprised that they skipped The Vampire Lestat, the middle book (I know there are more than 3 in the chronicles but after Queen it gets stupid), since I liked that one.
What insight Maggot1300? Spill those beans!
Brian Cox is quite popular over here in the UK and he's had several TV series - Wonders of the Solar System and Wonders of the Universe being the best ones. I'm a big fan, he's similar to Carl Sagan in the sense that he clearly loves science and relishes telling people about it.
Thanks for the link - I'm not sure I entirely agree that many of these stories have the same beginning and end though, which makes the loop structure a bit of a flawed foundation.
Yeah, Mewes is essentially playing himself in all his movies - which are all the same character too.
Saw Tron Legacy last night. I really liked it and was quite surprised. I had a real sense of wonder when Sam Flynn first enters The Grid and loved the world they've created. The only stumble visually was CGI Jeff Bridges, we're just not there yet, and I was a bit confused with one character's turn (and fate) in the third act.
There's a sequel in the works and I couldn't be happier.
I'm a fan of the long take, and a fan of Hitchcock's Rope too. It can be a very powerful tool to hold on an action or reaction for longer than normal. I agree that not all long takes are equal.
The Atonement clip works far better, putting you admist the action, than the Warrior King clip, which is a following shot. But then the two shots are out to achieve different things. Warrior King's is a demonstration of prowess and skill, a storm being unleashed upon some bad people by an emotionally unbalanced hero in search of his friend. It doesn't relent, doesn't breathe. He's unstoppable. Meanwhile, Atonement's is about the scene of chaos on the beach of Dunkirk, we feel like we're walking through this almost alien landscape following a man who wants to be somewhere else. He's with all these people, but somehow he's alone. Really powerful sense of isolation.
Yeah, I probably like Never more than something like Diamonds are Forever. It's a remake of Thunderball and isn't 'technically' a Bond film.
Saw Transformers 3 on the weekend. What a fucking trainwreck, one of the worst proper movies I've ever seen. It's nonsensical, stupid gibberish with no redeeming feature. I am flabbergasted as to how the director of Bad Boys, The Rock and Armaggeddon seems apparently incapable to telling a coherent story. The acting is atrociously over the top, with almost everyone trying to outdo John Turturro in his "how I can turn this character into a stupid annoying cartoon" approach to his role. John Malkovich, Alan Tudyck, that chinese guy from Community and Hangover, McDreamy from Grey's Anatomy, Frances McDormand! Why the hell are these guys appearing in the movie?
Again, the story is convulated and confusing in all the wrong ways. And once a-fucking-gain the climax is a clusterfuck of bad editing.
The only good thing about this movie is that it will net Paramount the funding for several fantastic movies in the next few years.
That's one I've been meaning to watch for a while - Long Kiss Goodnight, and speaking of Geena Davis I do not recall anything from Cutthroat Island so going to try and watch that again. Usually I can at least remember bits and pieces from old films, so I'm kinda bemused by the total blank I'm having.
Not seen They Live. What sort of movie is it, horror? Is that the one with the "I'm here to kick ass and chew gum" line?
The last few weeks I've been catching up some old films that I hadn't got around to seeing. A few of them have been pleasantly surprising, such that I wonder why I hadn't got around to seeing them before.
Just now for instance I finished watching a Sigourney Weaver film called Death and the Maiden. Made in 1994 by Roman Polanski the story takes place in a single night (in almost real time) and is a fascinating, brilliantly acted drama about a woman who believes she has met one of the men who tortured her many years before. It's extremely well written, and has just 3 actors and feels very much like a play - which isn't surprising since it is based on one of the same name written Ariel Dorfman.
I highly recommend it if you haven't seen it. Don't do what I did and poo poo it for years.
Likewise, I saw Mystic River the other day, which isn't that old admitedly but I somehow had convinced myself not to bother watching it. Directed by Clint Eastwood, it's got a great cast with Tim Robbins, Sean Penn, Kevin Bacon and Laurence Fishburne and is... sobering to say the least.
So what have you watched recently? Anyone else stumbled upon some old gems that's made you sit up and pay attention?
Now that's a nice combo - two great King/Darrabont collaborations (and the two Stephen King stories that have the best endings).
How about an American Beauty and Road to Perdition double-bill? Or maybe Untouchables in place of American Beauty so you've got two pre-war crime dramas.
For other themed nights, how about the following:
- Mad Max 2/Road Warrior and Doomsday
- Conan the Barbarian and Conan the Destroyer
- A Tale of True Grits
I could go on, but then I'd just have written out a long list and you'd think 'I'm not reading all that'.
The season is over and already I'm sad. This was some great television, and you know what, I'm kinda awed by just how faithful it's been. Hope the bluray gets a release soon, hopefully in time for Christmas at least.
Nice topic. For me, it's a toss-up between a slight re-do of Sunshine (specifically its third act) and a full on remake of Pathfinder, because the world needs more viking movies.
Except 2001 doesn't actually have a story, it's a series of ideas and images ending with a philosophical punctuation mark. It's incomprehensible because there's nothing really there to comprehend. Once you've looked past its technical merits or had some pseudo-intellectual prat try to explain it, you just think "and?"... and that's at the end after you've been thinking "ok, so what is going on?" for the previous 2 hours. On the other side, Riddick is incomprehensible because there's too much stuff going on and you're thinking "wait, what?" and "how does this fit with that?".
So you have a film that's severely underwritten to the point that there's no script, whereas the other feels like it's been made with scripts for different films on set. Both clearly have story problems. You enjoy both, and I would guess you'd watch Riddick over 2001 any day of the week, so why is one bad or so below average it makes a mockery of mediocrity and the other fantastic?
Oh noes, did someone just diss 2001? They're both incomprehensible, just in different ways. In other news, Citizen Kane is not the greatest movie ever made.
The last few episodes have been great. Definitely put this show into my all-time favourites. The wait for the second series is going to be agonising.
Friends In Your Head | Forums → Posts by redxavier
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