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Friends In Your Head | Forums → Episodes → The Fountain
I've had to start listening to this one three times. Because by the time the movie gets to the second scene, I'm engrossed and not listening to you guys any more.
That's not a dig against y'all. That's an illustration of how much I love this goddamn movie.
Hmm, I guess I have to watch this movie now....
<Wanders off to finally watch The Fountain, so that he can listen to the commentary>
I really want to rewatch this movie before listening to the commentary. I only watched it once, a long time ago, and I don't really remember what I thought of it. Thoughts of the commentary to come.
Some random comments: About iron from the stars, i think there was plenty here already before life began. If you mean when the planet was forming then yeah, it came from the sun.
I'm nowhere near sick of space movies because the good ones are far and few between. Moon, Star Trek, WALL•E, Sunshine... that's only 1 or 2 a year.
2001: ASO is different because when heavy shit happens, the people will barely acknowledge it then move on as quick as possible, and get back to the small talk about the fake chicken sandwich. It added to the grandeur Kubrick was going for. The Fountain explores the hell out of feelings. But yeah, they're both trippy.
Does anybody know why they didn't let Aronofsky do a commentary? Even Mad Men gets 2 (lousy ones) per episode.
Another good one guys, lots of great info about the movie. Now, please explain Mulholland Drive to me. And how do magnets work?
Well...I hate myself for not having seen this earlier.
And that's really about all I have to say on the matter at the moment.
I like these reactions. Good thread so far, chaps.
Jeffrey: All I have to say is, want a drink?
Beldar: *pounds head into things* Yeah, we need to get into David Lynch, so someone can correct me on my exasperation.
Maul: Right?
Ah, Evangelion... never has anime fandom seen such a "fuck you" from a creator
The original show is well worth checking out (avoid all the reworked re-releases), if only for a) how much weird religion stuff they tried to toss into a giant robot show (and it's Japanese trying to interpret Judaism, which is fun), b) how dysfunctional everyone is, and c) how much the budget affected things. Not only do you have lots of off screen speakers and long moments of silence, but network outrage over the amount of violence got the last two episodes scrapped with no money to redo them, meaning what made it to screen is lots of text and voiceover. Oh, and the creator had a nervous breakdown iirc.
Haven't gotten through the whole commentary yet, but whoever brought up In the Blink of an Eye is my new friend. I brought it up during Watchmen or FMJ, and its nice to see Murch get his due.
"In the Blink of an Eye" is one of those weird books that, every so often, you have to remind yourself not everyone has read. It seems so obvious, it's easy to assume that everybody's practically got it memorized.
I saw Neon Genesis Evangelion: The End of Evangelion and found it boring not deep. But it must be that i didn't get it because a lot of people love it.
All matter comes from the big bang. Over the years gravity formed that stuff into solar systems and galaxies. Asteroids don't come from exploding stars.
I'm not buying that the future stuff happened. There's a STRONG implication that it is all the chapter of the book that Thomas wrote. The only stuff that *actually* happened, including the conquistador stuff, was the cancer storyline. The rest of it was from the book.
And I don't think the book makes any sense outside of some poetic language about the beauty of death.
Questions that I had that the commentary doesn't answer:
1. How does Thomas change the past?
2. Why does Future Tom appear to the Mayan priest?
3. What kind of author leaves the end of the book to her scientist husband?
Thanks for doing this episode, at least I now know why other people love this movie. I think I'll have to watch it again, but I'm still not convinced it pays itself off for me.
My problem with the movie comes down to a lack of symmetry between the three stories. Any one of them is fine, but they don't add up together. Even if we narrow the story down to boy+girl, we've got a story where Tomas is following Isabelle's bidding, a story where Tommy is trying to save Izzie so hard that he's ignoring her, and a story where he's isolated while eating a tree that symbolizes Izzie. The central story is neither mirrored nor contrasted by the other two parts of the triptych. They seem mostly held together by actors, colour scheme, and a love of geometry.
I'm not clear if the future section was a metaphor or literal. I'd be fine with either, and love it if both options added up and made it ambiguous, but neither adds up. Either literal Tommy didn't learn anything by the end of his story and spends 500 more years in isolation and mourning, or it's a metaphor about him slowly killing Izzie by living off of her in order to reach enlightenment. The literal option is depressing and breaks the emotional arc of Tommy, and the metaphor isn't paralleled in either other story.
The inconsistency in the tree symbolism really frustrated me. In the future Tom is living off a tree. We establish that it's an Izzie-tree and that it keeps him alive for hundreds of years. In the present, there's the plant he studies with special properties AND a tree seed Izzie gives him that he eventually plans on her grave. It would add up so much better in my head if they were the same organism, but they're just not, for no apparent reason. As well, in the past, the tree is the Tree of Life. When Thomas finds it he ends up sprouting Grim Fandango style, becoming part of the tree (and the ciiiiirrrcllllle, the circle of life). So in the past Thomas becomes the tree, when we already established that the tree is Izzie, which is just kinda awkward.
In the end I felt like it was this close to looking gorgeous AND holding together, but just doesn't for me. The lack of internal consistency in a movie that I want to love just makes me go bleh.
The asymmetry is part of what I like about the story. If it were purely logical and internally consistent in all these easy-to-grasp ways, I think it'd be less special somehow. As it is, it's got just enough of a dreamlike quality to touch the ineffable.
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