Teague, yes and yes - please make it sound pretty!

As a community project, I think it's important to keep people involved. While we don't want too many cooks, if you can do something well which helps, pipe up.

Exterior shots, yeah you're pretty much bang-on. Same with the edit feedback - as an "I'm learning Premiere!" level user, pointers and tips are appreciated. For example - last night I discovered that if you press control when dragging an insert into the sequence, the icon changes to a different icon, and the need for me to manually select and drag the edit from that point onward disappears. My life changed in that moment, and editing became a lot more enjoyable.

Cheers Tom, can we use your titles too?

Hooray, community!

Re-coding Zarban's stuff in Quicktime Pro has done the trick. Jim's file is still unreadable by humans. I'm guessing I can just insert clips from Space Jam though.

At the end of the day, we all have films we'll fight for and against, in the face of contrary opinion. This is one of the wonderful things about film as a medium.

I see where you're coming from, but disagree with your conclusion. Lots of wonderful parts (and some not-so) which didn't come together for me at the end.

I'm an atheist; curses schmurses.

My first priority will be getting the footage in sequence, gaps and all, so we can see what we're working with. Expect it to be nasty and unmatched; just looking at file sizes there's likely to be a mess of export settings.

The next job will be filling the gaps, or cutting around them and streamlining down. I'll keep the notes here, and upload to YouTube to keep everyone who's contributed in the loop.

Frankly, this isn't secret stuff. Your feedback and contribution to the editing and post process will be welcome (but orderly, damnit).

My recollection of this film is being terrified, yet bored.