Damn right I do.   

/five

I'm a big fan of having the key content of a site on the main page, whatever site that might be, so that consumers don't have to look hard to find what they came for.   So I agree with keeping the list of available commentaries most prominent on the front page, because (I assume) that's what most people will be looking for when they go to zarban.com.   

That said, an alphabetical click-thru is probably a good idea, because the list of commentaries is so long.    A random person might come to the site thinking "i wonder if there's a commentary for Wuthering Heights?" and hitting the W link will probably get them an answer faster than scrolling.

I also think, while we're on the topic, that that functionality is sorely lacking on DIF's page.   The archive section is far from ideal - unless you can recognize the tiny thumbnail of a movie's poster, it's very difficult to tell what commentaries are available here.   There aren't even <IMG> tags to pop up the movie title on mouse rollover.   Hell, I know what movies we've done and I have a hard time finding a particular one when I want to.  So it'd be nice to have an alphabetical text list option available here as well.

I've advocated Lethal Weapon more than once, I think it's a true classic.  But some of these kids I work with haven't even seen it.  ptui.

One of the areas where my movie-making knowledge is lacking is the topic of lenses.   I happily lean on the DP to deal with that, I just say stuff like "let's go wider" and they do something with pieces of glass that makes the picture embiggenate.  This is clearly some kind of dark wizardry and it frightens me.

So if you're looking for an answer like "we used the Canon Wogambo kit with a custom spleetch extender" then I can't help you.  Unless what I just said sounded like it could be true, in which case we'll go with that.   

But if you were looking for a more general answer, then I can say it looked to me like the same kinda lens package that I've seen being used on other shoots. So once or twice during the shoot I would get sneaky and say something like "let's try this with a 50" as if I knew what the hell that meant.   If I didn't like the result, then I would say "hmm, nah, let's go wider".  It seemed to work, and I recommend this clever trick to all directors.

Also, the lenses were all kept in a gray metal box with some writing on it, if that helps?

Could have done all five with just Jim Carrey, but to play fair:

1.  Eternal Sunshine of the Spotless Mind (Jim Carrey)
2.  Requiem for a Dream (Marlon Wayans)
3.  Hollywood Shuffle (Kim Wayans)
4.  Quiz Show (Kelly Coffield)
5.  Beverly Hills Cop (Damon Wayans)

Next:  Top Five awful performances by great actors