Well, it struck me as odd, as Faldor said, with the reboot so fresh. I mean, you had Blood and Chrome back in 2012. It seems weird to try and get it back out of there again.
But, look at Superman Returns and Man of Steel, so there is that
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Friends In Your Head | Forums → Posts by fireproof78
Well, it struck me as odd, as Faldor said, with the reboot so fresh. I mean, you had Blood and Chrome back in 2012. It seems weird to try and get it back out of there again.
But, look at Superman Returns and Man of Steel, so there is that
Another bump, though this might be more appropriate in the "Random Movie Talk" thread.
Oh well.
So, two bits of news in the science fiction movie world I found interesting today.
First is the fact that Prometheus is getting a sequel. Anyone surprised? No? Ok,moving on.
The second, more interesting (to me) of the two is that Battlestar Galatica is getting a big screen debut. So, just like the Scify miniseries reboot, Galatica will get another retelling, this time up on the big screen. The potential problems is that the same screenwriter who did Prometheus is on this project.
Over in the Top Five thread, Prax asked
Darth Praxus wrote:Next up: top five WAYDM episodes.
And to be honest, while the person who answered that (Eddie, in this case) had great answers, I'm really curious how most of y'all would answer that. I know my preferences for the show, and I'm sure everyone on the panel has their desired "episode type," but... how do y'all feel about this?
Now I feel like an idiot because I've never asked this before.
Two questions.
1. What are your favorite episodes of the show? (And why.)
2. What episodes would you show somebody to try to convince them to listen to the show? (And why.)
1. I enjoy the marathon ones quite a lot, but I would count them as one. The prequels are my "go-to" for some quick jokes and fun discussion about movies I know very well and don't need to watch while listening (I am a big fan of being able to do house work and listen to WAYDM). Avengers is fun because it is a fun movie and the panel enjoys it, points out some logical inconsistencies but they have fun in spite of themselves. Finally, I like Spiderman 3 because Teague's rage against that movie just makes me chuckle.
As a honorable mention, I enjoyed "Wrath of Khan" because it had a good balance of fans for Star Trek. It represents the panelists in fine form for a work they are a fan of rather than hatred for the movie.
2. If I am to introduce WAYDM to another person then I would recommend the following:
a. Prequels-usually good way for people to get introduced to movies that are fairly well know (and generally accepted as "not good.").
b. Wrath of Khan-again, a known movie for quality and this showcases the more film-making and fanboy-ness of the group, but more positive.
c. Anything with Trey's knowledge or stories: Abyss, Starship Troopers, GI JOE (best Trey rant, IMO).
d. Intermission: Battleship, Terra Prime, Recommendations and "What are you reading." Showing more facets to the show, especially if people like more topics than movies.
e. Monster Inc and Galaxy Quest to show why movies work
I really need to watch more movies so I can keep up on the commentaries!
Teague wrote:Dude, I want your living room.
I have since bought a new projector which has a greater
throw distance/zoom ratio and fills out my screen and can
even go more. It even has 3D. I watched the 2 hobbit movies
for the first time and in 3D this last weekend, all I can say is WOW!The projector, which is even brighter and clearer than my old one,
was only around 500 dollars on amazon, its a BenQ MW519, I think.
Only a 720P Native, same as my last one, but you really don't need
that 1080P for a screen this size IMHO. Hell you can hook your laptop
up to it with a BluRay Drive, and you are in business. The glasses for
3D were only like 22 bucks each off amazon. Throw in some headphones
and the screen that hangs up was around 120 dollars on Ebay(Its vinyl),
It you are golden!!
fireproof78 wrote:I think it is a more a question of why you format it that way?
At least, that is my question. It just strikes me, purely from a flow of typing point of view, that it is more difficult to break the sentences before the line break.
(also, anyone else looking for the Word Wrap check box
)
its just like a typewriter, real simple, I type to the end of my natural gaze and hit the
enter button. When I'm on the next line, make a basic calculation about the size of
the last word of the sentence. In fact, all of this talk about it is more than I would ever
think about writing a post. About as basic as you can get...
That makes much more sense, but it still looks unusual, as Rob pointed out.
I'm too used to having to precisely format my text for school papers that anything unusual to my eye, for formatting, makes the brain do a double take.
However, it is unique and eye catching. No one can argue with that
I think it is a more a question of why you format it that way?
At least, that is my question. It just strikes me, purely from a flow of typing point of view, that it is more difficult to break the sentences before the line break.
(also, anyone else looking for the Word Wrap check box )
My problem was the two characters were identical, and I couldn't tell which one was Stokes.
See, the best part with "Tokes and Stokes" is the almost Fight Club-esque twist that they are really the same guy, just a split mind.
fireproof78 wrote:PorridgeGun wrote:
6.5/10
I would like an explanation of this rating because I seem to recall it being pretty bad. Bearing in mind that I know nothing of the books or anything of the franchise (can it be called that?) but it just felt rote to be my the end. I usually do not use the term "hate" for a film but this one almost nets an "I hate this film!" from me.
Meh, I've seen worse Jim Carrey family movies (The Mask, Ace Ventura: When Nature Calls, The Grinch). It was worth sitting through just for 3 mins of Captain Sham.
I'm not sure I quite follow. Those other Jim Carey movies at least felt like they were going somewhere.f
I know not every movie needs to have a happy ending or a neatly tied up, warm loving reunion, at the Cleavers over Christmas dinner as the snow flies and happy music plays (one more cliche and I win a steak knife set ). However, it is hard for me to invest in the characters of a movie that pretty much guarantees that the children will never have anything positive in their lives, that they will never trust adults because every adult that comes in to their life will die. It pretty much comes down to "How will they die next?" I don't care to watch that.
The Mask at least had stakes (and was hilarious) and the Grinch knew exactly what it was. Series of Unfortunate Events is a prescription for causing clinical depression. I wasn't nearly as depressed walking out of "Fight Club" or "The Grey" as I was with this movie.
But, hey, I'm a sentimental, overly emotional, type of a guy so take it for what it's worth.
Amazing work guys!
Lots of props to all of you guys putting this together (and to Trey for putting up with all of you). I'm pretty amazed the cops were not somehow involved in this production and that Dorkman was brave enough to venture in to a dumpster.
Good job all around!
The Social Network would have gotten my vote. What killed me about The King's Speech's win is that I thought nearly every other film nominated was better. Toy Story 3--better. Winter's Bone--better. Even The Kids Are All Right, which I didn't love, I thought was better. And the kicker is that I liked The King's Speech. Saw it again recently and liked it a lot.
The Social Network was such a deft portrait of where we were and what we were as a culture in the aughts. It was so well done at every level. It's been a few years now, and you don't really hear people bringing up The King's Speech very much. People still talk about The Social Network.
This is where I must live in a different world. I could care less about Social Network yet find more application and memorable lines/moments from The King's Speech in my day to day life.
Again, that is just me. Some things hit you were you live.
6.5/10
I would like an explanation of this rating because I seem to recall it being pretty bad. Bearing in mind that I know nothing of the books or anything of the franchise (can it be called that?) but it just felt rote to be my the end. I usually do not use the term "hate" for a film but this one almost nets an "I hate this film!" from me.
Men in Black 2:
Ran accross this on netflix and was in a "fuck it, why not?" mood, haven't seen it in years and years. I remember it being really truly terrible. Don't get me wrong there's still A LOT wrong with it, but on the whole I found myself really enjoying it this time.
There's still some pretty serious problems, Will Smith Will Smith's all over the place a little too much at times, some of the action scenes cross the wacky line into full blown stupidity, and the Johnny Knoxville character is still primarily there to be annoying. But all that said, I actually really enjoyed watching it this time. A lot of jokes landed really well, there's a lot of really well tied in call backs and references to the first movie while not feeling bogged down by them or them being out of place. And for whatever reason the things that really stuck out in my memory as ruining the movie for me the first time were just not an issue, and actually found myself enjoying them this time. And it still managed to do it's own thing that wasn't just a rehash of the first movie.
All in all, I was very pleasantly surprised. Would I rather watch this over the first one? No. But would I look forward to a double feature? Sure. It's fun, has it's own thing going on, and if you can mentally polish over the few rough spots it's legitimately entertaining.
*warning* Possibly offensive statements ahead *warning*
I honestly liked this one a little bit more than the first in some places (ducks the thrown items). One of the reasons that I can see BDA and I disagreeing is I actually like Will Smith being Will Smith. There is a bit of the straight man style from Tommy Lee Jones coming through with his whole dealing with the giant worm at the beginning, to his dealing with the villains at the end. Some of the humor fell a little flat and the fact that they brought Jones back at all was kind of irritating (not surprising-just irritating) but the performances were good and it is a lot of fun.
Overall, it depends on my mood which one of the three I will watch. MIB 2 is one of the few sequels that I enjoy as much as the original.
A lot of the hype was Harvey Weinstein being a master of hyping his BP nominees. Clearly he knows how to work that thing in the run-up to Awards Season.
Few recent BP winners deserve the distinction. (The King's Speech was not the best film of that year, nor was Argo, etc.) That said, I actually feel The Artist is one of the more defensible winners in recent memory. It's, at least, a movie everyday people actually enjoyed. It also took big chances that paid off--a silent, B & W film in which the two leads and director were people American audiences probably never heard of. Weinstein distributed it anyway. Its success is remarkable when you consider that. When I look at the nominees that year, I still have no problem with The Artist's win.
I am curious as to what you think should have taken BP instead of The King's Speech?
For DUNE fans in England... here's an event with Alejandro Jodorowsky at the British Library including a screening of the new documentary of the unmade DUNE film....
I am a little sad now but I am looking forward to this documentary
Just can't make it to England for the event
fireproof78 wrote:I often get criticized for liking Star Trek Into Darkness
Fireproof, you suck!
See what I mean?
Well, I cannot participate but I am looking forward to this one
fireproof78 wrote:Also, I want to reemphasize pavilich's point that the movie isn't a video game. The movie is judge based upon its own merits not upon source material. If the movie is bad, then the movie is bad and no amount of outside material will fix that point.
This is an issue with anime, actually, at least when it's licensed in the US, because a lot of shows are intended to be a supplement to or a lure for the source material. I remember being baffled by how many anime seemed to just end mid-story with character and plot threads left hanging. Then someone explained to me that there was probably an unlicensed manga out there with dozens of volumes if I was interested in finding out what happens next. With a lot of anime on television, you get what you get for the money that was available to produce it and if you want any more then go read the manga/book or play the video game. There's much less pressure for an anime to stand alone, because the audience already knows that they're only getting part of the story.
Now if this was the intention for Scott Pilgrim, which I doubt, then the problem is that US audiences aren't accustomed to this model. Instead of being one piece of the whole, Scott Pilgrim ends up feeling like a not so great adaptation.
And I understand the point about Scott not actually being a nerdy character, but if that's the case, Michael Cera was the wrong choice. Fine actor, but everything about him screams nerd.
Well put. Though I am not a fan of anime in general, that is a trend I have noticed when I try to get in to a particular series. I am often left baffled or confused, and usually can't finish it due to frustration of unanswered questions.
I often get criticized for liking Star Trek Into Darkness, but knowing more outside material about Star Trek (in general and Into Darkness specifically) can help with understanding the movie. But, if left on your own, with no knowledge of the material (or limited) the movie is found wanting (and yes, I know, it is still wanting even if you do know that. ).
SF Debris puts it quite well that he will do research to review a film but won't do research to just watch it. I am more inclined to do research prior to seeing a film and am willing to fill in gaps (bring in the concrete) but that doesn't mean it is a good movie. I can just be more forgiving than others.
I would so love to be in on this, if for no reason than to explain in detail why Skyrim is bad. I've only played Skyrim and Oblivion, tho, with a fraction of Morrowind back in the day before I had a computer of my very own.
I should revisit that one.
There's almost no chance in hell that I'll be around for the recording, tho. My job sucks my life away.
And this makes me so sad now
fireproof78 wrote:Faldor wrote:
Um, then why is there the term "band geek?"
Band Geek?? Really?? Oh, maybe this is sarcasm. but just in case its not, Um, someone who is
in a school band/marching band is a geek. If you play in a garage band with electric guitars,
you are bad ass and get hot gets, even if you are Michael Cera. I don't make the rules.
That's what I was doing wrong in high school
I don't really buy that argument but I understand your point.
Also, I want to reemphasize pavilich's point that the movie isn't a video game. The movie is judge based upon its own merits not upon source material. If the movie is bad, then the movie is bad and no amount of outside material will fix that point.
Can there be a heavy metal piccolo?
mkeithddc wrote:Scott Pilgrim Isn't ever supposed to be a geek. He has his own band.
Um, then why is there the term "band geek?"
fireproof78 wrote:I'm sorry, I get that this was a movie based upon a cartoon and toy line from my era, but I grew up with the 60's, Trey toys, so I am with Trey on this one. His rant is probably one of my favorite ones from WAYDM simply because I identified with it, understood it and wanted to applaud by the end.
In all honesty, the movie should have just been called "Snake Eyes" and called it good. That was the only part of the movie that caught my interest. It also wasted Dennis Quaid: major strike right there (much like Battleship, which wasted Liam Neeson).
Well, just sayin. If someone, hypothetically had sat down and watched a season of the
cartoon on Netflix, which takes maybe a few hours, then they would totally understand
this movie. The movie would still be bad, but they would know all of the characters and
none of the tech or the crazy plot would bother them, because this movie is just like a
storyline from the cartoon from 85'.
And the story lines for those cartoons were written just as well as your favorite Star Trek
or Dr Who episode. They would even have one story last over 3-4 episodes to give it time
to flesh out.
While I have no problem with reading (or watching outside material) a movie should be able to stand alone without that material. In other words, as I have often heard argued here, I should not have to do research in order to understand the movie.
Also, if this movie is just like the cartoon, then it should not be billed as a tent pole action piece aimed at the summer movie crowd. It should be animated or toned down (ala The Pacifier) to accommodate a family audience.
I won't try to speak for anyone else here, but I imagine that many would say that Star Trek or Dr. Who were written better. If I am wondering who the characters are in a movie then something is wrong with the movie. Even when I was 10, I didn't walk away from a Star Trek episode wondering about what I just watched.
I'm sorry, I get that this was a movie based upon a cartoon and toy line from my era, but I grew up with the 60s, Trey toys, so I am with Trey on this one. His rant is probably one of my favorite ones from WAYDM simply because I identified with it, understood it and wanted to applaud by the end.
In all honesty, the movie should have just been called "Snake Eyes" and called it good. That was the only part of the movie that caught my interest. It also wasted Dennis Quaid: major strike right there (much like Battleship, which wasted Liam Neeson).
johnpavlich wrote:Anyway, Looper.
I liked the part with the loop.
Sorry, I got distracted by the Back to the Future references about time paradoxes
Anyway, time travel is bound to cause problems because the rules cannot clearly be defined except from story to story. So, if time travel doesn't work in Looper by Looper's rules, then it doesn't work. No other work can really demonstrate how it should have worked.
As for Looper and magic beans, if there are two magic beans they need to be clearly defined and followetheir own rules. If they don't then it is a case of the bean not working and the suspension of disbelief being broken.
It isn't a matter of time travel being done well or other movies doing it well. It is a matter of Looper and whether or not it works.
Yeah I'll take Star Trek as one but it is so rooted in TV that it's not a pure example of what I'm thinking about.
But I'll give Star Trek that it did it well.Star Wars seems to be heading down that road and like Ghostbusters I have a bad feeling about it.
One meta example a friend mentioned to me was ‘After Earth’ where Will Smith was going to pass the action hero torch to Jaden. What a mess that turned out to be.
This is just my opinion, but it strikes me that Will Smith is grooming his soon to be in that spot but that he hasn't completely given up the throne yet, so to speak. I think he will, at some point, make it all official, because I see passings of the torch becoming more familial in Hollywood, due to the money and ability to train at the moment.
Also, Star Trek, in my opinion, did ok, but it could have been better. The Kirk and Picard moment was a brief moment centered in a poor movie, so it really lacks a certain luster or passing on that could have been done so much more. Star Trek 2009 did a better job with the Spocks than Generations handled Kirk and Spock. Even DS9 had an episode where Sisko met Kirk and that seemed to work better.
I know this is a TV example so it doesn't quite meet the criteria you laid out but I will throw it out there: Stargate franchise has done very well in having "pass the torch" moments from lead to lead. Richard Dean Anderson has done well to be apart of Ben Browder's taking over as the lead, as well as Beau Bridges becoming the CO of the Stargate Command. Much more respect there given to both RDA's past performance and the potential for the new cast.
Star Wars could go either way. It all depends on what story and what role the old cast play.
As part of my continuing the family friendly portion of this website, I present to you a guilty pleasure movie of mine that I revisited today.
This is a film that certainly takes the concept of magic bean and stretches believability, but the trip is very much worth it. Three kidnappers (Joe Mantegna, Joe Pantoliano and Brian Haley) attempt an easy pay day by kidnapping a wealthy family's one year old child. However, there are two things working against them: they are stupid and the baby is the smartest child ever. Baby Bink (yes, that's the baby's name), decides to play out his favorite book and visit all the sights in the big city. All the while, he is chased by the kidnappers and his worried mother.
The movie is a family friendly comedy, with the kidnappers receiving fair share of injuries, while the child continues on, oblivious to the havoc.
Most people probably wouldn't have listed a review, but this is a gem of a comedy that many overlook. Like I said, it requires slowing a pretty large magic bean of a concept, as well as a fair dose of physical comedy. If that isn't your thing, on either count, you won't like it. However, if you can accept the premise, it is a good fun ride, featuring some actors in some earlier roles that are more recognizable now, including Fred Thompson, Lara Flynn Boyle, and Cynthia Nixon.
10/10
Owen Ward wrote:Another Brit, we're spreading!
There's too many of them! THERE'S TOO MANY OF TH-
Oh, and welcome
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