The basic theory is that episode 9 of this season will end with the BIG thing that will drive people nuts (I.e. the RW).  Season 4 will have that OTHER thing around mid season (hint: from cup to crossbow) and that the end of season 4 will incorporate elements of book 4 while ending with a dany chapter from Dragons.  The seasons after this one will blur the borders of timelines, as the books are wont to do.

The short consisted of shooting interviews and verite at 24p, and featuring some archival at 30.  I made the call to output at 24 early on, I just wanted that look.

This is easily the dopest shit you will see all day.

Teague absolutely killed this.  Monday at 3:30 am I reached picture lock, and as I figured out the ending, I temp tracked it with "Moon and Moon," by Bat For Lashes.  I slept easy that night knowing that Teague would give me something close to that, while being wholly original.  He did the opposite of disappoint.  The contest rules say I can post a link after finalists have been announced, sometime in early April.  In the meantime enjoy Teagues awesome score.

I'm so god damn punchy after 4 days awake on this that I can't stop laughing.

I am planning on a beach house-y thing.  I haven't started looking yet, but I probably should.

I didn't design the logo.  There is currently no name for the show.  I had a card in there all the way up until I delivered it.

Great so far, guys.  I just wanted to throw my 2 cents in here since this is one I would have loved to be in on. 

My father had a regular column in the China Lantern, a small English language newsletter for American servicemen stationed in Taiwan.  Most of the movies he reviewed had been out for some time when they hit one of the four theaters that showed US movies in the region.  So my father's columns were less about reviewing new films, but more about advocating for movies that were worth someone's time, even if they had already seen it before.  He would advise his readers on what to look out for on repeat viewings and for those who had passed on a particular film before, why they should check it out now.  Later in his life and into my own, this was often the purpose of our film watching experience.  I mention all of this because this has greatly shaped my view of criticism, and specifically what we do at DiF, and what I consider before everytime I'm invited to participate. 

Film criticism certainly has a place.  Pauline Kael was very helpful to me when I was first interested in film.  But, as Steven Soderbergh is fond of saying, at the end of the day, film criticism is Air Guitar.  Saying that, the film critics I tend to respond to the most are not film critics by nature, as they are film curators, or even film advocates.

Ultimately, time is our most valuable resource.  The number of hours of all films ever made will eclipse your time on this planet, so choose wisely, I say.  What my father, what Drew McWeeny at HitFix, AO Scott for the Chicago Tribune, FX Feeny for Village Voice, and now Kurt Loder for Reason do, is build a giant playlist from their body of work.  What they recommend feels less like a checklist of personal taste, and more like an episode of antiques roadshow, where the film is held up against the light of the current landscape.  I find this approach appealing to me as both a fan of film, and someone who makes my living in it (well, tv, but you get the idea).  McWeeny is a good example.  The shortest reviews he writes are the ones where there's nothing obliquely wrong about the film, but nothing special either.  If everything is merely compatant and sorta fun...there's not much else to be said.  His review for V/H/S however, is more indicative of what a curator does.  It acknowledges the films flaws while absolutely noting that as a merging of found footage and horror anthology with a low fi aesthetic, it is doing something unique and fresh.  YMMV, but there certainly weren't too many examples of movies like it before.  At the time of the review, it had just played Sundance and had no distributor, so he was clearly advocating for something new to be thrust upon us.

In some small way, that's what I feel like we do at DiF.  We're not reviewing new movies here.  We pluck from the depths to discuss.  We pull out the gem loops, we go over cracks, we marvel at the subtle beauty, and then we put it back on the shelf and come to OUR collective opinion for you to humbly consider.  Maybe you dismissed a film and are giving it a second chance.  Maybe you never heard of it.  Either way, we are hopefully enjoyable museum guides.

Just rewatched Dear Zachary....TWICE because pace wise, it's the speed I'm going to need to go at for my Doc Challenge submission.

Holy shit is it even more devastating since I spawned a child.  I, no bullshit, went and held Grayson for like an hour afterwards.  And yes, as a film, it still more than holds up.

You ever see a Goose being funnel fed in order to enrich it's liver for premium Foie Gras?  It's kinda like that.