Also, Dorkman, thanks to you in particular for serving as one of my chief Inspirational Type People over the last several years. ![]()
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Friends In Your Head | Forums → Posts by Abbie
Also, Dorkman, thanks to you in particular for serving as one of my chief Inspirational Type People over the last several years. ![]()
Aww, thanks, Dorkman.
Thankful for all the work you guys have put into the show over the last several years. Hats off, good sirs.
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Here's one for all you animation nuts out there: I don't believe that the title of greatest traditionally animated feature goes to any of the Disney Renassaince films (though Beauty and the Beast and Hunchback come close). Rather, the honor goes to Dreamworks' The Prince of Egypt.
I feel the same way about Star Trek V. Sure, compared to Wrath of Khan it's crap, but I personally actually prefer it to The Undiscovered Country, and *much* prefer it to The Motion Picture. If nothing else--it has Kirk give *God* the finger. C'mon guys, I'm a firm Christian and I find that awesome. The reboot was my first exposure to Star Trek, and while it's definitely full of holes and fridge logicy, I still rank it as my second favorite after Khan. It's definitely a Star *Wars* film, though. On Firefly...while it remains my *favorite* television series, and *one* of the greatest sci-fi series, I'll concede it's not the greatest. That honor goes to either the original Star Trek series or The Twilight Zone.
Oh, and Teague, MCR isn't unpopular, exactly; Black Parade went platinum. It's just that they get very little credit outside their own fanbase. Typical music snobbery is the main culprit.
The thing that bugs me the most is the "Green Day aren't real punk! They're sellouts!" First of all, if becoming successful and spreading their music around the world is the definition of sellout, that means that The Clash are just as guilty. Second, Billie Joe Armstrong is quoted as saying "Punk is dead, and I fucking killed it." Green Day has at no time recently claimed to be a punk band anymore, because they're not; their last two albums have been arena rock reminiscent of The Who and Queen, and they're perfectly willing to admit that. I think the whole stupid punk/sellout conflict is summed up perfectly in a quote by Armstrong: "So a guy asks me what punk is. I go over to a trash can, kick it over, and say, 'You want punk? THAT's punk.' So he picks up the trash can and kicks it over himself, and says, 'That's punk?' And I say, 'No, THAT's trendy.'"
I am freaking terrified right now. We already saw the legacy of the originals destroyed once with the prequels. Now there are SEQUELS?! (Sequels that will in all probability wipe out the entirety of the Expanded Universe after ROTJ; as an EU fan, that bothers me).
One possible plus: since Lucas will no longer directly control a lot of the business decisions that are made, maybe that means that we'll finally be able to get the ORIGINAL original films in general home video release again—cleaned up properly, this time.
Just curious here—has anyone besides me on this forum read the novelization of ROTS by Matthew Stover? He basically doubled the length of the story, replaced all of George's dialogue with his own, changed the motivations of many of the main characters, threw in a lot of subtlety and a HECK of a lot of awesomely written battle sequences. The result is one of my favorite books of all time. That's right, not one of my favorite STAR WARS books, one of my favorite BOOKS. Period. He actually succeeded where Lucas failed and wrote a highly convincing, emotional story of a fallen hero that affects the reader tremendously.
Labyrinth. The Hunt for Red October. Sweeney Todd.
Wow, Teague. I'm about ten minutes into the episode and I have to say, this is the first time I've heard you sounding genuinely angry. You have a good reason, too.
Nah. I find Floyd too dull. In terms of live greatness, yeah, Led Zeppelin is pretty close, and Jimmy Page definitely beats Pete Townshend as a lead guitarist, but Daltrey is a much better frontman than Plant, Entwistle is a better bassist than John Paul Jones, and while Bonham is a better drummer than Moon technically, Keith just had so much more energy and passion. Plus, it was The Who who gave Led Zeppelin their name in the first place (interesting anecdote, that). I'd tie late Beatles with The Who for innovation in the studio--both helped to redefine rock and roll, with The Who inventing instrument smashing and the rock opera, pushing the limits of rhythm instruments like the bass and drums, and utilizing some of the first synthesizers in rock music, and The Beatles being, well, The Beatles. However, in terms of live showmanship, The Who blew The Fab Four out of the water. And as for the Stones...eh. not a fan.
Friends In Your Head | Forums → Posts by Abbie
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