sigh, just realized i replied for some reason in the wrong thread. yeah i doing good today...

yeah this was meant to be in the thread with my comic character design, which would have made the medium make much more sense.

Oh, I'm realistically a ways away from the actual production stage.
It helps me to have a long term goal in mind though when I'm working on something. It gives me a reason to be on and off again tinker with the designs.
I tend to be a bit ... scattered in my time with the odd project, so this may never get much beyond this stage, but its relaxing to work on something not work related when I'm at home.

lol, no i shot on my phone, and then youtube when i uploaded asked if i wanted to try using their stabilization software, it automatically ran it though quite quickly, not to bad a result.

Teague, let me know if you need me to bring my camera back over, it "should" still have my footage on it. Haven't really used it in a while so can't quite recall if I wiped it off or not .... don't think so though.

I thought, why not, so snagged a ticket to the 3d 48, at my local theatre, which is a nice big one. Whether I get the opportunity to use the ticket due to work is another issue, but we'll see.

with only 2nd hand info, I think you have that one backwards.
Aronofsky was offered Wolverine because of Black Swan, not the other way round. My understanding was that with the success of Black Swan financially, whether unexpected or not, he had the juice with Fox to be offered Wolverine, an arguably big property.
When he then had "wishy washy issues with being away from his family to film in Japan" (quoted due to not being 100% sure of validity, he was able to take his french comic treatment and say essentially "well you wanted me on a big project, I'm now passing on your thing, what about my thing?"