Re: Does Toy Story 3 actually suck?
Ugh. Why do you keep linking to obnoxious people. I am constitutionally opposed to listening to Kevin Smith or Confused Matthew for any length of time.
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Ugh. Why do you keep linking to obnoxious people. I am constitutionally opposed to listening to Kevin Smith or Confused Matthew for any length of time.
I jumped on the grenade.
tl;dl for everyone, he hated it because it deliberately made no sense, which effectively makes it critic-proof and an inferior conduit for wisdom you might otherwise garner from a film that "makes sense." He thinks they're hiding behind nonsense because they can't make real sense anymore.
Basically, he's the exact opposite of paulou. Discuss.
CM pretty obviously doesn't pay close enough attention when he watches movies in general. You bring that shit into CLOUD ATLAS' house and you're gonna have a bad time.
I'd be the first one to agree with him if he were talking about the MATRIX sequels, though.
Last edited by Dorkman (2013-02-02 19:36:03)
Well, while I can't stand Confused Mathew (so tired of obnoxious nitpickers on youtube), you'd still have to go a long way to convince me Cloud Atlas is anything but a misguided failure. Well intentioned, ambitious, and smartly edited, but a bad movie nonetheless. I'll wait until the DIF on it, but I don't think you'll sway me on this one (and I'm hardly in the minority judging by both the critical and commercial response).
Ugh. Why do you keep linking to obnoxious people. I am constitutionally opposed to listening to Kevin Smith or Confused Matthew for any length of time.
Sorry, I didn't realize you felt that way about Kevin Smith in general (I merely assumed you did regarding Confused Matthew). I don't link this stuff with the express intention of pissing off you or anyone else. I'm interested in the discussion of film criticism and how it's changed, good and bad. I'm curious about the different methods and criteria people have when perceiving art and any sort of value to be pulled from it, even from the "obnoxious" ones, through a point/counter-point exchange.
Let me be clear, I strongly disagree with Confused Matthew a majority of the time, but I'll at least hear him out, as he's only asking for a few minutes out of my day and I would want someone to show me the same courtesy. Besides, even if I don't agree with his opinions, I can usually be entertained by them (or laugh hysterically at how angry he gets, to the point where he's not even reviewing something, like The Avengers). I'm open to a different opinion and hope to find, between all the yelling, something I had not considered before or even noticed.
So far, the only review of his I can't seem to bring myself to watch is his episode on "No Country For Old Men". Apparently, he considers it "objectively bad", similar to Brian Finifter's feelings on "Spider-Man 2". I hope to one day get to a place where I can hear him out without weeping for humanity.
courtesy.
There's nothing courteous about the way that chump is engaging the movie or his audience. Made it about thirty seconds in.
So far, the only review of his I can't seem to bring myself to watch is his episode on "No Country For Old Men". Apparently, he considers it "objectively bad", similar to Brian Finifter's feelings on "Spider-Man 2". I hope to one day get to a place where I can hear him out without weeping for humanity.
He has a point though, NCFOM is objectively bad. Roger Deakins' cinematography is the only good thing about that film.
I jumped on the grenade.
Me too, or at least 7 minutes of it. I've heard of this guy a few times, so i figured I'd see what the deal was. So - he didn't like the movie. I gave him seven minutes to elaborate on why, but he didn't have anything.
One of the very few specifics he gave was that that CA didn't make any attempt to tell you "when or where you are". Considering every new segment in CA is introduced with a title that says exactly when and where you are, I'm not swayed by that argument.
To be fair, I only listened to seven minutes - so if he delivered any actual content afterward then I missed it. But then he posted his piece after walking out on CA, so I say we're even.
It's okay to not like Cloud Atlas, and it's okay to post a content-free 11 minute rant to say so. He says it's not a movie review, so fair enough. I don't see the point of listening when there's no actual insight being offered, but hey, free country.
I'm not pissed off that you're posting the videos, but I know I will be if I watch them. If you think Smith (who I've given up on in the last few years -- anything before he discovered pot is entertaining enough) or Matthew have an interesting point, I'm happy to discuss the point if you summarize it here. But I don't have the patience to sift through their blather to find it myself.
Actually, John - you linked CM because of what he was saying about criticism in a larger sense, so I'll touch on that. He seems to be saying - I'm paraphrasing - "If you don't like my movie, it's only because you didn't understand it" is not a get-out-of-criticism-free card.
I actually agree that can be used as an attempt to deflect criticism of a thing that's genuinely bad. But it can also be true.
CM's argument falls apart because he doesn't offer any criticism - he doesn't cite any specific reason why he thought Cloud Atlas was bad, other than the one I mentioned earlier which is provably wrong.
So he's right to say that "if you criticize my movie, that means you didn't get it" is a lame defense. But "your movie was stupid and I didn't like it" isn't criticism. He really didn't understand it, and didn't even watch the whole thing to attempt to try.
I can understand that. In those last couple minutes of the video (after Trey walked away), Matthew expresses confusion over Roger Ebert's belief that Cloud Atlas was one of the best films of the year, even though he admittedly didn't fully understand it. I think Matthew feels that to be a contradiction of sorts, or that one cannot occur without the other.
I'm not sure I agree. There are lots of films I love but don't understand or "get", simply for how they effected me or my experience of them. Alternatively, there are films that I didn't understand AND didn't like, such as Mullholland Drive. I think the key distinction is that once Mullholland Drive had been explained to me (by DiF), I came to the conclusion that I still didn't like it because I felt the movie failed to adequately explain those things to me and I found the execution of telling that story to be very poor.
I think Matthew's view that understanding or not understanding a film equates to it being good or bad is a bit too simple-minded. It's never that cut and dry.
objectively bad
And I just started to think we were getting somewhere.
At the start, he yells at the movie for having "No characters, no plot, no story", which is similar to his rant about The Avengers. Though I haven't seen Cloud Atlas, I'm willing to declare that statement isn't true, just off of having seen that 5-minute trailer.
My reaction to Cloud Atlas is the same as Ebert's - I think I said almost exactly the same thing in our Best/Worst episode. And I'm more often the nitpicky "hey, this doesn't make sense" guy than not. For example, obviously I have issues with Looper for "not making sense" - so what the hell, right?
From what little I knew about Cloud Atlas going in, I assumed I wouldn't like it. And on first viewing I was right. I was expecting it to "make sense" and it doesn't. By which I mean, not everything fits together into a neat little completed puzzle by the end. I think I assumed it would be like Memento - at the end there would be a grand "a-HA!" that pulled everything together. Except... that never happens.
But once I knew that... on my second viewing (just like Ebert) I didn't try to "figure out" all the story connections, and I just watched the movie. And then it did make sense - it's a movie about how our lives are connected in all sorts of ways we may never realize, and what we do can have unexpected and profound repercussions.
Turns out Cloud Atlas tells that story beautifully - it was my fault for expecting it to hard-connect all the dots for me the first time. Instead, it's full of echoes and loops and connections that go all over the place in all sorts of ways. It's not linear, and if you expect it to be, then no - it doesn't "make sense".
I absolutely understand why that's not everyone's cup of tea - hell, it's usually not mine - and yet Cloud Atlas falls into that rare category of "I should hate this, but somehow I don't". So I'm not surprised it bombed. It was just luck that I had it on DVD, so I was able to say "meh, maybe I'll watch that again" when I'd never have made the effort to see it in a theater twice.
So- sorry Matthew, but my advice is to be like Ebert and me. If you haven't seen Cloud Atlas yet, or are willing to give it another shot - don't try to "figure it out" as you watch it. Just roll with what's actually happening onscreen from minute to minute. You still might hate it, but at least you won't be distracted by looking for something the movie isn't trying to deliver.
In those last couple minutes of the video (after Trey walked away), Matthew expresses confusion over Roger Ebert's belief that Cloud Atlas was one of the best films of the year, even though he admittedly didn't fully understand it. I think Matthew feels that to be a contradiction of sorts, or that one cannot occur without the other.
I'm not sure I agree. There are lots of films I love but don't understand or "get", simply for how they effected me or my experience of them.
I'll go so far as to say that needing to take time to wrestle with a film in order to fully understand it is precisely what makes certain films great. It's occasionally difficult to know which films have more under the surface and which don't, although as we've talked about on the show before there's usually a sense of "Okay, movie, you seem to know what you're doing even if I can't sort it out." Whereas Matthew seems to think "I can't sort it out and that's your problem."
Out of morbid curiosity I tried to give the video a chance and, as expected, I had no patience for his attitude and had to turn it off less than a minute in. Just the fact he walked into the theater prepared to take a phone call if one came in, because fuck it -- that's not the mindset of someone who is willing to engage with a film. Why he does film reviews when he only wants to look at films, not watch them, is beyond me.
Dorkman wrote:Ugh. Why do you keep linking to obnoxious people. I am constitutionally opposed to listening to Kevin Smith or Confused Matthew for any length of time.
Sorry, I didn't realize you felt that way about Kevin Smith in general (I merely assumed you did regarding Confused Matthew). I don't link this stuff with the express intention of pissing off you or anyone else. I'm interested in the discussion of film criticism and how it's changed, good and bad. I'm curious about the different methods and criteria people have when perceiving art and any sort of value to be pulled from it, even from the "obnoxious" ones, through a point/counter-point exchange.
Let me be clear, I strongly disagree with Confused Matthew a majority of the time, but I'll at least hear him out, as he's only asking for a few minutes out of my day and I would want someone to show me the same courtesy. Besides, even if I don't agree with his opinions, I can usually be entertained by them (or laugh hysterically at how angry he gets, to the point where he's not even reviewing something, like The Avengers). I'm open to a different opinion and hope to find, between all the yelling, something I had not considered before or even noticed.
So far, the only review of his I can't seem to bring myself to watch is his episode on "No Country For Old Men". Apparently, he considers it "objectively bad", similar to Brian Finifter's feelings on "Spider-Man 2". I hope to one day get to a place where I can hear him out without weeping for humanity.
CM is kind of a one trick pony. He is either angry at a film or doesn't bother to review it. I felt simarly to his Avengers commentary, which wasn't really a commentary so much as a review of which he hadn't bothered to do homework for, i,e, watch the other films.
However, his prequel commentaries are worth a listen because I think that is material that he actually cares about and put some effort in to the review. Plus he thinks those are bad so he fits right in here
Its kind of like Red Letter Media. The first couple of reviews were well done, but after they became popular (for want of a better word. Maybe "known" is better) it became same old jokes and kind of tired. I was really annoyed at the Plinkett review of "Baby's Day Out" were even the initial magic bean is not bought in to. Hard to enjoy a movie you don't even accept the premise of
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