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Friends In Your Head | Forums → Posts by paulou
Haven't said here yet what a great piece of work this is. A lot of the more desparate deadpan glances and pauses are super effective. The songs are a lot of fun, I've been stumbling around trying to learn them. Stumbling per my suckitude, not the teachings.
Teague - funny you mention Ben Folds in the tutorials, your teaching style is crazy similar. He does a couple artist walkthrough lesson things in Garage Band. Will show you some time.
By accident last weekend, this was the first of two filmed things I saw about the death of a pianist. Saw Zulawski's The Blue Note, about the last couple days of Chopin's professional life before he went off to retire and writhe in pain until his body rotted out. There's a lot of similar stuff about artists fighting to make a supreme personal expression on a literal deadline. Couldn't help but think of Max in the dark while watching this thing. Happenstance double features be funny sometimes.
Read some:
http://theobscenemirror.blogspot.com/20 … -blue.html
Watch some:
That first shot! Fuck yeah! Vomiting blood on a piano! Some of the movie's nutty dream-like-that, but the tone overall is much more this:
But all through the last few minutes, couldn't help but draw comparisons between Disproportionately Happy and:
AT&T iPhones with 5.1 just sort of say 4G now, even if they're only on 3G. They don't have the antennas or means to parse a 4G signal. So you might not actually have 4G coverage, and your network is being a lying punk.
Better black levels and contrast ratios, better glass coatings, and getting the screen as close to the surface as possible. But you're right, those are small beans compared to passing the limits of human perception.
Gah! Adorable Baby! Congrats!
Made my night. And I love that this is in creations.
This! Congrats Spiff/Phi! Spiffy!
Campaigning for creations board banner.
Might get the new one some time this year, maybe next. My first generation one is still kicking, but I fear this is the kind of cycle where all the apps start stepping up and start to lag on older hardware.
It's always funny to see that some people still think that the premise of that macro still reflects reality. Different thoughts on what "equivalent" means, I suppose.
*hic*
Miruvor
Two parts mead
One part orange juice
Shake, strain over ice
Fill with 2 parts club soda.
Forgive me, film purists.
Ent-draught
(hot) Double espresso/few oz strong coffee
2tsp maple syrup
Splash sambuca
Shake, strain over ice
Top with few shakes orange bitters
Sounds weird, but it's tasty and all the ingredients come from trees.
Satyr issues. Can't trust anyone without pants.
Some super powerful magic guy that would run into the Fellowship, be like, "sup guys!" sing a song, and leave.
EDIT: Several times.
Righto! Just the kind of research I was referring to, high five.
I think the Australian landscape is too boring & empty - after all most of it is just one big flat sandy desert.
True, but a couple Australian films like The Tracker and The Proposition use that to a strong advantage. Key scenes are staged in mountainous areas, making them feel extra dynamic since the rest of the movies are so flat.
So I found this, which amuses me:
http://en.wikipedia.org/wiki/List_of_Mi … _and_drink
Which leads to asking if anyone has objections to interpreting Miruvor as a mead-mimosa kind of thing for Fellowship.
Cuz early.
Or Ent-draught as a maple-espresso cocktail for Return.
Cuz late.
http://itunes.apple.com/us/itunes-u/qua … d381702006
I'm soooo unqualified to be watching this, but I've been compelled. Yeah physics!
I'd try downloading it again or loading it in a different player, mine finished on time.
EDIT: Wait no, same.
Made a Kindle version of this book on Robert Fripp by Eric Tamm:
http://www.progressiveears.com/frippbook/contents.htm
From the looks of things it's about to start going way over my head, but I like the way the guy writes.
Re: my game v. movie idea:
The Joker as an in-world character that's always ten steps ahead of the audience and in-world opposition? Sounds like an intellectual Mary Sue for Nolan. There's an obsession with the idea of the "mastermind" in his work. The scene from Dark Knight Rises before Mission Impossible 4 leads me to believe Bane has become that super-manipulator character. Seems like Nolan's only interested in being as antagonistic and subversive to expectations as possible.
Nolan doesn't like to tell stories, he likes to play games.
Anyone mind if I just pretend that's how that movie went down? Like, from now on?
No?
Cool.
Vampire David Bowie? VAMPIRE DAVID BOWIE?
-regains composure-
I've been thinking if there's anything in the distinction between what makes someone a good director vs. a good filmmaker. A good director can make an excellent movie, but the result will never be better than the script. Whereas, a good filmmaker bends all of the disciplines that go into making a movie towards something, uh, want to say, "greater than the sum of its parts", but that would put this bullshit thought way over the edge. Oof, sorry to get so Bresson-y.
Did some effects and clean up for this doc short a friend made last year, but it wasn't online until now.
Watch your speaker volume, there's an intense bit right off the start. Full screen for great justice.
Moxie needs more common usage, for sure.
http://www.imdb.com/title/tt0973844/
Find a copy of that if you can, it's a bunch of tops directors, all making shorts about what "cinema" means to them. The anthology was commissioned by Cannes for an anniversary.
Some are narrative, some are more experiential but it's a great exercise in all the different ways something can go and still work.
This is super relevant in my head, but I'm having a way hard time articulating why.
Friends In Your Head | Forums → Posts by paulou
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