Topic: In honour of the great Charles Dickens...

A pair of hack wannabe screenwriters wrote a short film set in his fictional universe...

Hmmm...  I just realised... This is fan fiction isnt it? Gulp... Oh well.

Anyhow.  It's a short film script (or to be honest... a tarted up sequence from a feature we're writing.) Just seven pages long.

Let me know what you think.

.pdf for those that prefer. http://dl.dropbox.com/u/1408931/Bedlam% … novich.pdf

OVER BLACK

               HEAVY RAIN. WIND HOWLS. Sounds like a hell of a storm.



               EXT. OLD BRICK BUILDING - NIGHT

               Looking more like a prison than that of a place of medicine.
               The sign reads: BETHLEM ROYAL HOSPICE. Most call it BEDLAM.

               LIGHTENING STRIKES followed by a loud crack of THUNDER.



               INT. BEDLAM - LOWER LEVELS - SAME

               CANDLES barely illuminate the gloom of a long, dark corridor.
               The ground wet. Water dripping down from the storm outside.

               Keys JINGLE, A DOOR UNLOCKS and SLOWLY CREEKS OPEN. 

                                   VOICE (O.C.)
                         You sure about this? All you'll get
                         is gibberish. People usually wanna
                         see the freaks on D. Much more
                         entertaining if you ask me.

                                   SECOND VOICE (O.C.)
                         Yes well. I didn't.

                                   VOICE (O.C.)
                         Alright. Guvnor. Just saying. Go on
                         then. He's down there at the end.
                         You keep to the left mind, you hear
                         me? You stay away from those bars.

                                   SECOND VOICE (O.C.)
                         I understand.

                                   VOICE (O.C.)
                         Ten minutes. I'll wait right here.

               A pair of shiny shoes step into frame. They pause for a
               moment then begin to make their way down the corridor.

               The shoes belong to a tall man with stern face. His hat under
               his arm and a notebook in his hand. He also carries a lamp.

               His name is ROBERT. He's in his late 40's.

               He keeps to the left, passing a half dozen grotty cells. The
               lamp turning their occupants into moaning, squirming shadows.

               Finally he reaches the final cell at the end of the corridor.
               He moves the lamp and sees a CHAIR sat against the far wall.

               Robert drags it towards the cell and takes a seat.

               He now sits in front a dismal little cell with a candle
               burning in the corner. It's pathetic glow gives little light,
               warmth or comfort.

               Is the cell empty? It looks it.. Robert leans in closer.
               Searching for someone hidden within the darkness.

               A LONG QUIET BEAT and then... MOVEMENT. 

               Robert jumps. Crashes back into his seat. He relaxes a little
               when he hears a mocking snicker come from within the cell.

                                   OLD MAN
                         Scared he is. Scared of an old Man.
                             (beat)
                         He doesn't know fear. He doesn't
                         know dread.

               Annoyed now, Robert sits up in his chair. 

                                   ROBERT
                         I understand you don't like
                         visitors.

                                   OLD MAN
                             (quiet ranting)
                         Visitors? Ha! I've had enough
                         visitors. Don't need visitors.

                                   ROBERT
                         My name's Robert. I don't expect
                         you'll remember me. 
                             (beat)
                         It's been more than twenty years
                         since we last spoke. But I once
                         considered you a friend. Before
                         that an employer. 
                             (beat)
                         I'm here because I need your help.

                                   OLD MAN
                         Bah!

               More shuffling in the cell. Now our eyes are adjusting, we
               may be able to pick out features of the prisoner. Long grey
               hair. A screwed up old face. A pair of crazy old eyes.

                                   ROBERT
                         There have been murders. Vicious
                         killings.

                                   OLD MAN
                         Nn..n..n.. None of my business.
                         Leave me alone.

               Robert holds up the notebook. 

                                   ROBERT
                         I am now a detective with Scotland
                         Yard. I was hoping you could...

                                   OLD MAN
                             (shouting)
                         Go!

                                   ROBERT
                             (becoming frustrated)
                         There is a connection. I think you
                         may be able to help.

                                   OLD MAN
                         Go now.
                             (to himself)
                         He wants my help. Nobody helps me.

                                   ROBERT
                         Damn it man. Did you hear me?
                         People are being killed.

               Robert begins to flick through the notebook.

                                   OLD MAN
                         Nothing to do with me... I've been
                         here. Twenty years! I've been here.
                         You hear me? Twenty long years.
                         They didn't believe me. Told them
                         but they didn't believe me. Sent me
                         hear for speaking the truth!

               Robert finds his page and begins to read.

                                   ROBERT
                         Langfield, two hundred shillings. 

                                   OLD MAN
                         Nobody ever helped me.

                                   ROBERT
                         Beddington three hundred shillings.

                                   OLD MAN
                         When I did it turned out to be a
                         curse! A damn trick of a curse.

                                   ROBERT
                         Radcliff two hundred shillings.
                         Mays, six hundred shillings.
                         Atherton four hundred... Lines one
                         thousand shill...

                                   OLD MAN
                         Atherton...

               Robert stops reading from the notebook and looks up.

                                   MAN
                         Atherton.... Atherton... Six
                         hundred. Six hundred shillings! Not
                         a penny less. 
                             (shouting now)
                         Six hundred shillings!

               Robert raises the lamp. Checks in his notebook. He runs his
               finger down a list of names and numbers until finding the
               name Atherton. The figure next to it is indeed six hundred.

               Roberts eyes light up. The old Man remembers!

                                   ROBERT
                         I knew you would remember. You
                         never forgot a debt.

               The old man retreats back into the shadow of his cell. As if
               realising he's let slip too much.

                                   ROBERT (CONT'D)
                         These names. These people. They're
                         all dead. Each and every on of them
                         murdered in a most gruesome manner.
                         Each and every one of them owed you
                         money... 
                             (beat)
                         Until you became...

               The Old Man stops dead. Leans just a little bit closer.

                                   OLD MAN
                         Say it.

               Robert holds his tongue.

                                   OLD MAN (CONT'D)
                         Insane!

               Robert ponders. Needs to get the word right.

                                   ROBERT
                         Unfortunate. I was to say
                         unfortunate.

                                   OLD MAN
                         Humbug! I live in a Madhouse.

                                   ROBERT
                         All these souls were in your debt.

                                   OLD MAN
                             (shouting now)
                         I've been here for twenty years!

                                   ROBERT
                             (shouting back)
                         Those people are dead!

                                   OLD MAN
                         Twenty years! Twenty years! But I
                         won't go. I won't see that grave.

                                   ROBERT
                         You are the only connection. My
                         only lead. 
                             (beat)
                         Ebenezer I need your help.

               A long silent beat. Once again The Old Man disappears into
               the shadows.

               Robert raises his lamp and steps closer to the cell.

                                   OLD MAN (O.C.)
                         They don't call me Ebenezer.

               Robert strains to look into the gloom of the cell --

               -- AND JUMPS OUT OF HIS DAMN SKIN as the Old Man emerges just
               INCHES from his face. Eyes, once seemingly lost madness, now
               bright and clear but with a long held fear...

                                   OLD MAN (CONT'D)
                         They call me SCROOGE!

               Robert, realising now that he forgot the advice the guard
               gave him about standing too close, tries to step back.

               But Scrooge's frail old hands reach through the bars and hold
               onto Roberts jacket with a unexpected strength.

               Robert drops his lamp sending it spinning and illuminating
               the room in arching beams of light.

                                   ROBERT
                             (suddenly worried)
                         Let me go!

               He looks back to the Guard who is now gone from the end of
               the corridor. Robert is completely alone with the Old Man.

                                   ROBERT (CONT'D)
                         Ebenezer. I said let me go.

               Scrooge looks Robert up and down. As if recognizing him for
               the first time.

                                   SCROOGE 
                         My old Clerk has grown big and
                         strong. And who would have thought
                         he'd become a lackey of the Old
                         Bailey.

                                   ROBERT
                         I am an officer of the Law!

               Scrooge snickers. His eyes have snapped back to insanity.
               Robert continues to try and break free from his grip.

                                   SCROOGE
                         And you are wrong Cratchit. You are
                         DEAD wrong.

               For the first time Robert stops trying to break free from the
               crazy old man's vice like grip. 

                                   ROBERT
                         Wrong how?

               He lets Scrooge pulls him closer still.

                                   SCROOGE
                         Those debts were not mine...

                                   ROBERT
                             (interrupting, frustrated)
                         They were taken from your own
                         books!

                                   SCROOGE
                             (continuing)
                         ...those debts were not mine alone.
                         You forget, young Cratchit. 
                             (whispering)
                         There was another.

               Robert seems lost. Thinks. A long beat.

                                   ROBERT
                             (remembering)
                         Marley?

               Scrooge nods.

                                   ROBERT (CONT'D)
                         Jacob Marley has been dead longer
                         than you've been incarcerated.

               For the first time Scrooge lets slip a smile. Robert finally
               breaks free, straightens his jacket, picks up the lamp.

                                   SCROOGE
                         Dead but not gone.

                                   ROBERT
                         You expect me to investigate a dead
                         man. I have no time for phoney
                         tales of I phantoms and the like. I
                         came here for help.

                                   SCROOGE
                         Then you are indeed just talking to
                         a madman in a madhouse in a city
                         long gone mad. 

               And like that the Old Man once again retreats into the
               shadows.

                                   VOICE (O.S.)
                         You okay Govner?

               Robert looks back down the corridor, nods to the guard we
               never see.

                                   SCROOGE
                             (a voice from the
                              darkness)
                         You investigate your crimes. When
                         you are ready to talk to a
                         madman... I'll be right here. I've
                         enjoyed talking to an old friend.

               Head spinning. He leans down. Picks up his notebook and hat. 

                                   ROBERT
                         Goodbye Ebenzer. I don't expect
                         I'll ever set foot in this building
                         again. 

               And like that Robert walks off down the dark and dingy
               corridor leaving us with Scrooges dark and dingy cell.

               We push in slowly.. Once again seeing The Old Man's face in
               the gloom. Bright eyes seemingly sane once again. A sad smile
               on his face.

                                   SCROOGE
                         Oh you will Bob Cratchit. You will.

               And with another CRACK OF THUNDER:

                                                         FADE TO BLACK:

Last edited by Dean (2012-02-07 23:06:42)

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Re: In honour of the great Charles Dickens...

Terrific!

/I'll just leave this here....

Warning: I'm probably rewriting this post as you read it.

Zarban's House of Commentaries

Re: In honour of the great Charles Dickens...

wow.  Is that yours? Great minds eh? (shite...) I honestly had no idea.

On the surface they may seem similar. But I think ours is quite different. No jack the ripper for a start and features characters from his other stories. (such as a cross dressing Oliver Twist and a Jack Dawkins/Artful Dodger that has returned from the "orient" to become one of the wealthiest opium dealers in the city.)

But still... What are the chances eh?

Last edited by Dean (2012-02-07 23:50:54)

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Re: In honour of the great Charles Dickens...

There are 'screenplay issues' going on here, but it's a good idea for a story. I have a few ideas for a second pass:

1) Overall there's too much prose and not enough description, i think. There's a line where Robert's "head is spinning". In a screenplay something like that is usually more literal. I doubt it would get confused, but you want to describe what the characters are doing and let the reader infer from that. All you get in a movie is visual and audio, so that's what you want to describe. Emotional states are generally too abstract, and you can kill your screenplay by giving the reader information the audience isn't getting. If you want the audience to be on the edge of their seat, then you want the guy reading the script feeling the same way.

But, hell, I do it a lot myself, so I can't really fault you. It's hard to get out of a narrative mindset where you add little lines to build mood like that. Also, be careful about taking advice from a guy who has yet to sell a screenplay. tongue

2) "CANDLES barely illuminate the gloom of a long, dark, corridor." - Instead, try a scene where the candles on the wall are unlit, and Robert lights them as he goes, slowly getting closer to the cell. Meanwhile, the people in the other cells are creeping him out. It would build suspense as well as make more sense, given that it was unlikely that candles would be left burning unattended, even in a madhouse, and that it would waste candle to leave them on all day(those things are expensive, you know... the crazies like the dark, anyway).

3) There are 20 shillings in a pound, so you wouldn't really say "600 shillings" you'd say "30 pounds". If you were to add shillings to that, say if someone owed an additional 5 shillings, you'd say that out loud as "thirty pounds five". The 'shillings' part is generally left out unless there's some reason it might be confused. There are 12 pence in a shilling and 4 farthings make a pence. If you had to say several shillings and some pence, then you could say "30 pounds, five and six". I dunno what you'd add if you had farthings involved, but I doubt that came up much, as if you owed someone 30 pounds, a farthing was the least of their worries. If it were me, I'd pause and then add "... and three farthings" and then smile like a jackass for being such an anal retentive bastard about precise monetary compliance.

It's a neat idea for a story, though the idea of Bob Cratchit ending up on the police force is a bit hard to swallow, as is the idea that Scrooge is still alive after 20 years. Aside from that, it's something I'd probably watch even if it was just in an ironic sort of way. If it turned out to be a great movie, then that's cool, but if it ended up being terrible I'd watch it anyway, cause it seems to be either a serial killer or supernatural horror sequel to A Christmas Carol, and that's just awesome at face value.

Last edited by Squiggly_P (2012-02-08 00:21:46)

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Re: In honour of the great Charles Dickens...

I noticed the currency thing too. Pre-decimalization British currency was pretty confusing. Don't forget the "ha'penny" and "groat" in addition to pounds, shillings, and pence! wink 30 pounds would have been about a year's wages for a good job (Cratchit made 39 pounds a year as clerk), so it's hard to imagine too many people owing Scrooge that much. Scrooge & Marley's was some unspecified sort of investment business, probably a bit of import/export and commodities investing, real estate, and smalltime moneylending (he is "welcome" at the London Stock Exchange and has a warehouse, probably for loan collateral and wholesale goods).

Dean wrote:

wow.  Is that yours? Great minds eh? (shite...)

Yeah, I wrote that December 2010 and posted on the forum. (Nobody cared. hmm) Yours is of course quite different, and the original is already a ghost story; it's not that big a leap to make it a horror story.

Great beginning!

Warning: I'm probably rewriting this post as you read it.

Zarban's House of Commentaries

Re: In honour of the great Charles Dickens...

"cause it seems to be either a serial killer or supernatural horror sequel to A Christmas Carol, and that's just awesome at face value."

Cheers mate. We think so to. For the record, it's both... And this kinda gives the game away... But the idea being we let it play like a pretty straight and dark murder mystery. LA. Confidential in set in Charles Dickens's fictional Victorian London. That also plays as a kind of semi sequel to A Christmas Carol...  So we hope people are digging just the "real world" aspect of it so when there is a big supernatural reveal later on they kind get shook up a bit and reminded.. This is a sequel to a Ghost story after all. We dig that.

We figure it's not THAT big of a jump that in the 20 years since the events of A Christmas Carol... the powers that be and those with a certain interest in seeing Scrooge out of business would use the excuse thet he claims to have spoken to the dead.. to call him insane and commit him. Now it's only his fear of death and sheer force of will not to be buried in that grave (that he's already visited once) that's keeping him going into such old age.  As for Bob... we figure after the death of poor Tiny Tim and the break up of his family (they emigrate to America) Cratchit went on to retrain join the police force.

We get what you guys are talking about with the numbers too. But they're big for a reason...

"probably a bit of import/export and commodities investing,"

What? You mean like... stuff imported from china?

"real estate, and smalltime moneylending (he is "welcome" at the London Stock Exchange and has a warehouse, probably for loan collateral and wholesale goods)."

Access to wealthy people willing to invest... and warehouse space to store.. I don't know... Imported Opium?

In our story Marley had a lot more going on before he died than money lending...

The scene above isn't the start of the script by the way. It comes in about 30 pages in (at the moment). I just thought will a little tinkering it could play as a nice little short film. We'd kill to shoot this scene professionally as a teaser for the finished script.

This is still of course only our first vomit draft too. We'll defo go through it later and refine the details with a little research.. But even then... I know we're smudging dates and stuff for certain characters.. There's going to be a lot of dramatic license pleading going on.

Cheers for reading guys.

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Re: In honour of the great Charles Dickens...

Dean wrote:

We get what you guys are talking about with the numbers too. But they're big for a reason...

"probably a bit of import/export and commodities investing,"

What? You mean like... stuff imported from china?

"real estate, and smalltime moneylending (he is "welcome" at the London Stock Exchange and has a warehouse, probably for loan collateral and wholesale goods)."

Access to wealthy people willing to invest... and warehouse space to store.. I don't know... Imported Opium?

In our story Marley had a lot more going on before he died than money lending...

lol Well, SOMEBODY must have been importing it, and it was perfectly legal. It had a weird status as shameful foreign vice and panacea (including for colicky babies!).

Warning: I'm probably rewriting this post as you read it.

Zarban's House of Commentaries

Re: In honour of the great Charles Dickens...

Hey Dean,

I just read through the script and found it very engaging and well written. Great Job!!

I would really like to see a film surrounding this sequence....!

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