826

(64 replies, posted in Off Topic)

On Her Majesty's Secret Service and Goldeneye

827

(91 replies, posted in Off Topic)

I'm with Doc and Drew.  This is in no way a movie ABOUT time travel.  This movie plays in that sandbox but its about a lot more.  If they had, as someone suggested, just been a movie about JGL and BW killing Jeff Daniels, then it would have been a far inferior movie for it.  I'll have more to say once I sit with it, but I found it to be a stunning piece of work.

828

(21 replies, posted in Off Topic)

I pressed the Like button.

Well...I can defend ONE thing there, my wife got a caesarian and she had staples.  They were....gnarly.

830

(77 replies, posted in Episodes)

Damon Lindelof recounted his version of events of how he came to work on Prometheus.  Basically he had just wrapped Lost when one day his agent called and said," Hey Ridley Scott is going to call you in 10 minutes."  Ridley calls and says, "Hey, Im a fan of Lost, JJ recommended I get you to read the draft of my new Alien movie.  Wanna read?"  Lindelof says of course, and an hour later a PA comes to Lindelof's house with the script and says, "Here ya go,  Take your time reading it, but I'll be parked outside, just bring it back out when you're done."  Lindelof reads it and gives Ridley a call back.  Damon's notes were pretty basic:  It's a perfectly fine, updated version of Alien...and that's it.  It feels pretty much exactly the same as the first Alien, which is fine if that's what you want, but nothing new is covered, and it very much feels like you're repeating the same story beats.  Ridley agrees, and says that he wants it to stand on its own outside of the mythology, and that he wants to touch on some deeper, spiritual questions.  Lindelof comes on board, and with each new draft, the "sandbox got bigger and bigger," until one day, Prometheus happened.

831

(62 replies, posted in Episodes)

I saw Master in 70 as well at the arclight and goddamn did it look gorgeous.  They depth of field was roughly the width of a nose hair and you could see different PARTS of a persons face just slightly out of focus.  To me there is a strange, literal, alchemy with film that I'm not quite sure digital can be fully capable of replicating in my lifetime.   Not saying most films shouldn't be digital, and I dont hate digital at all, I just think there will always be a place for actual film.

Any thread that features Boney M is a success.  Yeah, the new upload feature doesn't seem to be working. What do?

Huh....seems we have an issue with our new image upload feature...standby.

So, part of the reason I've been a little MIA has been because I finished writing my first comic book that I'm self publishing.  Feedback has been largely good thus far, and everyone seems to have had some very valuable notes thus far.  My editor Jim Higgins has been a huge help as well.  My artist Winston has done what I think to be a bang up job.  He's still doing initial pencils through page 14 so far, and he seems to get the tone just right.  I'll be posting selective art as it comes in.

Here is our hero, Phazor, doing his weekly Q&A at his signature gastro pub (2.5 stars on Yelp), the Cafe du Phazor.

835

(77 replies, posted in Episodes)

Dorkman wrote:

I don't know Eddie's feelings on it, but I am definitely calling dibs on a seat during the PROMETHEUS comm. All sorts of new ones shall be torn.


I'm perfectly halfway between Teague and Dorkman.  I enjoyed long stretches of it, but it is absolutely hamstrung by some irreparable logic gaps.  It fascinates me because it begs a larger question: Do you like your sci fi grounded in hard science, and use the story to then commentate on sociological issues (The original Star Trek series at its best did this, as did many episodes of Twilight Zone) or do you focus less on nailing the believability of the science to pose even deep existential questions (Kurt Vonnegut was great at this, as were many episodes of Twilight Zone).  You can follow either path with mixed results, but I think the presence of Lindelof cannot be understated here. 

There's much to dig into on this one, and as always, I serve at the leisure of my DiF Overlords (DiFgeneers?).  If I see the Eddie signal go up, Rohan will answer.

836

(77 replies, posted in Episodes)

Invid wrote:
Eddie wrote:

BTW, I'm not the exception, either.  Most editors I know have families and are able to strike the balance.  Much better than I am, it seems sometimes.

So, editors get the girl. Good to know!

What's weird is my wife is a Dance instructor and one of the other teachers at her studio has a husband who is an editor as well.  They also have a daughter 7 months older than Grayson.  They are our mirror universe friends.

It's weird I got billed as Eddie.  I usually put Edward down on my credits.  Huh.

Rebecca is my homegirl.  Awesome Producer.  I saw her more than my wife while we were cutting this.

If you can tolerate it being entirely in Russian, by all means go for it.

I too, saw the Master in 70mm and it left a hearty impression.  I was fascinated by how it could feel so heavy, with surprisingly little plot.  The character work is so deep that you never want to avert your gaze from the screen.

Squiggly_P wrote:

Today I watched Haywire,
The acting is hit or miss as well. Carano was better than I thought she'd be, if not also a bit flat in her line delivery,

That's partially because at no point in the movie, do you actually hear Gina Carano's actual voice.  Her dialogue is 100% ADR by a different actress.

So after an exhaustive youtube search for my reel, I came across the full 1 hour special for Discovery that I edited on Mining the Moon.

Except, this is entirely in Russian.

Hopefully, my editing is so badass (ha!) that you wont notice.

843

(77 replies, posted in Episodes)

My first gig as lead editor was for Playboy TV, yes.  With that said, I have a few friends who have edited adult (and one old Jiu Jitsu friend of mine who was actually a big name porn director) and while it doesn't necessarily HURT them, it doesnt help either.  Its just not a good indicator of skill set.  Most porn is just very basic paint by numbers assembly, without much story skill really needed.  The shows I did at playboy were 1) a music video show hosted by Ed Lover 2) a scripted faux reality show that had only simulated sex, and 3) a Punk'd style hidden camera show.  If you removed the presence of boobs and taint, they would still be fully fumctioning shows.  So I didnt mind putting those on my resume because they still demonstrated skill (sorta).

844

(77 replies, posted in Episodes)

Lamer wrote:

America is scary. No Hollywood for me tongue

Hollywood is not that scary actually.  It's kinda gaudy, often dirty, and a bitch to drive in sometimes, but I choose to live here.

845

(77 replies, posted in Episodes)

I do believe that's the first Orson clap I got. 

BTW, I'm not the exception, either.  Most editors I know have families and are able to strike the balance.  Much better than I am, it seems sometimes.

846

(77 replies, posted in Episodes)

Great episode, but I completely disagree with Trey's suggestion, and everyone else's complicit agreement, that you can't be married and have kids and do the freelance showbiz life.  I do it.  I never sleep and I am often baffled that the day is over when it is, but I can make it work.  Sometimes, just barely, but it is possible.

I am freelance but I am incorporated.  I do my own retirement, pay for my own health insurance, and have earned enough cred in my corner of the industry to where I have a steady rotation of employers so that I'm working about 42 weeks of the year.   Yes, I have long hours.  Yes, I had to go to Miami for 6 weeks once, and yes, I often have to come home and be super dad and super husband to make up for the time I'm gone, but It's totally doable.  What I have had to sacrifice the most, is idleness.  Lazy Sundays are a rarity.  So is any sense of spontaneousness in how I fill my time.  But I would argue that having a wife and a child HELPS me in my day job.  I have no choice but to get shit done at the office.  I have no choice but to maximize my time at work, because its my family that suffers when I don't.

I realized early on in college that if I had to sit behind a cubicle all day counting reports or crunching any kind of number (which I was doing during college) that I might as well blow my fucking head off.  Working as a freelance editor and aspiring writer/director/fight choreographer/everyfuckingthing else has its challenges, but my wife and son benefit the most from a father and husband who takes pride in what he does and has passion for his livelihood.  That's the best lesson I can teach my boy.

847

(198 replies, posted in Episodes)

Ive been dying to do a documentary commentary, but again, it really depends on the right movie.  Most of the discussion of ETTGS would revolve around content vs form, which is fine.  A movie with subjects like that should actually be slanted towards talking about characters.

I think for a good doc DiF, something that has a bit of a mythology to it would be slightly better suited for discussion.  Something like Dark Days (Director was a former model who moved into the underground homeless community out of necessity to afford his film) Hoop Dreams (where they literally roll camera for 5 years straight to get their story) E-Dreams (Access is 50% of documentary filmmaking, this is a good example) Senna (a film made entirely in post from acquired footage) or Life int he Cage (because...I made that one) have a lot more read meat in terms of HOW they came to be, in addition to what they say.

848

(2,061 replies, posted in Episodes)

I think next weeks episode handles most of those.

849

(104 replies, posted in Episodes)

I will say, this insane stomach flu I just had will undoubtedly help me squeeze into the armor a bit easier.

850

(104 replies, posted in Episodes)

It's looking like I will have to don that armor again.  Time to jump back on the mat and work of my Dad insulation layer.