I've still only seen the movie once, on premier night, and probably not again till blurry, so I'm not overly confident in my personal critique at this point. But I think the only reason I'm not fully on board with Dorkman's assertions is that I really, really want to like this movie.
I also thought DoS was worse than AUJ. I found myself much more frustrated throughout my viewing, with lots of different things:
Cinematography - Too many fancy camera movements attempting to make conversation scenes more interesting. Make the dialogue more interesting, keep the shots simple so I can feel like I'm a part of the scene and not on a Disney ride. I don't want an important bit of dialogue meshed with another sweeping establishing shot. And yes, those GoPro shots were awful, and contradictory to the entire philosophy of "visual beauty and perfection" these movies have been following.
Too much CG crap - Yeah.
Pacing - I actually thought the pacing (at least in the first half) was worse than AUJ. Everything flew by too quickly in the first half. Scenes needed more time to breathe. Almost zero time was spent at Beorn's house, then it seemed like they got in and out of Mirkwood and up to Erebor in just a few days. I would have liked for them to have spent more time in the wood elf kingdom. That would have been a good opportunity for character development of Legolas, Thranduil, and Tauriel, since we hardly got to know them otherwise. Besides, in the book, the dwarves were imprisoned there for weeks before Bilbo got them out. There'd have been plenty of time for that had they cut out all the running from Smaug nonsense at the end.
Bard's Backstory - Pretty lame, I thought. So it just happens to be that Bard's father is the guy known as the one who failed to kill Smaug years ago? How convenient.
I thought Tauriel was fine as a character, but I didn't understand what her feelings about Kili were. Did she have a dwarf crush, or did she just feel for him after hearing his cat-saving mother story? I was thinking the latter, but I didn't get a clear read.
Legolas was hardly a character at all, more like an orc-killing machine. But the same was true in LotR. Giving him a love interest is a lot like giving Brick Tamland a love interest in Anchorman 2. You might be able to make it work okay, but expect a cringe here and there.
I did like Ed Sheeran's credit song, "I See Fire." I've only heard two of his songs, that and "Lego House," and they both give me a nostalgic feeling, like they're straight out of the '90s. Maybe it's just me.
Actually, Bard's grandfather is the one who failed. The story was passed on and on, and even had some variation between the men of Laketown and the Dwarves. Thorin was at least familiar with it. I thought it gave away too much info on Smaug, too early, but I guess it is better than the convenience that could happen in the Battle of Five Armies.
Legolas and Tauriel were among my favorite characters. Legolas, because you don't expect him to be a prick and yet he is, and cyphers his father's attitudes almost to the letter. He constantly parrots Thranduil's lines regarding protecting the border and not involving themselves in outside matters. He even takes the same hard line against Orcs that he sees his father do in terms of battle. I don't see him as an "orc killing machine" so much as a reflection of his father's attitudes and actions.
Now that I think about it, I like the diversity we see in the portrayal of the Elves in the Hobbit films so far. There is Elrond who is open and friendly, and helpful, in spite of Thorin's hostility. Thranduil is openly manipulative, plying Thorin with praise while manipulating him for his own gain. Legolas and Tauriel are caught in the middle of these two extremes, as both try to grasp the darkness of the situation.
Should have been more time with Beorn, but I had no problem with his scenes. He reminds of the Eagles, and again, they don't bother me and neither does Beorn.
Bard annoys me, but I'm hoping that There and Back Again changes that.
Edit: Corrected title thanks to Doc.