Trey wrote:fcw wrote:Emma Thompson's character apparently possesses a magical typewriter, upon which whatever she types happens for real, is entirely unexplained in the story, and utterly unremarkable to any character who finds it out.
See: Bean, Magic
I haven't seen that movie and have no opinion as to whether it's good or not. But from what I know about it, I gather that's the central premise. It's fine to just not buy that premise if it doesn't suit you, but if you're going in with that attitude there's not much reason to watch the movie in the first place.
It'd be the same as spending the last ninety minutes of Back To The Future saying "This movie sucks! Time travel isn't real!" It's your business if you feel that way, but why waste the ninety minutes? 
I have absolutely no trouble with Magic Beans; I love Up, despite its debatable use of them, for example.
You really need to see StF to understand why they get the use of Thompsons' Typewriter so wrong. The whole thing is set in the real world of today, with apparently normal people who know the kinds of things we do After an hour or so of stuff, there is a scene where she is writing about her fictional character making a phone call to her, and as she types 'RING...' on her typewriter, her own phone rings. Thompson's character thinks this is an odd coincidence. She types it again, and her phone rings again, and it scares the crap out of her. She waits a long time, her phone doesn't ring; she convinces herself she's being silly, types 'RING...' again and her phone rings again. At which point, she freaks out. It's clear that, to the character who owns the typewriter, its magical behaviour is unexpected and terrifying. Despite this, and similar events, such as the existence in reality of a fictional character she made up and brought into existence by typing on the typewriter, the story then proceeds to forget about this revelation: Thompson's character continues to use the typewriter, no-one in the story makes any attempt to do anything with it beyond typing fiction, and everyone blithely accepts that Will Ferrell's character, previously considered to be a regular human being, and throughly established as desperate to save his own life, is now expendable in the name of literature, including by Will Ferrell's character himself.
IMHO, the story breaks the Bean Wall, and makes the characters aware of the Magic Bean's Bean Nature, which is an error that the story doesn't recover from.