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Topics by Invid User defined search
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I think Lucas honestly DID try and do other things after Star Wars. They just were flops. Look at the films he produced: Labyrinth, Tucker, Radioland Murders, Willow. If they do better, we don't get the prequels (or, more likely, they are just produced by Lucas).
Netflix finally sent this one to me. My one observation? My dad had the EXACT same portable chess set. Why they sent an antique up there with these guys, I'll never know.
Jp12x wrote:I realized I haven't stated this: I watch anime with subtitles. Most dubbing ruins a series for me. I tried the dub for The Melancholy of Haruhi Suzumiya and it genuinely pissed me off that the characters seemed so different. Moreover, the dubbed lines are different than the subtitles and can impact your understanding of what is going on. I always recommend hearing the voices originally cast for a show.
My hate of dubs died decades ago. I enjoyed the dub of Melancholy of HS. If nothing else, subtitles ruin the the timing of most jokes. Good vocal directors will rework things in the dub so the humor is still there. The gold standard for this is the original El Hazard. I watched it subtitled and didn't care for it, watched the dub and fell in love. Given both the English and Japanese vocal tracks are created after the animation is done, I treat both as adaptations and enjoy each for what they are.
Also, never assume subtitles are accurate.
Jp12x wrote:Invid wrote:At the time I was into the cartoon Star Blazers (the anime Space Battleship Yamato), with tons of space combat.
I still get choked up by the opening theme of Star Blazers.
My friend and I, for 4th grade art class, did a HUGE six foot long drawing of the "Argo" (Yamato) to be hung in the hallway. Good times.
Marty J wrote:Black Hole makes ST-TMP look like Citizen Kane 
Have you seen the original cut of Trek, though? The two films have a bit in common. I'm amused that Disney tried to get ILM. They were busy doing a rush job on Trek, having been called in when the original model work (done by the group hired for the canceled Phase II TV series) looked like crap. If you want to see a bloated budget, the Trek movie cost something like $46 million with the over runs.
As a smart 4th Grader in 1979, I avoided both this and the Star Trek movie in theaters. The reviews (and I did read the local movie reviews) had said ST:TMP wasn't real trek, which was enough for me. Black Hole probably looked boring, and I was old enough for the Disney name to turn me off. At the time I was into the cartoon Star Blazers (the anime Space Battleship Yamato), with tons of space combat. The sad thing is, I later avoided Dragonslayer because of the Disney name as well, and that's great. Ah, what Disney could have been if their attempts at more serious genre movies and animation (Black Cauldron) had done well...
While this was Disney's first PG film, that's only because of when it was released. When Disney released Treasure Island on video, they had to edit out some of the violence to keep its G rating. Planet of the Apes also had a G rating.
ShadowDuelist wrote:I'm going to second Tom and BDA here. It's more important for the details to serve the story then vice versa. Unless you're writing super hard sci-fi, no one is going to get mad at you because your math doesn't check out. Don't feel beholden to my math and speculation if it's getting in the way of your story. I was going to type more here, but I realized I was just repeating what Tom said in different words, so just go read his post again.
And avoid info dumps at all costs. Those are when a writer has a notebook full of research, and just HAS to show it to his readers. They just stop the story cold, and are the things readers flip past on a second reading.
(I'm the type of writer who will spend hours researching something online, then give a one sentence description in the story. I know what it is and how it works, which is the important thing. The rest will come up if/when the story needs it.)
Writhyn wrote:Invid wrote:...As this is a fantasy world, physics might not even work the same as on Earth.
It's actually more of a pre-tech sci fi. There's zero magic or anything like it. Sci fi because it's set on a very different planet.
Avoid using the word "fantasy" anywhere in your promotional blurbs, then
From experience, success comes as much from keeping readers away as drawing ones in. If they expect one thing and get another, they can get very angry.
Boter wrote:I personally am in the camp that figures, if it works for the story and setting you want to build, do it without worrying about what's scientifically accurate, as long as it passes the "sounds reasonable" sniff test.
Well, in general you want to know enough facts to be able to fake the rest. Unless specifics are needed for story reasons you can be vague about quite a bit. As this is a fantasy world, physics might not even work the same as on Earth.
I caught bits and pieces of it on TV, may have caught the entire thing once (I was two when it came out). The entire thing just seemed silly. Despite the visuals, it was no Star Trek. Also, I probably unfairly linked it with The Starlost.
(My dad loved that show. He was the most casual SF fan you can imagine. The worst original Trek episodes were his favorites)
Naturally, to watch it correctly, you have to see the episodes out of order. The producers deliberately screwed up the running order when it first aired on TV, so the viewer who hadn't read the books would be confused about continuity. As with the time loop, fucking with the audience was their goal. The books are available in English, I believe.
Not related to the movie, really, but I thought I'd post it anyway. Up above, in response to Herc saying he'd never seen a negative review of Edge of Tomorrow, I posted a link to one on the War is Boring blog. The reviewer's main beaf was the setup of the story could of dealt with the effect of war on soldiers, and upon approaching the subject the movie then ran away from it. That annoyed him, and him being annoyed annoyed those here 
Today, he posted a review of the new Clint Eastwood movie, American Sniper.
https://medium.com/war-is-boring/americ … 3b0ce094e1
The film, for him, dealt with the subject well. I just thought some might like to compare and contrast.
I grew up on TV edits of movies. Blues Brothers, Excalibur, Animal House. It's kind of sad that my niece will have to wait a half decade longer to see The Blues Brothers than I did.
Oh, somewhat related to what Eddy said, when my niece was four I had her yelling "Yippe Kai Yay!" while I pushed her on the swings. I let any adults nearby fill in the rest 
telexandroid wrote:fireproof78 wrote:But, I will not hold against the Hobbit that it doesn't feel like LOTR. For me, those are two separate entities in terms of tone and style, at least based upon source material.
I think a comparison is warranted, if for no other reason than the success of the adaptation of LOTR. Though, I guess the real lesson is that condensing rather than expanding is what makes for a better film.
Depends on the source material. Imagine if Cloudy With a Chance of Meatballs hadn't expanded on the book, but instead not only followed the book but condensed where possible.
I am suddenly reminded of an argument in a comic called CAGES, between two Jazz musicians:
"Are you seriously telling me that 4/4 time is better than 3/4 time?!"
"[pause] Yes."
avatar wrote:• Dwarves: most of the company get no speaking lines. We still don’t know them after more than 8 hours. No excuse for that. For some strange reason Dwalin gets an emotional scene with Thorin, when he’s supposed to be strong silent type. That could have been better given to Balin or one of the others. Fili declares he's not going to stand around waiting out the battle, while standing around waiting out the battle.
My memory of the book was that Balin was my favorite dwarf, which is what made the discovery in Moria so heartbreaking. Sad to hear the movie's not giving him much to do.
• Ring – why doesn’t Bilbo wear the (what he thinks is an) invisibility ring all the time during battle? And into Dale.
In the book I thought he did, hiding for the entire battle until he's knocked unconscious. Or maybe that's just the old animated version.
redxavier wrote:That's interesting to consider I'll admit. How did Luke make his I wonder? Are we to imagine that ghost ObiWan was giving instructions? Not the kind of on the job training that's safe!
But I thought
Showthis was maybe an ancient sect of Force users rather a new one?
We don't know (or, at least, those of us ignoring spoilers don't know). That would, however, imply
Showit's an ancient design of light saber.
redxavier wrote:Vents make little sense to me, especially since lightsabres are a familar technology (why would it be unstable?).
Plot speculation would be that by the end of Return of the Jedi, only Luke knew how to make an official, up to code Jedi saber. Anyone coming to the force on their own, without a master (as the original Jedi obviously did) would be hacking together an original saber design.
Well, given the original treatment was even MORE like Hidden Fortress, I will politely disagree
Lucas was really into Japanese films at the time, so those were a major influence. Broadswords would never come to my mind looking at what he happily admits to borrowing from. Hell, apart from Excalibur, I can't think of where I've seen them used in a movie.
They also aren't anime in that they are animated in Korea. Korea, as anyone in that country will tell you, isn't Japan 
"Tomorrow! Tomorrow! The Edge of Tomorrow! The episode's always a day away..."
Japanese Katana's are used with two hands. You don't duel with broadswords 
https://www.facebook.com/Supportdorkman
Short update today. Surgery on the 22nd to replace the piece of skull they had to remove to give his brain room to swell.
Given all the other influences in the original movie, I'd say the Jedi are Samurai and the light swords are more like katana's. "A more elegant weapon."
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