Watch this movie ASAP. It's a total delight. One of my faves of the year so far.
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Friends In Your Head | Forums → Posts by Doctor Submarine
Watch this movie ASAP. It's a total delight. One of my faves of the year so far.
For iPhone, that is. I've got a couple bucks kicking around in my iTunes account and I'm getting tired of Apple's podcast app. Zarban recommended icatcher on Twitter, anyone else have a recommendation?
I think the real problem is that it has no impact on the story, so it's just a cheap way to add tension to scenes.
If he spent more time making unique and interesting observations about film and less time shrieking and spouting memes, I might have more respect for him. He's plot-hole-culture incarnate. That entire way of looking at film just bugs the shit out of me.
And tbh, he's not nearly as bad as all the shitty imitations of him. Because of him, there are thousands of people on the internet who think that screaming about bad movies is as good as criticism gets. And that's basically evil in my book.
Saw How to Train Your Dragon 2. It's slightly better than the first one, but it comes with its own problems. The pace is way too frenetic (scenes have no room to breathe) and there are too many plot strands left hanging that muddy the film's thematic strength. It's lightweight but mostly fun.
I think the Nostalgia Critic is an embarrassment to criticism and he must be stopped at all costs. So there's my contribution to the conversation.
As I previously stated, Transformers 2 was massively popular, that doesn't mean it's relatable.
Not relatable to you maybe. But those movies are massively successful. Clearly people see something in them and have found something in them to latch onto. Just because you don't like them doesn't invalidate the opinions of the millions of people who do.
Which brings us back to Twilight.
I was astonished at how good Godzilla '14 was. Not that it was THAT good, but I was expecting Pacific Rim or less, and Gareth Edwards made a solid film.
The film tries a little too hard to get us to like the protagonist and not quite hard enough to get us to like Godzilla himself. (That ending is hilarious: the news ticker says "KING OF THE MONSTERS. SAVIOR OF OUR CITY?" And then Godzilla smashes his way across the city to get to the ocean.) But I couldn't pretend that I could do better myself.
Team Godzilla 2014 grows stronger by the day.
How long before this becomes the premise for a romantic comedy?
Trick question! It's probably already in development.
The lack of artifice is what makes GoT interesting as a fantasy story, IMO, just as the juxtaposition of the fantastic and stylized made True Detective more interesting than it probably had a reason to be.
This is a great point, but the show often tries to chase these big "cinematic" ideas (on a filmmaking level) even though the story is all about this very "realistic" treatment of the fantasy setting. For instance, the Hound/Brienne fight would have been more comprehensible without the rapid-fire cutting and the occasional arbitrary switching to striking wide shots (ditto the Mountain/Viper) but it also would've been more affecting and interesting. Shit, let's see the Dogme-95 version of Game of Thrones.
Michelle Maclaren's episodes have an ounce more flair to them, but Alex Graves is terribad.
It's the Nostalgia Critic, what did you expect?
Completely off-topic, it saddens me that his style of "criticism" has become so ubiquitous online. There's so much great film criticism out there that's actually insightful and intelligent, but most people prefer the opinions of shrieking morons on Youtube. There's probably an enormous group of burgeoning movie buffs who look at people like him for guidance in their "film education." I got depressed just typing that.
they need to do everything in the books exactly liek in the books except the parts i don't like they should do it the different way i want
/r/asoiaf is fucking insufferable this morning. I mean, I was whining on Twitter last night, but I can still acknowledge that there was a lot of great stuff in this episode. People are acting like the loss of "wherever whores go" and him crying after killing Shae is some betrayal of Tyrion's character, as if depression and melancholy won't be just as dramatically interesting as rage and frustration.
Something happened differently? Now I want to go into the thread and find out...
Must... resist...
DON'T. Enjoy the pleasure of a very good episode of television without the burden of having to nitpick book changes/omissions. Also there be crazy spoilers all up in that shit.
I have a feeling this is going to be a much more jovial thread than the book reader one.
I have many thoughts:
- STANNIS THE MANNIS, y'all. This is the version of Stannis I've been waiting to see. I loved his expressions when they were burning the bodies. "Oh...so you guys do this after they die? Weird."
- Jojenpaste is dead, long live Jojenpaste
- Cleganebowl lives! Long live THE HYPE.
- No "Wherever whores go"? No "Lancel and Osmund Kettleblack and Moonboy for all I know"? Thank god. I got tired of hearing those lines over and over. It'll be interesting to see how Jaime's arc plays out from here though, considering that his distrust of Cersei stemmed primarily from Tyrion telling him about her infidelity. Maybe he's upset that she told Tywin? That would make sense.
- That Wight attack outside Bloodraven's cave was so metal. It was like a Led Zeppelin album cover come to life. I wonder how many non-readers will be confused about Leaf, though. It's kind of a non-sequitur and the Children of the Forest haven't been explained in the show. All of a sudden there's this little girl who can shoot fire out of her hands? That's pretty awesome, and it's a good mystery to leave people hanging on.
- Loved Brienne's fight with The Hound. The choreography really made them feel like an even match. And his final scene with Arya was great. I hope Cleganebowl is true (or at least that The Hound really is the gravedigger on the Quiet Isle) because I'm going to miss him
- I was worried that Tywin on the toilet was going to look too goofy but WOW did they nail it. It was chilling. Sad we didn't get the line about him not shitting gold, but I guess that's hard to do without narration.
- WHAT THE FUCK NO LADY STONEHEART FUCK YOU FUCKED IT UP AAAAAAAAAAAAAAAAAAAAAAAAAAA I mean I liked the ending of the episode but congrats on getting a ton of non-readers spoiled on one of the best twists in the series, guys. Because now there'll be 10 months of book readers complaining about this and the beans are gonna get spilled for a lot of people. Unfortunate.
- All in all, good closer to a good season. Season 5 is gonna feel like a reboot in a lot of ways, I think. So many radical changes for so many characters, not nearly as much time in King's Landing, and a dive into Westeros' mysticism with Bran. Very excited.
This is a very funny film. It's rare to see a film so gloriously homoerotic that both (a) is aware of that fact and (b) refuses to make homosexuality the butt of the joke.
Oh god, S4E09 absolutely killed me. Well done.
I've been having great fun with Nidhogg and Race The Sun recently.
They DID put criminals on the front line in WW II, much to the annoyance of the regular troops. It made it seem like fighting for your country was a punishment, so what did that mean to those who signed up?
Edge of Tomorrow draws pretty heavily from WWII, so I'm willing to buy this.
DEATH GRIPS AND BJORK
At first I thought this would be a fan remix or something, but...wow. DG will never ever stop surprising me.
I saw a lot of people suggest that Brienne and Pod are the people who Arya and The Hound will meet next week. And I'm 1000% sure that we'll get Stoneheart. Especially now that Gwendoline Christie has been cast in Star Wars. They need an excuse to keep her out of the majority of season 5 so she can shoot Episode 7. Not to mention the teases I've seen of Stoneheart in interviews and stuff.
Anyway, the Stannis thing is basically what the entire episode should've been leading up to. It's such a limp-dick way to end an episode. Instead of "they fought the wildlings and just when all hope seemed lost BOOM STANNIS THE MANNIS," we got "they fought the wildlings and all hope seemed lost...the end?" There's so much stuff to cram into next week that it's better to close off this episode with the last major event for this storyline. It gives the episode a proper climax and it leaves room for more conclusive stuff for all the other storylines next week.
That was going so well for 40 minutes and then they fucking blew it. The showrunners just hate Stannis don't they?
The lack of the Mannis was enormously disappointing. Despite being probably the most well-made episode of the show to date, I really feel like they dropped the ball here.
So I haven't been dropping these in weekly, but I'm very proud of this week's episode of the GOT podcast I co-host. We get into the series' relationship with death, morality, and fate.
Look, whether or not women are treated fairly in the movie business isn't up for debate. They aren't. Saying that studios allow them opportunities "every so often" as if that's acceptable is...not okay. The idea that Hollywood is purely egalitarian and that male directors just happen to be more talented than female directors is absurd. Just look at this recent Ant-Man debacle. Was a single woman up for that project? Nope. You know how many times a female-directed film has been nominated for Best Picture? SIX. And two of those were from the same woman, Kathryn Bigelow. Do you really think that the reason for this drought of female-directed blockbusters is because none of them have ever made successful indie films? Come the fuck on. Denying that this is a problem or brushing it aside as, "Well, women just don't try hard enough!" is sexist, and that shouldn't need to be said.
Friends In Your Head | Forums → Posts by Doctor Submarine
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