Hey, Teague, thought of something: if you have some of the demos for your album finished or roughly finished before the marathon, playing them during one of the breaks would be great promotion.
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Friends In Your Head | Forums → Posts by Abbie
Hey, Teague, thought of something: if you have some of the demos for your album finished or roughly finished before the marathon, playing them during one of the breaks would be great promotion.
We should do some bleeping for the sake of the Potter audience, keep things PG-13.
Should you guys even go to that trouble, though? Considering they're going to be listening to a show which has a habit of harsh language and the semi-frequent R-rated story, just bleeping the preview seems like it'd be producing a false impression that would then be corrected by the actual marathon. Or are you referring to somehow bleeping the livestream as well as the hour "teaser"? Sorry if this sounds contrary, because I'm really not intending it that way and I obviously am not someone whose decision-making has anything to do with the show, nor should I be; it's just something that occurred to me.
I wonder how long the montage of every "I hope somebody lost their job over that one..." would be.
Guess I'll start the race. Uploading these as soon as Teague PMs me and explains how to.
Star Wars: Episode I: The Phantom Menace
Jar-Jar's bad faint take (1:50:55-1:52:05)
Character motivation (1:52:08-1:55:29)
Star Wars: Episode III: Revenge of the Sith
Dorkman's legendary belt-buckle rant (2:20:15-2:22:09)
The Lord of the Rings: The Return of the King
The death of Saruman (12:50-14:47)
The Lost World: Jurassic Park
We give you million dollah (2:17:30-2:18:56)
Oh, yeah, sorry, Eddie. Not too familiar with Buddhist philosophy.
I'd be up both for my original idea *and* Doc Sub's idea, maybe as a two-act episode?
That's true; Intermission has gotten removed sometimes, but not that removed. So strike my suggestion and consider me in agreement with the Doctor.
I have the biggest idiot grin on my face right now thinking about how awesome this will be.
Is there any way I can donate besides PayPal? I can't legally use it yet, as I won't be eighteen for another year.
You magnificent bastards.
...so anyway, BLADE RUNNER is overrated.
I don't agree in terms of the visual effects and cinematography—most gorgeous movie ever—but in terms of the story itself, yeah, definitely. And while the book is far better, the same holds true for Do Androids Dream of Electric Sheep?—it's nowhere near Philip K. Dick's best novel, and doesn't touch on many of his central themes as a writer. Seeing people lavish praise on Androids and ignore A Scanner Darkly, Ubik and VALIS always hurts my heart a little (you might actually like VALIS a lot, Dorkman—it's basically a semi-autobiographical, insanely weird mix of sci-fi and theological quest that was written after Dick had an encounter with what he thought was a divine intelligence that left him half-crazy and desperate for answers).
I recently got all nine seasons of the show on DVD for an insanely low price (Amazon clearance), and I'm rewatching a couple per weekend. I was really struck upon re-viewing it just how bad the pilot is. Besides the weak script, I was especially surprised at how subpar the acting was. Duchovny wasn't too bad, but then again Mulder was never really a complex character; Gillian, though, was very stiff and awkward, which surprised me as she's generally the much better performer of the two.
"Squeeze" is always the episode I use to introduce people to the series. It might be the best non-comedic Monster-of-the-Week episode of the show's run, in my opinion; Hutchison's performance as Tooms is wonderfully creepy, Tooms himself is a very original creation, and the script is a perfect showcase of the blend of humor and horror that the best episodes possess. The regular actors are still finding their feet a little, I think, but they're already far better than they were two episodes ago.
the nihilism of the film
But the thing is, as explored in the WAYDM commentary, the movie really is not ultimately nihilistic. It's an optimistic look at a hopeful secular philosophy and humanity.
Anyone who knows anything about my opinions on movies knows I hate 3D as a rule. But, as with the impossible shots, in Cuarón’s hands it works. Not just works, in fact — for my money, it’s essential.
I really wish I had seen everyone saying this before I went to see it opening weekend. I saw it in 2D, and as a college student subsisting on mostly ramen and animal crackers I can't justify going to see it again, even though it's without a doubt the best film I've seen in years. For what it's worth, I was just as terrified in 2D, but my chronic fear of open spaces might have something to do with that.
As someone who has a chronic fear of vast open spaces, particularly space and the open ocean, this movie terrified me. I'm not sure I trust myself to talk about it objectively, just because that terror made it such a visceral experience for me. I think we can all agree it's got the VFX Oscar in the bag, and I was deeply surprised to find myself thinking that, despite my usual disdain for Sandra Bullock, she has a completely deserved shot at another Best Actress Oscar. My one big complaint apart from the as-you-know dialogue at the beginning is the casting of Clooney—RDJ was involved earlier on in the production, I know, and he seems like a perfect fit for Kowalski.
I've only ever read Red October, and thought the film was far superior; Clancy seemed way too obsessed with showing off all the research he'd done rather than just telling the story. Is that a problem with the rest of his works, too, to anyone who's in the know, or do they get better?
This was my first editing project on Premiere at the tender young age of fourteen. Even more than the dodgy editing, the fact that I used a Linkin Park song as the soundtrack mortifies me to no end.
I started this project at the same time, but spent a longer amount of time on it; I count them as co-projects, which is why I posted both. My most-viewed YouTube video to date, which makes me really sad that the fanfilm it advertises never came to fruition.
One of you mentioned Star Wars near the end I sure took notice because this was exactly my thought for the second half of your review: the semblance between the two films and how your criticisms of The Dark Crystal would therefore also apply to Star Wars. Your comment about The Chosen One being “bullshit” would apply equally to Luke Skywalker. Only he could destroy his father and The Emperor and therefore restore balance to the universe, remember? If one is “bullshit” then so is the other. Why not pick fun of Star Wars for resembling old Sci-Fi serials and point out how it essentially ripped off the works of Frank Hebert and Edgar Rice Burroughs? Star Wars was also born of a big imagination and has various mistakes even in its theatrical release, but most would agree that it’s still an artistic masterpiece due to its scope and execution.
Except Luke isn't a Chosen One. They never say that only he could destroy Vader and the Emperor. The business of a Chosen One is never brought up until the Prequels, referring to Anakin, and the guys criticized the prequels heavily for that.
Also, I just have to point out that their criticisms of the Gelflings were perfectly valid—they criticized Bruce in their Jaws commentary, as well, even though they love Jaws. The fact that the Gelflings could have been better given more time and money doesn't matter; in the end, they don't look good, and it's a perfectly legitimate criticism to make.
Also, just because someone's criticism doesn't agree with yours doesn't mean it's invalid criticism or should be addressed as such.
I know you guys said in the Corrections thread that you regretted not doing this. Well, fret not. It's here.
Darth Praxus wrote:3. I'll second a Dark Tower adaptation, provided they completely rewrite the last three books.
For real. Which, considering how open he was to changing UNDER THE DOME, might happen.
I'm curious, Dorkman--have you ever given any thought to re-writing the final books? Not as in writing actual novels, but like your SW Prequel story treatments.
1. A proper adaptation of Ray Bradbury's Fahrenheit 451. Its message has become more and more relevant to our culture, and the 60s adaptation just doesn't work. They'd greenlit an adaptation starring Tom Hanks and written by Frank Darabont years ago, but it fell apart. I'd've loved to see Denholm Elliot as Faber, but we're about twenty years too late for that.
2. An adaptation of Philip K. Dick's Ubik. It deals with the nature of reality and entropy, and has the mother of all mind-screw endings. In the right hands...holy shit, you guys, it would be amazing. I can't go into how without spoiling the plot, but Dick, when he was still alive, had some really creative ideas as to how to shoot the thing that would be just awesome fun to watch.
3. I'll second a Dark Tower adaptation, provided they completely rewrite the last three books.
Nothing like that, Teague, fret not.
Just thought I'd mention that "The Internet Song" is my alarm for this semester of college, and both my roommates are wondering who the hell the guy on the piano that wakes them up every morning at 6:15 is.
Just watched Sahara on Netflix after remembering Trey referencing it, and I loved it. Stupid, ludicrous fun. Maybe you guys could take a whack at it?
Friends In Your Head | Forums → Posts by Abbie
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