Oh, and the last shot of this season will likely be the hateful eyes of a certain lady.

The basic theory is that episode 9 of this season will end with the BIG thing that will drive people nuts (I.e. the RW).  Season 4 will have that OTHER thing around mid season (hint: from cup to crossbow) and that the end of season 4 will incorporate elements of book 4 while ending with a dany chapter from Dragons.  The seasons after this one will blur the borders of timelines, as the books are wont to do.

628

(19 replies, posted in Episodes)

So we should know within two weeks whether or not we made the top 12.  Either way, once we do, we can go public with a link to it.  Hold tight kids.

629

(19 replies, posted in Episodes)

The short consisted of shooting interviews and verite at 24p, and featuring some archival at 30.  I made the call to output at 24 early on, I just wanted that look.

I went to see KMFDM last night, so this is relevant to my interests. Good job everyone.

This is easily the dopest shit you will see all day.

I am fairly VFX dumb, so my directive to Teague was just make it full frame and beat it with the VHS stick.  Viola.

Teague absolutely killed this.  Monday at 3:30 am I reached picture lock, and as I figured out the ending, I temp tracked it with "Moon and Moon," by Bat For Lashes.  I slept easy that night knowing that Teague would give me something close to that, while being wholly original.  He did the opposite of disappoint.  The contest rules say I can post a link after finalists have been announced, sometime in early April.  In the meantime enjoy Teagues awesome score.

634

(5 replies, posted in Creations)

....yup.

Still laughing.

635

(5 replies, posted in Creations)

I'm so god damn punchy after 4 days awake on this that I can't stop laughing.

636

(72 replies, posted in Off Topic)

My thing was that I was very much into the story, and in the last 20 minutes it told me thy the story I cared about is not what I should have cared about.

637

(11 replies, posted in Off Topic)

I am planning on a beach house-y thing.  I haven't started looking yet, but I probably should.

638

(5 replies, posted in Creations)

Yeah, I accidentally deleted it when I was cleaning out my channel.  Re uploading in a sec.

639

(5 replies, posted in Creations)

I didn't design the logo.  There is currently no name for the show.  I had a card in there all the way up until I delivered it.

640

(23 replies, posted in Off Topic)

I never felt like Mike Mills got the respect he deserved as a director.  He's had some indie movie's become modest hits, but damn, can that boy direct.  It's rare that you see a documentary completely work as a music video.


All I Need by Air
Dir: Mike Mills

641

(23 replies, posted in Off Topic)

The first time where I took notice of a music video director was.....


Lucas with the Lid Off by Lucas
Dir: Michel Gondry

642

(36 replies, posted in Off Topic)

Dave, you beautiful man.

I LOVE Dizzee Rascall.  I saw him and The Streets play at the Wiltern back in '04, and him by himself at the Shortlist Awards.  Boy in Da Corner is a tremendous debut.  I was really vexed that I didn't put more hip hop, specifically UK Garage/Hip Hop.

643

(5 replies, posted in Creations)

I cut a lot of sizzle reels (3-8 minute concept videos when used to sell show ideas to networks) and since this one is going up on their website soon, I figure I'd post it here.

I was approached to take over a sizzle reel that another editor had sort of dropped the ball on.  The cut I got was incomplete and sort of in rough shape.  Here is what I was able to do.

644

(36 replies, posted in Off Topic)

Here are my 10 entries, in no particular order.  Youtube clips when I feel like it.  By definition, these are albums that I can put in now and still feel the same about them as I did when I first heard it.  No skipped tracks, and they all still make regular rotation in my itunes.

Pink Floyd - Dark Side of the Moon
There are a few albums that as soon as you hear them, open up the possibilities of what music can be.  This is the first album I would just sit in my room and do nothing but listen to it, trying to suss out the different elements in the sound scape. 

Massive Attack - Mezzanine
I was a huge Portishead and Tricky fan (Pre-Millenium Tension ALMOST made the list), but this is an album you put in, and before you know it it's already over, and you're far more chill.  It's equal parts creepy and sexy, and can fit into almost any environment, like here, in a compilation of classic Film Noir

A Tribe Called Quest - The Low End Theory
While there were more influential Hip Hop albums I've listened to (Stroght Outta Compton, and Fear of a Black Planet come to mind) and overall better tracks (Pete Rock and CL Smooth's T.R.O.Y. is the greatest hip hop song ever, and I'll choke anyone who disagrees), this is the album that I can listen to today that feels timeless, while being very much of it's time.  It's also crazy amounts of fun.

TV on the Radio - Young Liars
While it's true that both Dear Science and Return to Cookie Mountain are probably better albums, the face that this 5 track EP contains 5 of their best songs helps.  This was another instance of a band taking all of it's influences, consuming them, and ejecting something entirely new.  Both sonically and lyrically ("I will by calmer than cream/making maps out of your dreams) I have yet to hear anyone like them.

But don't take my word for it.  Here is Trent Reznor and Peter Murphy performing a TVOTR song with TVOTR because they are such big fans of theirs.

Nine Inch Nails - Pretty Hate Machine
Top to bottom a great and revolutionary album.  Influenced by 80's electro, Joy Division, Bauhaus, and heroin probably.  Everyone's heard it, so no need for a clip.

Zero 7 - Simple Things
This album launched a few careers, and soundtracked a few movies.  If there was ever an album that felt like a season, this would be the official soundtrack to winter.  Props to this video which was shot documentary style of couples in love in central park, and then roto'd.  Same crew that did Waking Life.

Prodigy - Invaders Must Die
I first heard Prodgy in 1993 when I went to Germany and saw the video for Out of Space.  While Experience was practically worn out in my tape and later cd player, I think their most recent album is easily their best.  They have gained so much skill at what they do, and now that they're in their 40's, they lack all ability to give fucks.  This is from just a couple years ago, and they are still very much they cyberpunk anarchists they always were.

Depeche Mode - Some Great Reward
I used to hate DM growing up, primarily because the Armenian girls I went to school with were convinced that I looked like a young Martin Gore (after high school, however, that same fact got me laid at least twice).  Again, most people would list about 3 or 4 albums ahead of this one, but this is a deceptively strong album with a tone that was so different from it's Brit Pop peers.  The bass line and synth here are like a slow motion dogfight.

Orbital - Orbital II
I'll be free to admit I got turned onto Orbital because of the Mortal Kombat soundtrack.  But as soon as I got this album I DEVOURED the entire catalog and musically I was never the same.  This kicked off Eddie's club and rave days.  Thankfully all pictures have been destroyed.

Nick Drake - Pink Moon
Fun trivia, my Mom used to be a folk singer and songwriter who was signed to a small indie folk label for a while.  While she loved her Queen and Bon Jovi when I was a kid, I would periodically here this one, by sorta tragic figure Nick Drake.  Beautiful album, recorded in two days by himself in his apartment.  He turned in the masters and 48 hours later he was dead.  Enjoy!

645

(70 replies, posted in Episodes)

Great so far, guys.  I just wanted to throw my 2 cents in here since this is one I would have loved to be in on. 

My father had a regular column in the China Lantern, a small English language newsletter for American servicemen stationed in Taiwan.  Most of the movies he reviewed had been out for some time when they hit one of the four theaters that showed US movies in the region.  So my father's columns were less about reviewing new films, but more about advocating for movies that were worth someone's time, even if they had already seen it before.  He would advise his readers on what to look out for on repeat viewings and for those who had passed on a particular film before, why they should check it out now.  Later in his life and into my own, this was often the purpose of our film watching experience.  I mention all of this because this has greatly shaped my view of criticism, and specifically what we do at DiF, and what I consider before everytime I'm invited to participate. 

Film criticism certainly has a place.  Pauline Kael was very helpful to me when I was first interested in film.  But, as Steven Soderbergh is fond of saying, at the end of the day, film criticism is Air Guitar.  Saying that, the film critics I tend to respond to the most are not film critics by nature, as they are film curators, or even film advocates.

Ultimately, time is our most valuable resource.  The number of hours of all films ever made will eclipse your time on this planet, so choose wisely, I say.  What my father, what Drew McWeeny at HitFix, AO Scott for the Chicago Tribune, FX Feeny for Village Voice, and now Kurt Loder for Reason do, is build a giant playlist from their body of work.  What they recommend feels less like a checklist of personal taste, and more like an episode of antiques roadshow, where the film is held up against the light of the current landscape.  I find this approach appealing to me as both a fan of film, and someone who makes my living in it (well, tv, but you get the idea).  McWeeny is a good example.  The shortest reviews he writes are the ones where there's nothing obliquely wrong about the film, but nothing special either.  If everything is merely compatant and sorta fun...there's not much else to be said.  His review for V/H/S however, is more indicative of what a curator does.  It acknowledges the films flaws while absolutely noting that as a merging of found footage and horror anthology with a low fi aesthetic, it is doing something unique and fresh.  YMMV, but there certainly weren't too many examples of movies like it before.  At the time of the review, it had just played Sundance and had no distributor, so he was clearly advocating for something new to be thrust upon us.

In some small way, that's what I feel like we do at DiF.  We're not reviewing new movies here.  We pluck from the depths to discuss.  We pull out the gem loops, we go over cracks, we marvel at the subtle beauty, and then we put it back on the shelf and come to OUR collective opinion for you to humbly consider.  Maybe you dismissed a film and are giving it a second chance.  Maybe you never heard of it.  Either way, we are hopefully enjoyable museum guides.

646

(1,649 replies, posted in Off Topic)

I was never a huge fan of the blocking in the Buffy choreography, but Sophia Crawford has such awesome fast-twitch reflexes that she makes every kick seem spontaneus.  Her switch kick and turning side and hook kicks in particular are super crisp.  It always made me sad when they would show Sarah Michelle actually hit a bag because, TKD Brown Belt or no, that chick CANNOT punch.

Just rewatched Dear Zachary....TWICE because pace wise, it's the speed I'm going to need to go at for my Doc Challenge submission.

Holy shit is it even more devastating since I spawned a child.  I, no bullshit, went and held Grayson for like an hour afterwards.  And yes, as a film, it still more than holds up.

648

(216 replies, posted in Episodes)

That would certainly be an awesome movie to both make and view.  With that said, I am very much of the opinion that filmmaker has a responsibility to construct the world from their viewpoint, first and foremost.  As we all know, in Joss Whedon's worldview, it's simply a given that men and women start on level playing fields.  In Ayn Rand's, it's very different, as illustrated by the dominant Alpha Male characters, and near rape fantasies by the women in  The Fountainhead and Atlas Shrugged.

So overall, I agree with Bathilda that it would be nice to take one of these super hero movies and start with gender relations as they are in our world, and move on from there.  It would be refreshing.  I just don't think that the fact that the Avengers DOESN'T do that makes it a bad choice.

649

(473 replies, posted in Episodes)

You ever see a Goose being funnel fed in order to enrich it's liver for premium Foie Gras?  It's kinda like that.

650

(216 replies, posted in Episodes)

From her perspective, it's about fucking time.  Keep in mind, when she went through Boot Camp at Fort Jackson back in 1979, her PT standards were the same as the men's.  She had to do the same number of pushups, pullups, situps, and have the same run time as the men.  And it's not like she DIDN'T endure sexism.  She was sort of convinced by the end of Boot Camp that her real name was "Goat Cunt."  It wasn't until later that they changed the PT standards so whereas men had to do 42 pushups in 2 minutes, women only had to do 18, that they had to do 15 less situps, and run the 2 mile a minute slower.  To her, THAT was the real sexism. 

It's also reflective of modern combat.  There are fewer foxholes to dig, and more nightly patrols and urban sweeps to do.  The military is sometimes slow to evolve, but it always finds a way to.  *cue Jurassic Park theme*