Topic: The Deathly Hallows Spoiler Train.
Thoughts?
I have a tendency to fix your typos.
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Thoughts?
***He beats Voldemort in the end***
end spoilers
***With the power of love***
no seriously
Actually it's rather more complicated than that and I'm really surprised that Rowling left introduction of the Hallows and the rules involved until the very last book, when she was so conscientious about dropping hints to everything else prior to that.
Although for some reason the introduction of the Hallows didn't feel as left-field in the movie as they did in the book, for me. And I loved the shadowplay animation they did to illustrate the fairy tale.
It's also not clear in the movie -- at least it didn't seem that it would be to someone who hadn't read the books -- that the reason Voldemort seeks the Elder Wand is because ANY wand he attempts to use against Harry will result in Priori Incantatem, not just the wands that share a core. Any, that is, except the Elder Wand.
The stakes could have been clearer, IMO, though as the kids weren't and couldn't do anything to hinder Voldemort's quest to find the Wand, perhaps it would have just made things feel disjointed.
Old spoiler: **Snape kills Dumbledore**
New spoiler: **because Dumbledore wanted him to**
Wow, huh? I know, right? Zow!
*blink*
Okay, I'll start. I said this on Twitter, but the movie curiously had no effect on me. I was looking forward to it, and I never wanted to leave. But if you said "Teague, what's your opinion of Deathly Hallows pt. 1," I wouldn't know what to say.
There's a weird difference between this and, say, Never Let Me Go, which was good but I didn't care too much. I could answer the above question with "good, but I didn't care too much." DH1 is just something that exists.
My thoughts are that it wasn't really necessary. It felt like an arbitrary movie. But I didn't not-enjoy it. And then again, I'm one of those folks who thinks Half-Blood Prince should have been two movies and Deathly Hallows should have been one, called "blah blah blah Horcruxes: Harry Potter and the Battle of Hogwarts."
Ditto that for me: re: the books. But my personal biggest disappointment with the last book was when I realized it was all a big setup for
**the Battle of Hogwarts, involving everyone, and everything we've learned about the place for six books**
I was all like, this is gonna be awesome.
And then... there wasn't nearly enough of it for me. It seemed like it was over before it had barely started. If the last movie fixes that little problem, I'll likely be a satisfied viewer.
Actually it's rather more complicated than that and I'm really surprised that Rowling left introduction of the Hallows and the rules involved until the very last book, when she was so conscientious about dropping hints to everything else prior to that.
Although for some reason the introduction of the Hallows didn't feel as left-field in the movie as they did in the book, for me.
It might be she didn't think of it until then and thus couldn't set it up (the problem with doing long series like this). The movies have the advantage in that they know what's coming and can ease into certain things better.
OHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH
THAT'S why Voldemort wanted the wand.
Makes sense.
As much as my love for the series runs deep deep in my veins, I have long been an advocate for the anti-HP movies brigade.
I just don't think an adaptation to film should have even been attempted, to achieve an even roughly accurate translation of the books to screen is while I don't think impossible, it would definitly be a huge risk, intensly difficult and I doubt any would have even touched it. So instead we get: a story that has been hacked and diced into so many tiny pieces and spit on by so many different people that it only barely recognizes the books in the broadest strokes and even then it's barely a fading echo of the books
and an over glamorized, sparkly universe that treats magic like the sort of spectacle that begs to be oggled at and not simply a day to day reality of these characters lives.
That being said, i have had absolutely zero desire to see these movies. I will...eventually. But they have screwed up to much, to often and I'm not prepared to give them my money for a first run viewing.
an over glamorized, sparkly universe that treats magic like the sort of spectacle that begs to be oggled at and not simply a day to day reality of these characters lives.
This makes it sound, to me, like you stopped watching at Chamber of Secrets. The mundane treatment of magic is one of the most significant aspects Cuaron brought to the series, IMO.
I'll admit it has been a while since I've seen them all, but one of the most striking things about the entire series that I remember has been the over glamorization of the magic...or rather maybe it's not so much the magic itself, but the world itself that has been glamorized or exagerted in such a way that ticked me off.
I've been meaning to go back and rewatch them all (Hell since I'm rereeading the entire series on audiobook right now, why not?), this would be a good excuse.
Although even if I am misremembering, nothing will ever forgive the story aspect of my arguement. ever.
I'll report back.
Last edited by BigDamnArtist (2010-11-20 06:03:21)
I think Maul's on to something.
I'm gonna compare the Harry Potter books to The Lord of the Rings now, knowing full well that comparison is flawed.
The Lord of the Rings movies were an adaptation of the story of the novel to the screen. The Harry Potter movies are an adaptation of the novels to the screen. If that makes sense to anybody but me.
I think it's possible that we might've gotten a better set of movies out of the deal if the series of books had been finished, and a decade or so had passed, and then somebody had decided to adapt the story. Bits that were beloved by readers but that had no real impact on the overall plot arc (and no, I can't think of any examples right now, leave me alone) could've been omitted, foreshadowing that was impractical or impossible in the novel could've been tightened up, and the whole finished product-for-the-screen might've been better for it.
Two of the things I liked so much about the novels were the world-building, and Harry's maturation as a character through his internal conflicts. Neither of those things translates very easily to the screen.
I think it's possible that we might've gotten a better set of movies out of the deal if the series of books had been finished, and a decade or so had passed, and then somebody had decided to adapt the story. Bits that were beloved by readers but that had no real impact on the overall plot arc (and no, I can't think of any examples right now, leave me alone) could've been omitted, foreshadowing that was impractical or impossible in the novel could've been tightened up, and the whole finished product-for-the-screen might've been better for it.
I think that's always going to be the case. When you can focus on the entire saga instead of one book at a time, it becomes much easier to cut and arrange the story. Casting also becomes better, if you know where characters are going and not just where they're going to start. You also now know that minor things that otherwise wouldn't get films are in fact needed to make the ending make sense.
That said, at least Harry Potter isn't getting the TV anime treatment. They would have quickly adapted the books until they caught up to the current volume, then created "filler" shows where nothing happens for a year until the next book came out and they could again go back to the plot.
You also now know that minor things that otherwise wouldn't get films are in fact needed to make the ending make sense.
*cough*Dobby*cough*
Hmm, what? Oh nothing.
I go every year. I don't know WHY I go every year when one of these movies comes out. They've never been anything but dry and emotionless retellings of of the books, accompanied by mostly uninspired CG effects (which may be technically brilliant but very little else). I was always within one year in age from the subjects of the books, and I grew up with them, I've read them all at least a dozen times. And I can honestly say that none of the moments in the books that made me gasp, tear up, laugh aloud, feel my heart thumping, or get goosebumps all over have ever managed to recreate those results on the silver screen- if they were included at all.
They aren't bad movies. I would rather someone had seen all the movies and not read the books than never enjoyed any of it... but the movies don't compare at all the books.
It's like reverse Tolkien. When I was in my Tolkien phase prior to and during the films, I read Tolkien because I wanted to learn and explore the world- and while the stories told are fascinating and well written, I never really FELT the thrills and chills and laughs. When I watch the films, though, man. It all comes to life, and by the time the combined might of Rohan stands across Pellinor Field screaming for death, my nipples are INVARIABLY hard.
The difference is that I genuinely enjoyed reading Tolkien, and having read the books enhanced the films. And in a way, having seen the films has enhanced more recent readings of the books. The only way in which the films enhanced my enjoyment of the books was by teaching me how to properly pronounce Hermione, and also teaching me that I really wanted to fuck Hermione.
Last edited by Kyle (2010-11-21 06:55:02)
The only way in which the films enhanced my enjoyment of the books was by teaching me how to properly pronounce Hermione, and also teaching me that I really wanted to fuck Hermione.
Truer words have never been spoke...
and oh, yeah the rest of what you said was pretty good too.
Alright so I just got back from watching this...and I gotta say..."Now thats a goddamn Harry Potter movie!...almost"
I'll explain...through pretty much the entire movie I could feel this sense of "We are trying to make this a goddamn amazing movie, but we've got these six shitholes dragging us down." But maybe that's just me projecting.
One of my favorite moments of this was the "Hey I'm Bill Weasley, you were supposed to meet me three movies ago but I wasn't deemed important enough, but I'm here now!"And I can essential make the exact same point for Mundungus Fletcher, Dobby (Hey you haven't seen me in 4 years, but my death is important to you dammit!), etc etc etc.
BUT all that being said, I really really freakin enjoyed this one...and I will to place the blame for that ENTIRELY on the fact that they weren't trying to cram 800 pages into 2 hours.
Also I've had an epiphany on why I hate how to magic is portrayed in all the movies. It really all comes down to disproportionate levels of magicality placed on various objects. I'll explain. Take the Marauders Map and The Ministry of Magic for instance.
In the book the Marauders map is described as a nondescript piece of old parchment that could easily be overlooked and mistaken for exactly that, a piece of old parchment someone dropped. And when activated, it holds a map of Hogwarts with tiny figures of people moving around with thier name scrawled in tiny letters beside them.
Now, in the movie, the Marauders map is granted a piece of old parchment...about 3 inches thick once it's all folded up.I mean seriously, has anyone counted just how many little fold out doodads and thingamjigs make up that "scrap of parchment", I mean seriously people! And once activated it's a map of Hogwarts granted (That when unfolded is about 6 foot square, very convenient for sneaking around at night, no?)except that everything is all unnecessarily fancy, the entire map is made of words and the names of the people are scrawled out halfway across the thing in weird curling letters. Really? This is the map that 4 misfit boys would have made at school? Really?
Now The Ministry of Magic. In the book it's described as...well a government building...your local city hall, with a few small improvements (Flying letters, fireplaces etc. etc.).
But in the movie, it's this twisting, turning, multicolored menagerie even Tim Burton wouldn't accept. With walls that extend beyond visibilty and...everything' shiny, even the dungeons (You know those "Rough stone walls" to quote miss Jk herself) look like something from a Lady Gaga music video.
EDIT: Just a clarification. I freakin LOVE the design of the Ministry of Magic; it's this amazingly fantastical impossible yet there-it-is type of space that would work awesome in any other movie that wasn't titled Harry Potter.
Part of the charm, for me at least, about the entire Harry Potter seriously was the utter British drollness of it all. Even the Ministry of MAGIC is just another parliament building where politicians clock in and clock out. And that's what's gotten lost in the movies. It feels like the filmmakers went, "Hey, there's magic here right? So let's make everything SUPER MEGA MAGICALLY AWESOME!!!!" Which for me, is the exact opposite of what JK Rowling was trying to create with the series.
But then...thats just me.
PS. Bill Nighy as Scrimgeour...HEEEEELL YEEEES
PSS. My god Emma Watson, give a man a break would you?
Last edited by BigDamnArtist (2010-11-23 12:14:50)
I have to admit, I'm with Teague on this one, mostly. As soon as it was over I said to myself, "well, that was half a movie." The last few Potter movies have felt more and more like Cliffs notes versions of abridged versions of the novels, and while Yates et. al. did a fair job choosing which moments to draw out, the whole thing feels like a race to cover what plot points they did choose to show.
*Dobby's death scene for example, could have been extremely moving, but rather than take a few extra beats to let the moment happen, they spent that time doing the whole thing with the slow-mo knife thing. They arrive at the beach and I had to go, "isn't that Bill and Fluer's place in the far background?"; they don't even establish where the characters have just arrived. They go right from Dobby's dead, to let's bury him; I felt like shouting "can we get a moment here people!" The same thing happened with Harry's wand: "Sorry, your wand broke during our escape" "Doesn't matter, give me yours, I'll take first watch" Or in Godric's Hollow, I was really looking forward to the scene at Harry's parent's house, but the whole scene is over as quick as Harry can say "My parents died here," and then it's off the cover the next plot point. Take. A. Moment. People.
Now, I get that there is a lot of plot to convey, and I don't know how you would have done it all in a single movie, so in that respect I'm glad there is simply more time to get it all out. I think the biggest failing here is that everything happens so fast, I didn't feel anything; there's no time for emotions to play out. A little bit would have helped, I mean the movie's already 146 minutes; will taking the extra few seconds here and there really make it that much longer?
All in all I'm still looking forward to Part 2, and not just in a completionist vein. I'm looking forward to The Battle of Hogwarts, but I hope they do more with it than they did with the Death Eater invasion in HBP. I hope they figure out how to convey the idea of how and why wands work the way they do, as well as Harry's death, vision, and resurrection.
Oh, and is it just me, or did Death in the animation (very cool btw, bravo) bear a fairly striking resemblance to General Grievous?
Oh, and is it just me, or did Death in the animation (very cool btw, bravo) bear a fairly striking resemblance to General Grievous?
It's not just you. Though I didn't pick up on that precise character until I read what you wrote, I knew that Death looked oddly familiar.
One of my favorite moments of this was the "Hey I'm Bill Weasley, you were supposed to meet me three movies ago but I wasn't deemed important enough, but I'm here now!"
Yeah. Not to mention that he couldn't have been much older than Harry, even though he's supposed to be a good 10 years older.
Now, in the movie, the Marauders map is granted a piece of old parchment...about 3 inches thick once it's all folded up.I mean seriously, has anyone counted just how many little fold out doodads and thingamjigs make up that "scrap of parchment", I mean seriously people! And once activated it's a map of Hogwarts granted (That when unfolded is about 6 foot square, very convenient for sneaking around at night, no?)except that everything is all unnecessarily fancy, the entire map is made of words and the names of the people are scrawled out halfway across the thing in weird curling letters. Really? This is the map that 4 misfit boys would have made at school? Really?
While it sounds fine in the books, I'm not sure how a foot-square piece of old parchment could hold the entire grounds of Hogwarts simultaneously and have it all be legible. The fold-out part makes more sense to me, looking at it.
As for the 4 misfit boys, it's unclear how certain enchantments work. Obviously the map generates new information constantly, based on what's around it -- the boys can't very well have programmed "Harry Potter" into the map, after all. For all we know, when you enchant a piece of parchment to display text, it's automatically going to display it in the fancy writing. Maybe you have to do different charms to get different typefaces and the fancy one is the easiest.
Now The Ministry of Magic. In the book it's described as...well a government building...your local city hall, with a few small improvements (Flying letters, fireplaces etc. etc.).
Not exactly:
The door of the telephone box sprang open and Mr. Weasley stepped out of it, followed by Harry, whose mouth had fallen open.
They were standing at one end of a very long and splendid hall with a highly-polished, dark wood floor. The peacock-blue ceiling was inlaid with gleaming golden symbols that were continually moving and changing... The walls on each side were paneled in shiny dark wood and had many gilded fireplaces set into them... halfway down the hall was a fountain. A group of golden statues, larger than life-size, stood in the middle of a circular pool... hundreds of witches and wizards...strode toward a set of golden gates at the far end of the hall...
Harry followed Mr. Weasley through the gates into the smaller hall beyond, where at least twenty lifts stood behind wrought golden grilles.
(Harry Potter and the Order of the Phoenix, American Hardcover edition, pages 127&129)
A kid's jaw isn't going to fall open at your local city hall. It's clearly meant to be an opulent and fantastical space ("hall" as in open gathering place, not hallway) that has become mundane to the wizards who work there but to an outsider is, apparently literally, jaw-dropping.
It's not entirely unreasonable for a government building, either. The halls of the U.S. Congress are pretty impressive, with all the marble and such everywhere. The Ministry hall looks like a combination government building and British Underground station (they're big on the tile). It's just...moreso. Which is well in line with Rowling's description (via Mr. Weasley) of the wizarding zeitgeist as he expresses it at the Quidditch World Cup:
"Always the same," said Mr. Weasley, smiling. "We can't resist showing off when we get together..."
It's not at all that Rowling's vision of the magical world is one just as mundane as ours, but with flying paper airplanes instead of interns couriering memos. The magical world is totally fantastical -- but everyone who lives there is completely desensitized to it. Except Harry, who mostly gets used to it as the years go by but can still be surprised -- as when he first sees the Ministry entrance hall.
I agree that that was the problem in the early (Columbus) films -- any time someone so much as said the word "wand" the music would swell and they'd blow wind and smoke in everyone's astonished goddamn faces. But I really think that starting with Cuaron they've curbed that impulse for the most part, and the big magical moments in the movies pretty much match the ones in the books.
Although I agree that they are racing so fast through the plot that they miss the emotional beats of the story -- and are also hindered, as you point out, by not having sufficient set-up. After his intro in Chamber of Secrets, Dobby appears in books 4, 5, 6, and 7 and provides crucial help for Harry and his friends every time, so in book 7 it feels right that he's helping and it's emotionally wrenching when he gets killed. I think, reading the book, I cried hardest at Dobby's death. But we haven't seen Dobby in a movie in eight years, and last time we did he was kind of annoying, so when he just shows up and then dies right away it's kind of just a hollow moment that feels tacked on.
While it sounds fine in the books, I'm not sure how a foot-square piece of old parchment could hold the entire grounds of Hogwarts simultaneously and have it all be legible. The fold-out part makes more sense to me, looking at it.
Says you Mr. Dorkman, with the Ipad?
A kid's jaw isn't going to fall open at your local city hall. It's clearly meant to be an opulent and fantastical space ("hall" as in open gathering place, not hallway) that has become mundane to the wizards who work there but to an outsider is, apparently literally, jaw-dropping.
It's not entirely unreasonable for a government building, either. The halls of the U.S. Congress are pretty impressive, with all the marble and such everywhere. The Ministry hall looks like a combination government building and British Underground station (they're big on the tile). It's just...moreso.
Alright, I think I can give this one to you, nail it down to just my mis-interpretation of the books when I was reading them that stuck with me.
Alright, I think I can give this one to you, nail it down to just my mis-interpretation of the books when I was reading them that stuck with me.
That's the nature of books, everyone is going to have their own mental image of how things are suppose to look. Hell, it's easy to assume the characters look the way you want them to despite how they're described (as a kid I ignored all descriptions of skin color, leading to confusion when seeing author approved artwork of certain characters later ^_^)
I just remembered another moment I missed, though it would have slowed the opening, which I kind of liked: I was really looking forward to the emotional closure between Harry and the Dursleys, specifically Dudley. They got a really nice moment in the book, here there's all of one line about "We have to leave, it's not safe here."
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