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Friends In Your Head | Forums → Off Topic → Tim's Vermeer
Could you give me a cropped version of each? Basically, the image above, cropped like it is, but presented separately instead of as one overlaid image?
My first thought is that you're right and it has to do with lens distortion, but once I run a couple tests on it I'll have a better sense of things.
For those who haven't seen the film, look at Tim's version and reflect on the fact that Tim had never picked up a paint brush before starting the project. This was his first attempt at color, even. His handful of tests had been black and white.
For anyone with an interest in both art and imaging technology, this film is a must-see. It's just a fascinating--charming--look at a smart guy obsessed with solving a mystery.
Really enjoyed this doc. It reminded me of something Adam Savage would do.
Art meets science and technology.
What the guy did is great. The doc itself, however, is structured a little too much like a pseudoscience film. The whole them against the art world part is exaggerated if not just made up. They compared works painted 500 years apart and implied the jump in realism was sudden and thus mysterious. I'd love to know if Penn did this intensionally, or if he just relied on the wrong people for his info. Given this was his friend he was filming, more benefit of the doubt may have been given to his beliefs.
Friends In Your Head | Forums → Off Topic → Tim's Vermeer
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