26

(84 replies, posted in Episodes)

Dare I say whatever came of the pirates 2 commentary.  Was it...lost in davy jone's locker.  heh.

27

(173 replies, posted in Episodes)

1. American Beauty
2. The Dark Knight
3. Super 8
4. Close Encounters
5. Wizard of Oz
6. Batman Returns (Trey worked on it)

Last year I was looking at the VG10, and decided to hold off until I had the money for it.  I am just about ready to invest in a new cam now and notice that the reviews for the updated VG20 are less than stellar.  Missing features, awkward functionality.

Has anyone used either of these cameras?  Would it be worth it to get the VG10 instead, or maybe wait until the VG20 gets some firmware upgrades?

$2000 is really the most I can afford, and I have no desire to purchase a DSLR, so it looks like I would have to buy something in this family.  I am just not sure what the right move is at this point.

Well, this is all coming from a humble 20 year old who has yet to leave college and become poor yet.  But so far I don't regret going to film school for a second.

But it is a big decision to spend the tuition money on such a specialized and competitive field (i am a sophomore at nyu, and it's 60,000 here.)  The biggest distinction I have noticed in my year or so here is that some students have come in with some level of background in the process, while there are others who either (to their credit) have just watched a lot of movies...or have next to no knowledge of the medium at all and just thought "hey, this looks like a good major."

For the second type of person, I feel like film school might be a waste.  To spend that type of money without having picked up a camera (especially in this day and age where it's so easily accessible), is nonsensical to me.  Like trey said, you may arrive and realize this isn't what you wanted to do, or, hey, you're just not good at it.

For me, I have been pretty passionate about making movies since I was about nine.  And I spent about seven years going to places like TFN and (sorry  tongue ) forcing good people to watch the crap I made, until about midway through high school I had made most of my mistakes and finally found myself producing material I was genuinely proud of. 

By the time college applications rolled around, I knew there was nothing else I wanted to do, so it was a nobrainer to go to film school.  To me the waste would be spending money on learning other subjects I have no interest in.  And so far, a year and a half in at nyu, I couldn't be happier.

30

(2,061 replies, posted in Episodes)

Blade Runner...a film that begs to be DIF'd.

fireproof78 wrote:
johnpavlich wrote:

I don't know who this Pavlick person is, but I, John Pavlich think he sounds smart... and I bet his dick is huge. smile

doh! Fixed.

No offense was intended by this message posting-unless it is appropriate to offend people. In which case, the said offense shall remain unless not intended. Your offensive mileage may vary.

also, i was the fella who mentioned the studio-brand theory tongue

I think part of the problem is that the studios (not just the studio heads who are there for the 2-3 years, but the actual studios) do not have to take any responsibility in the eyes of the consumer for their films...whether good or bad.  They are invisible.

After many years of working with slow PC's and crashing software, I had enough of Microsoft and switched to a Mac.

But when I go to the theater and have to sit through a crapfest like Battle: Los Angeles, I don't walk out saying I hate paramount, or universal, or whatever studio produced that movie (see, I don't even remember  tongue  ).  There is no brand.

Pixar, and Disney to a degree, are slight exceptions.  There is a certain expectation I have when I go to see a Pixar film.  Even with their lesser work.  Cars 2 is a "Pixar film," and half the country was up in arms when it came out.  Pixar had to answer to the public.  Does 20th Century Fox carry this same burden?

So maybe what we need is a business model similar in theory to the Old Hollywood.  When Warner Brother's was an actual brand, and people noticed a certain sensibility in a Warner's film versus a Universal film.  Treat the studios like a director, basically.

33

(2,061 replies, posted in Episodes)

Carrie. 

Love the set pieces, am oddly bothered by the way some of it unfolds...especially at the very end.

34

(37 replies, posted in Episodes)

Coming from a jersey resident, teague, that accent is pisspoor.

35

(30 replies, posted in Episodes)

Ooh, I eagerly await then

EDIT: Battle: SD is actually genius.

36

(30 replies, posted in Episodes)

Hmmm, you might be right.  I still kind of feel though that in most of those cases, all the human conflict rises out of HOW we all overcome the force of nature.  Who here should be the leader?  What's the best way to defeat the aliens?  Character conflicts play out, but at the end of the day everything that is going on is subservient to our hero(s) overcoming the nature and getting out alive.

Sometimes I guess the force of nature is just a catalyst (like in any other story) for forcing characters to work out their already-growing problems.  Jeff Goldblum confronting his ex-wife, Alan Grant learning how to work with children.  There's always other things in play.  But at the end of the day, Goldblum and co. are just trying to stop the aliens, and Grant is just trying to escape the dinosaurs. 

I feel like if you make the clear distinction of the good guys, and the bad guys they have to stop from hurting the dinosaurs...we lose a bit of focus.  What is the overarching objective here?  To survive the dinosaurs or to stop the others from capturing them? 

Again, I still haven't finished listening to this commentary yet, so I may be missing something.  But I think there's a problem in "focusing" the plot on the hunters and making it clear that stopping them is what our heroes need to do.

37

(30 replies, posted in Episodes)

I haven't listened to the full commentary yet, so I don't know if this is addressed or not.  But I feel like the problem with Teague's cleaned-up, save-the-animals version is that the dinosaurs essentially no longer become a threat. 

Sure, in JP 1, the dinosaurs weren't evil and didn't want to eat you because it was fun.  But we certainly weren't rooting for them either.  They were the antagonist, and it was a simple man vs. nature story.  Now granted, as with most man v. nature tales, a lesson was learned and we realize we never should have tampered with nature in the first place.  But this was all more conceptual, and not a physical series of actions throughout the film of people intending to capture/control the dinosaurs.

If we place all this focus on the hunters in Lost World, it becomes less clear who our antagonist is.  The only way to really do it would be to completely eliminate the dinosaurs as a threat, and make it just about stopping the "bad guys."  But then you completely eliminate the reason people go to see a Jurassic Park movie.

And then if you throw both in, it becomes a man vs. nature vs. man? story.  It's like making a movie where our hero tries to stop poachers from harming panda bears.  Oh yeah, and the panda bears also EAT YOU!!!

EDIT: Better example.  Jaws 5!!  Chief Brody has to stop the bad men from hurting the shark.

dkcecil wrote:

He was telling everyone how terrible it was not to ever see it.

hmmmm, thats what i was telling people about the actual movie.

39

(1,019 replies, posted in Episodes)

yes!! you are a saint.  now i dont have to listen to johnny depp and gore verbinski mumble for 2.5 hrs

40

(1,019 replies, posted in Episodes)

NOT releasing the pirates commentary tonight broke my heart sad

i needed something to keep me occupied until on stranger tides

41

(41 replies, posted in Off Topic)

inturresting policy, i kinda likes it.

gzarra, call me gerard if you desire.  i'm a film student at nyu, i love you guys and have been listening from the beginning but just made an account now. 

i was dvdcdr over at tfn, sort of a semi-semi-regular back in the day tongue