451

(19 replies, posted in Off Topic)

Gingrich currently holds no office, but his brain has long been stewing in the illusion that he can win the GOP nomination someday. He's that deluded. He needs to stay relevant, get pageviews and re-Tweets, get his name scattered into in the news cycle any way he can. And, this week, this B.S. about smartphone nomenclature is the best his social media guru could come up with. Which is sad. I don't think it's about technology, or the country, or whatever else he's flogging at any given moment. It's about his political prospects. I'm kind of fascinated by him, to be honest. He's nuts. He really, truly believes he could be elected president. What's funny is that nobody wants him to go away more than the GOP. The party hierarchy, believe it or not, are hoping to have someone on their 2016 ticket who is not an old, white male. It's more likely that my yorkshire terrier would get elected president, and she doesn't even have a long-form birth certificate.

452

(14 replies, posted in Off Topic)

Part of the reason lurkers persist in their lurking is because few podcasts/providers of online content have an actual community. The forums here are one of the things that set DiF—I mean, FIYH apart. Welcome.

I think The Skin I Live In could have been interesting, in a different way, had it starred Nick Cage and been directed by Tony Scott. Could even the late Tony Scott have saved The Phantom Menace? That's another matter...

gzarra wrote:

my guess is this all worked much better in written form.

That's affirm. The novel engages your brain in a way the movie doesn't even try to. In written form, it truly is all through Nick's eyes, and the Nick of the novel is simply a more thoughtful guy than Tobey Maguire's tepid, stammering portrayal.

I'm interested in what VFX-savvy folks thought of the 3D. There were a couple shots that awed me, but did it serve the storytelling? Some people are saying it's exactly the kind of gaudy extravagance that Fitzgerald was critical of and that Luhrmann deploys without irony.

454

(25 replies, posted in Off Topic)

I call bullshit. That's better than any Reader's Digest story I've ever read. Looking forward to more tales about this new hero, "George Clooney"...

If you've never read F. Scott Fitzgerald's book, Baz Luhrmann's new adaptation might give you the impression that The Great Gatsby is a comic book and not a modern novel. Luhrmann's use of 3D and saturated colors makes West Egg look like a cheerier Sin City. Ultra-stylized visuals made sense for Sin City, which was rooted in the aesthetics of comics and graphic novels. But hey, we expect overripe visuals in a Baz Luhrmann movie.

Beyond its looks, there are moments in the new Gatsby that verge on Luhrmann self-parody. Does substituting Jay-Z songs for actual jazz-age period music help Luhrman tell the story or explore its themes? (Jay-Z has a knack for shoehorning his music into recent period movies. Buy a ticket to the new Jackie Robinson biopic, and you'll see Robinson taking the field to "Brooklyn We Go Hard"—you know, just like he did back in '47.) I thought the use of pop music in Moulin Rouge! was inspired, but this is an artless effort to sell the soundtrack. Luhrmann apparently wants to make sure that whenever today's youth think of the literary genius that was Francis Scott Fitzgerald, they will think of Fergie. And when Luhrman does use period music, it's often used lazily, as if under protest. At one point, "Rhapsody in Blue" becomes background music for a dialogue scene. Something about that feels immoral. 

When he's not forcing us to wolf down his famous overcooked mise en scene, Baz Luhrman is a skilled director of plain-old, no-frills dialogue scenes. Clever staging injects the right kind of tension to the climactic hotel-room scene in which Tom Buchanan (Joel Edgerton) and Gatsby (Leo Di Caprio) finally confront each other, and ditto the scene in which Gatsby and Daisy (Carey Mulligan) reunite. The quieter scenes in Gatsby's mansion swell with anxiety, with stoic servants always flanking their man, always stationed just outside every door. What secrets do they know, and how much do they hear? This is an uncertainty Fitzgerald's book establishes but doesn't over-emphasize, a slightly ominous shadow that stalks Gatsby everywhere he steps.

But this is Di Caprio’s movie, and, considering the role’s high degree of difficulty, he delivers. While the Gatsby I always saw in my imagination looks and acts more like Tom Hiddleston (who played a somewhat Gatsby-like character in The Deep Blue Sea), Leo’s not far off. At 38, the son-of-a-bitch could pass for 15-20 years younger. A boyish appearance is one of the qualities that makes Gatsby so disarming, and so sad. When Tom confronts Gatsby about his self-mythologizing, DiCaprio’s grimacing and searching eyes are  spot-on—he believes his lies are morally superior to Tom’s lies. Gatsby lies for love. The money and mansions are means to that end. Robert Redford didn't sell me on these emotions back in 1974, but Leo more or less does.

Some of the license the film takes with its source material has merit, and some is downright puzzling. The film introduces us to Nick Carraway (Tobey Maguire) and quickly establishes that most of his voiceover is not the standard main-character's-P.O.V. narration—of the sort we're perfectly accustomed to accepting in movies—but is actually the text of a (presumably) nonfiction book called The Great Gatsby, which he is writing in a sanitarium. Why? Is it so Nick can be like Ewan MacGregor's character in Moulin Rouge!, whose typewriter magically floats its prose onto the screen? Apparently it is, because when Nick types, his words magically appear on the screen, karaoke-style, as his voiceover reads them for us. Because what kind of idiot would expend energy reading something?

456

(25 replies, posted in Off Topic)

I just saw that Gravity trailer at a screening of Gatsby. I don't know if the film will be good or not, but some of those tumbling-through-space shots did look cool on a big-ass IMAX screen.

457

(255 replies, posted in Off Topic)

Di Caprio would not have been my first choice either. The thing about Gatsby is we also have to buy him as someone who was in WWI. Fassbender probably would have been good.

Carey Mulligan totally looks like the Daisy I always saw in my head reading the book.

458

(255 replies, posted in Off Topic)

Well, the advance reviews of Gatsby are currently trending negative. Di Caprio, however, seems to be getting some praise. It's a tough part to cast, since Gatsby is classy, but the whole point is it's an inauthentic, affected kind of classy. He's basically a poser. So you need someone who can do the classy-handsome-man thing but at the same time give off that undercurrent of pathetic overreaching.

459

(255 replies, posted in Off Topic)

I'm in the second chapter of The Friedkin Connection. It is pretty cool. I saw him do an event in Chicago a couple weeks ago, the day the book was released. The guy is full of movie-making stories, for sure.

460

(255 replies, posted in Off Topic)

None of the prior adaptations of Gatsby that I've seen are particularly impressive, including the Robert Redford one for which Coppola was the screenwriter. Some of the novel's main themes seem so specific to the time in which it was written.

It's basically just 9 long scenes of arrogant white people being alternately mopey and despicable.

That's it alright. It's in part a critique of the vacuous pleasure-seeking and cynicism of upper-class folks in the 1920s... but, yeah, that critique is bound to feel less urgent for us here in the present day. And probably less so on the big screen.

I read it recently, too, and there's a heavy sadness to the novel that I'm eager to see how Baz Luhrman handles. His movies seem to love swinging tonally from exuberance to melancholy, sometimes in the same scene.

461

(45 replies, posted in Episodes)

I believe the Weisz swooning consisted of a stray comment when she's chained to the slab toward the end, and, if I recall correctly, some mention of how she may look more attractive now than she did then. This is totally true. Rachel Weisz in her 40s is hotter than Rachel Weisz in her late 20s. Beats me how a person does that.

I doubt I'd be of much use when it comes to the labor, but I'll buy stuff/donate to any fundraiser that goes down. smile

Ann B. Davis had to be pissed off when they wrote cousin Oliver into the series instead of giving Alice more storylines. She was the best character on the show. That whole weird blue-collar romance between her and Sam the Butcher—that shit was a helluva lot more interesting than Maureen McCormick getting hit in the nose with a stupid football, or Greg falling off a surfboard because of a voodoo curse.

463

(57 replies, posted in Off Topic)

Mars One is related to some sort of Dutch reality show, according to this piece:

http://www.rawstory.com/rs/2013/04/22/d … -for-mars/

Maybe these people want to turn Snookie into a literal space cadet?

464

(57 replies, posted in Off Topic)

Speaking of Mars, the lastest issue of The New Yorker has a feature piece about Curiosity and some of the scientists who created her. If you're a NASAhead, you might already know most of what's in the article, but there's some interesting little factoids in there as well. The writer definitely captured just how cool the sky crane's engineering was:

http://www.newyorker.com/reporting/2013 … ntPage=all

465

(469 replies, posted in Episodes)

Marty J wrote:

How about "Footprint in the Snow"? Although we might get mistaken for a Norwegian foot fetish website...

I like it, but it would mean I'd have to re-organize my bookmarks. I'm overrun with Norwegian foot fetish websites as it is. What about some kind of crossover show in the future—the DiF crew and the Norwegian fetishists team up for a commentary on Spartacus?

466

(469 replies, posted in Episodes)

So far my favorite suggestions have been the ones that harness the show's signature figures of speech (like "hanging a lantern," etc.). I like the idea of making a show title out of one of these little gems because they emerged right out of the show itself. There'd be a sense of ownership there (which is evidently something the name "Down in Front" can no longer offer...).

467

(2,068 replies, posted in Off Topic)

For All Mankind was just on Turner Classic Movies. I'd forgotten how stirring some of that old footage is.

468

(57 replies, posted in Episodes)

That's a damn funny picture.

In a sense, he's already the most prolific vampire in the history of movies, having sucked the life out of a generation of Star Wars fans. [Rimshot.]

469

(431 replies, posted in Off Topic)

Lebowski lovers of the world—unite!

(This is the part where I admit that, when I joined the DiF forum, there were about 1.5 seconds there during which I considered taking on the username "Karl Hungus." Instead I used my actual name... which doesn't have any of that porno pizzazz.)

470

(431 replies, posted in Off Topic)

Welcome guys!

PorridgeGun, your list of favorite films includes The Thin Red Line and Mr. Baseball, and the list of TV shows includes Twin Peaks and Jackass. For this, you are already awesome. That is all.

(Also, your list of TV shows makes me long for a show that combines Breaking Bad and Black Adder. It would be cerebral show that follows a long line of British meth cooks in their misadventures through the ages. With a laugh track.)

471

(255 replies, posted in Off Topic)

Gulp is now officially on my reading list. Thanks!

472

(31 replies, posted in Off Topic)

It is kind of a relief that that was his final review. He liked Malick. It's like the difference between someone's last meal being stale saltines and someone's last meal being... whatever the culinary version of Terrence Malick is. I don't know. Something gourmet and fluffy, vaguely European in appearance but decidedly American in flavor.

473

(649 replies, posted in Off Topic)

Owen Ward wrote:

If anybody has a Rock Band/Guitar Hero mic, I find them to be pretty good.

Yep, I was going to say: I've seen people use video game mics/headsets for these purposes, and it worked satisfactorily. If you have one of these, you might be good to go.

474

(649 replies, posted in Off Topic)

AshDigital wrote:
Rob wrote:

As someone who's been a part of this sort of thing before,

... which begs the question... What podcasts have you been on?

Inquiring minds want to know!!!

It's frightfully uninteresting, I'm afraid. The company I worked for had an internal, Skype-powered show, on which nerds like me addressed common tech issues. That, and I'm just a big user of Skype and Google Hangout, enough to where I can definitely attest that group videoconferencing is not as much fun when the sound is less-than-ideal. The flip side is that it's way more fun when everyone's miked-up and broadcasting from a relatively quiet room. Even the most low-end mic goes a long way.

475

(58 replies, posted in Off Topic)

+1 for Neil de Grasse Tyson's show. I'll have to check out his appearance on the Joe Rogan show. I've actually been looking for another good skeptic-y/science-y podcast to which I can subscribe.

Also +1 for Jeff Goldsmith's "The Q & A," a great interview show for those interested in screenwriting an moviemaking. His Bobcat Goldthwait episode is a must-listen. (Goldthwait resented Goldsmith's opening question about an early, shitty movie, and so Bobcat derailed the interview with Andy-Kaufman-type antics. Personally, I thought Bobcat overreacted and made an ass of himself; his behavior would have been funny for 3-5 minutes, but not the duration of the interview, which was before a live audience. Buy yeah, it's a fascinating episode just interms of human behavior.)

DiF and Filmspotting really are the only ones I make sure to listen to as soon as they're posted. And yeah, Zarban's site is a goldmine.