Re: Star Trek Into Darkness
There was a rumour started by Karl Urban that he'd be playing Enterprise Crewman turned God Gary Mitchell. That would have been awesome.
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There was a rumour started by Karl Urban that he'd be playing Enterprise Crewman turned God Gary Mitchell. That would have been awesome.
There was a rumour started by Karl Urban that he'd be playing Enterprise Crewman turned God Gary Mitchell. That would have been awesome.
I was disappointed that it wasn't the case. The comic adaptation of "Where No Man Has Gone Before" was pitiful.
There were also early rumors that the villain was Harry Mudd. Did anyone else catch the little shout-out to him? I giggled.
There were also early rumors that the villain was Harry Mudd. Did anyone else catch the little shout-out to him? I giggled.
I did and rolled my eyes a bit. Harry was a great character but not a dynamic villain. IF they are going to go that route, bring out Cyrano Jones!
I've never been so completely in-line with a review before. This guy totally nails my feeling of the thing.
I've never been so completely in-line with a review before. This guy totally nails my feeling of the thing.
Okay, so aside from my complete disagreement with his premise, the article ends with a list of ridiculous "plot holes" that are all answered perfectly in the course of the movie. This guy is no better than the people who make those annoying "Everything Wrong With X in 5 Minutes" videos.
They needed a line-of-sight to beam him out, and they couldn't get one without revealing the ship to the natives. This was the entire point of the opening sequence, so how he missed this is baffling.
"Why does Kirk kick Scotty off the ship for refusing to use the torpedoes, and then decide to capture Harrison rather than use the torpedoes?"
Kirk kicks Scotty off the ship for refusing to follow his orders. He captures Harrison because killing someone without giving him a fair trial is unjust, which is discussed at length.
"Why does Kirk promote Chekov (Anton Yelchin) to run engineering instead of someone who’s actually an engineer?"
He says that Chekov has been shadowing Scotty, and he has a personal relationship with Chekov, so he trusts him. Also, Chekov showed a flair for engineering in the first film.
"How would Admiral Marcus keep a gigantic dreadnaught filled with private security officers a secret?"
Who said it was a secret from anyone but Starfleet higher-ups?
"Why does Khan run away from Spock when Khan is physically and intellectually superior?"
Spock is a Vulcan, so it's not like he's some puny human. He doesn't measure up to Khan, but when Spock punches him he reacts, unlike when Kirk does so, so clearly Spock is more of a threat.
"Why do they need Khan’s super-blood when they have 72 other genetically enhanced people already on board the Enterprise?"
This one bugged me too. However, Bones has no guarantee that the rest of Khan's crew will have the same blood effect as he does. Safer to get Khan if he still can.
"If Kirk is sent on a secret mission to retrieve Khan after Khan attacks the Starfleet officers’ meeting, then does that mean Starfleet had no official response to the direct attack?"
What?! Just because we don't get a scene of the Starfleet press conference means that they didn't have an official response? It wasn't relevant.
And yeah, his whole review is based on the idea that Abrams is just stealing moments from the original series. In my opinion, he repurposes them in an original context. They work even if you have no knowledge of the originals. The review comes across as the whining of a butthurt fanboy and not an actual review. I found it really irritating.
Last edited by Doctor Submarine (2013-05-16 20:27:45)
My big takeaway from the film, in a nutshell, is the classic case of "we had a thousand scenes we wanted to use, from thirty different drafts, and we picked our favorites and put them in order." The throughlines are weird and inconsistent, plots fall by the wayside or go nowhere, it's just kind of a mess. See Crystal Skull, for instance.
Which was also the case with Star Trek, but I didn't care as much. I'm interested in trying to figure out why it didn't bother me last time and did this time.
But my initial post above refers to the idea that - whether or not it works - the decisions to
are all incredibly unusual, and may well be the decisions of an insane, misguided or, indeed, retarded person. I'm switching to the word "dumb," now, because I'm uncomfortable with the alternative. I'm not saying I think the implementation was dumb - I do think that, but it's not my point - I'm saying that that he made that decision at all is terrifying. I'm questioning the judgment of a director interacting with fan-beloved material.
Think about what it means that JJ made those decisions, separate from how they played out and if they worked for you. Those are the decisions of someone who is way too comfortable fucking with the holy moments of a franchise. Obviously if the director of a reboot like this feels trapped by the scripture of the series to date and doesn't want to mess anything up, we end up with a stagnant, tepid piece of shit movie. You need to be able to make a hard call once in a while and say "yep, gonna have to mess with this very important thing to tell the story I want to tell." That's a necessary quality. And bear in mind, I don't care about Star Trek that much.
But I know that getting elbow-deep into one of the most iconic, moving and memorable moments of the entire series and seeing what happens when you cross the wires - in a context completely separate from what made them good decisions that worked the first time around - is not the behavior of someone with an abiding respect for the material, either. It also smells suspiciously like someone who didn't understand why they worked in the first place.
Imagine I had told you last year that the
What does you, one year ago, say to that? At best you say "are you... are you serious? I really don't think he can pull that off." Because your instinct there is that that is way, way, way insane. That's not a guy out to tell his own story in a universe he respects. That's a drunk at the wheel. At best, that's a guy making unmotivated, major story decisions "because they rhyme." See what I'm sayin'?
My opinion of the movie aside, which I'm still forming anyway, those decisions being made at all scare me. Because now I have no idea exactly how much... heh, entitlement, I guess, JJ feels when he directs these things. I'm worried he's gone too far in the opposite direction of being a slave to the material. I think he might consider himself the master of it, in some odd way.
You know white privilege? Male privilege? My concern is the possibility of some latent, below-his-own-radar "JJ privilege."
Haven't seen the movie, might see it eventually. Not feeling much of a need yet. So I've read all the spoilers because I don't care.
Although the previous Trek wasn't perfect, what I liked most about it was the rather ingenious way it managed to free Trek from decades of continuity that had made it pretty much impossible to do anything interesting with the franchise. And I'm still hopeful that JJ will do something similar with Star Wars, because it could use the same sort of canon-ectomy.
But yeah, based on the description of this new movie, it seems like that noble intent has been totally negated and replaced with simply dumping the Lego box of Fan Faves on the floor and reconnecting the pieces in random order. It sounds like a fanfilm made by someone who's not actually a fan. (See also Spaceballs, a comedic version of the same problem).
See, I don't feel that way at all.
The reversed death scene works because it's the culmination of both Kirk and Spock's character arcs. In Wrath of Khan it's a great scene, but it doesn't carry as much weight to the overall plot of that movie. Into Darkness builds up to that moment. And yeah, Spock gets to shout Khan's name. Most people in my theater laughed. I smiled too. But emotionally, it's justified.
Well. Then. Your mother dresses you funny!
Dont talk about my outfits that way!
Completely agree with Teague, the last 3rd of the movie is like some horrible piece of fan fiction.
I can't fathom why someone in Abrams' position would even attempt to do something so misguided, and this only confirms all of my fears about Star Wars ep.7 (though at least he's got a good writer on that one).
I feel like Into Darkness fell into the same trap that (as I understand it) Superman Returns did, where the movie is a squeal, the story is a remake and the characters are a reboot.
But Bryan Singer did apologize for essentially not keeping his ego in check with Superman, So maybe JJ will lighten up in a few years. Or not.
FWIW, io9 - my go-to site for intelligent genre reviews - is also dispeased at being served reheated fan service instead of a story.
Devin Farraci, who I normally vehemently disagree with, has a dead fucking on spoiler write-up as well about why its a terrible movie: http://badassdigest.com/2013/05/14/star … er-review/
Last edited by bullet3 (2013-05-17 01:14:37)
You guys have a very loose definition of what a "terrible movie" is.
You guys have a very loose definition of what a "terrible movie" is.
Well, even without having seen the thing, I'm confident it's not "terrible" on the scale of Battleship or Transformers.
I suspect the added outrage may be due to the first one being not-perfect, but at least fun, and a promising start for a new direction for the material. Promptly followed by a face-plant.
But it's early yet, too soon to know for sure if we've got another Matrix Reloaded or Iron Man 2 on our hands here.
Doctor Submarine wrote:You guys have a very loose definition of what a "terrible movie" is.
But it's early yet, too soon to know for sure if we've got another Matrix Reloaded or Iron Man 2 on our hands here.
Not even CLOSE. Oh man. I don't know how anyone could put it in that company.
No no that sounds about right to me
I was leery of this film from the outset, being only not totally put out by the first of the Abrams' trek. I moved into the point of not caring when I got the first of the "spoilers" early on without it even really being "spoiled" I'm thinking this is one of those movies which is going to wait til I can watch it for $3 from the comfort of my living room, possibly while listening to the WAYDM fix-it show.
Spoiler -
I'll put it in Matrix Reloaded territory, though its better than Iron Man 2 on the strength of its action sequences.
I think the disconnect is happening because most of the action sequences are impressive and well staged, and most of the throwaway character banter is fun and works. This, combined with the story approach of keeping the audience in the dark until 60% of the way into the movie, allows it to feel like the movie is working as you're watching it, because you're giving the movie the benefit of the doubt that it will all make sense and that the movie knows what its doing. I think this is why its so high on RT (I hope that number goes down after the weekend, lest the bar for what a "good" movie is drop even further).
Of course, what you realize when you walk out, is that basically everything related to the actual STORY of the movie is an absolute mess and fails miserably, and the stuff they pull in the 3rd act is such awful fan-wank bullshit that it kills any good will the movie may have built up. This REALLY feels like Crystal Skull in the way that there's multiple plotlines and character arcs that go completely no-where or just disappear from the movie.
I think the movie will only get worse on repeated viewings, and it seems dumber and dumber the more you think about it. So many stupid choices.
You guys have a very loose definition of what a "terrible movie" is.
It's not terrible, but theres just not much to like about it either.
Of course, what you realize when you walk out, is that basically everything related to the actual STORY of the movie is an absolute mess and fails miserably, and the stuff they pull in the 3rd act is such awful fan-wank bullshit that it kills any good will the movie may have built up. This REALLY feels like Crystal Skull in the way that there's multiple plotlines and character arcs that go completely no-where or just disappear from the movie.
I think the movie will only get worse on repeated viewings, and it seems dumber and dumber the more you think about it. So many stupid choices.
Could you be more specific? Besides the fact that the 3rd act stuff didn't bother me at all, the plot made perfect sense to me. To compare it to Crystal Skull is being extremely unfair.
You guys can nitpick all day long, but it's a fun summer movie, nothing more and nothing less. And it certainly doesn't have any higher ambitions, so I can't fault it. Like The Mummy!
Last edited by Doctor Submarine (2013-05-17 02:36:18)
Well, you asked for it.
2. You have like 5 different people tell Kirk he's about to unleash a war with the Klingons, only for the Klingons to completely vanish from the movie after 1 scene, with no mention of them afterwards (presumably this is something that will matter in the sequel, but its a pretty GIANT loose thread and sloppy storytelling, why introduce them in the first place if they're just going to be a plot device in 1 scene).
3. 2 villains, both under-developed.
We know nothing about Khan for half the movie (neither through background, nor through his actions, aside from the fact he knows kung fu), then have him suddenly break out into a monologue to explain his entire backstory in a single scene. Wrath of Khan sort of does this too, but it also gives you lots of time with him to show you the guy's character, he's theatrical and has a personality. All Cumberbatch does is stand around and glower at people, he's super wasted and not given a personality. I actually thought they might be doing a cool thing here where in this timeline he'll be a good guy and team up with Kirk, but nope, gotta callback to Wrath of Khan.
Admiral Marcus is also super under-developed, he wants war with the Klingons because??? He's been building weapons tech in secret in a giant secret military facility over by Jupiter, which coincidentally has 0 security of any kind, then when Kirk uncovers this plan, he PERSONALLY pilots a ship to murder him and dispose of the evidence? That's like the president of the US personally flying an F-22 to blow up the 9/11 truthers.
4. Carol Marcus, what the hell is she even doing in this movie. You'd think she's there to be a romantic foil for Kirk, but the movie doesn't have time for that, so we'll just throw in a bikini shot of her for no reason and move on. If the movie narrowed its focus and only had 1 antagonist, the admiral, then she might have some interesting interplay there, but as it is, she's completely useless to the story (she literally gets beamed to her father's ship, gets her leg snapped, beams back aboard the enterprise, and vanishes).
5. Speaking of security, both Earth and the Klingon homeworld apparently have no defenses or any ships in orbit of any kind, a lazy oversight done purely so that the Enterprise won't be able to call anyone for help.
6. The awful 10 minute stretch where they butcher the most iconic scene from Wrath of Khan. Spock and Kirk have been friends for like a year at this point, this moment is not at all earned. It serves no character purpose, because Kirk has needed to learn humility, not self-sacrifice, and its a complete fan-wank waste of time anyway, because we've established Khan's magic blood already, so we know Kirk's not going to die anyway. If they actually had the balls to go through with it and kill of Kirk permenantly, I might actually be ok with this moment, but as is, it's terrible. And Spock yelling "Khan!!!" is such an unfathomably bad choice, something straight out of an SNL parody, I still cannot believe they did it.
7. The aforementioned magic blood is the kind of thing that would get you kicked out of a 1st year screenwriting class. Not only is it a cheap copout, but it re-fucks up the Star Trek canon that the last movie cleverly freed us from. Now these characters exist in a universe where you can at any moment teleport to any other point in the universe, and be brought back from the dead with magic blood.
And that's not even getting into the fact that Kirk is a total utter fuck-up, and would be in jail at the end of the movie for getting the city of San Francisco flattened by a giant space-ship.
I am seriously not reading spoilers right now (thanks for using the tags by the way guys.) and really looking forward to this movie, if for no other reason than to find out which side I'll end up falling on
I would like to ask those who have seen it to place it next to Trek 09 and say better or worse?
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