Ya, unfortunately I'll have to sit this one out, project deadlines are upon me
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Friends In Your Head | Forums → Posts by bullet3
Ya, unfortunately I'll have to sit this one out, project deadlines are upon me
Recently re-watched Dark City, and decided to give this a listen again.
This is probably the most frustrated I've ever been with Teague listening to any of these.
I pretty much vehemently disagree with every single point he brings up.
Thankfully Trey and Dorkman call him on it, so it makes for a pretty solid commentary.
You really oughta give it another shot at some point Teague, I would argue that not only does the movie do a great job of gradually explaining everything without resorting to exposition dumps (at least in the director's cut), but it also makes great use of visual storytelling. There's tons of clues littered throughout that help tip
you off to what's happening.
The Matrix comparisons are interesting, as watching this again, it really does manage to pull off everything the Matrix trilogy tried and failed at, and does it in a brief 95 minutes. I would say that The Matrix 1 is definitely more entertaining on an action movie level, and consequently more fun to watch, but I've definitely come around to the opinion that Dark City is the better movie.
Sorry can't today, work spilled over into the weekend unfortunately. ):
^^^ What he said. I absolutely love the idea of explaining a project from start to finish, and all the difficulties encountered along the way (part of why I love commentary's where its a movie Trey worked on). This is the best episode of the intermission to date.
If you have any invites left, shoot me a PM, I'd love to try out this service.
It's a tough balancing act, I don't know personally how I'd approach this premise to make it work (and I can't say that they're doing it wrong until I see it), but I would say that you should have characters taking themselves somewhat realistically no matter how crazy the premise.
Look at Dr Who and the completely insane things that happen there, but the characters always buy into their reality to enough of an extent to get the viewer engaged. I think that's the kind of tone they'll need to strike to make this work.
The political jokes I'm seeing in this make me nervous because I just feel it's so played out and tired at this point, it just comes off as super lazy satire. If they had real balls, they'd have the democrats be presented as misguidedly wanting to reason with the Nazis, and have the religious rah rah extremists end up being the ones who save the day in the end (a la Team America), at least it'd be refreshing.
This could end up being really shit, or it could be pretty awesome, really difficult to tell from the trailer. I think I have an inherent gut reaction against movies that exist solely to be an ironic punchline (Hobo with a Shotgun, Drive Angry, Machete, Planet Terror to an extent). I'd prefer they'd make a serious version of this premise, or at least in a way where the characters treat the situation realistically (see Big Trouble in Little China as my go to example), so the Sarah Palin stuff immediately sends up red flags.
I am damned impressed by the effects work though, what was the budget on this thing? (I know a lot of the effects were crowd-sourced, but I don't know to what extent)
You can probably rent it from one of the online places like iTunes or Amazon too
Ya, that window should work for me as well.
Yep, next Sat/Sun would be good
Turntable.fm, drop into one of the electro-trance rooms, and you've got non-stop high energy but mindless-enough-to-not-be-distracting music.
I think that'd be fun actually, I'd maybe be interested in doing it if we can get a couple people together. Perhaps this upcoming weekend? Don't know if there's enough to talk about to fill an entire commentary though. I suppose you can talk about how the 1st movie is basically an almost exact remake of Point Break but with cars, Vin Diesel rising to stardom from this one etc. The second movie is almost funnier because it's one of the most unintentionally homo-erotic movies ever made. 3rd one is a shot for shot remake of The Karate Kid.....I guess maybe there is stuff to talk about.
You're forgetting "Teague-interesting", although I'm pretty sure that only showed up in one or two commentaries.
Great work Teague, that turned out way better than I would have thought possible considering the crazy-random nature of the project and the tiny time-schedule.
I thought we'd be handling the solo-section last, once everything else is in place. I think Teague explicitly told us to not do anything through that for now. If we're allowed to try stuff there, let us know.
I'm getting really excited for Chronicle. As someone living in Seattle, it just seems extremely awesome to finally see a superhero movie actually taking place here. Cause of our proximity to Vancouver, which is cheaper to shoot in, almost nothing high profile ever gets shot here. If they actually have super hero fights on the Space Needle I'm fucking in.
The Aliens commentary by Film Fever Radio (I believe Zarban's site has the only remaining link on the entire Internet to this mp3 file) is one of my all time favorite listens. Just lots of fun facts, drunken hilarity, etc.
In terms of legit film analysis, there's basically nothing in the ballpark of DIF.
However, if you like drunk people laughing at shitty movies, DvdPodBlast did have some really hilarious commentaries if you can track them down. Specifically listen to their commentaries for Ultraviolet, Jaws the Revenge, Star Wars ep. 2/3, Double Team/Double Impact, or Ecks vs Sever.
The Abyss commentary was the one that converted me. Just all of Trey's behind the scenes stories are awesome on that.
Fuckers completely snub Drive but they put fucking Incredibly Loud and Close up for best picture?! It's not even fresh on Rotten Tomatoes.
All hatred aside though, I'm always happy to be proven wrong. If Lucas goes and makes something amazing again I'd be the first one to say "well done", but you've gotta earn it.
Ya, cause there's been so many forces stopping him from making "personal" films these last 20 years. I mean it must be so hard doing intimate passion projects when you're a multi-billionaire with unlimited time and money on his hands. This whole article just pisses me off, with Lucas trying to play the "victim" card over all the backlash. Hey pal, maybe if you took your massive successes and kept trying new things and experimenting like Spielberg did, instead of literally sitting on your ass and doing nothing for 15 years and just milking Star Wars for all its merchandise money. Then re-releasing it every 5 years to rake in another couple hundred million every time. Then 20 years since his last directing gig thinking he still had it and was awesome enough to make the prequels himself. Then after fucking up Phantom Menace, not having the common sense and humility to say.....ok, maybe I'm not the director/writer I thought I was, lets hire someone who knows what they're doing. All the while retroactively trying to wipe out the memory of the original movies as they were out of existence, and poisoning Spielberg with your shitty ideas and talking him into fucking up ET (thank god Spielberg has come around on that this last year) , when a decade before you had been an activist for film preservation. Maybe if you didn't do all that you wouldn't be vilified and hated by damn near the entire film community. So ya, go ahead and retire, and don't let the door hit your ass on the way out.
Hmmm, will have to investigate that then, I'm most familiar with using Premiere so it would be nice to stick with it (also I just really dislike Apple and their proprietary format bullshit, and lack of proper blu-ray support, and complete nerfing of Final Cut.....ya I basically dislike Apple).
Teague, I'm thinking of building a video-editing PC as well. My big hangup with Premiere (at least the versions I've had), is that I can never preview the video without rendering it first (like it'll be either completely a blur to where its useless, or premiere will just give you a black box until you render it). What I always liked about Final-Cut is I could preview what I had whenever I wanted without waiting for a render, even HD content (though it was off course somewhat degraded, but still watchable). Has this changed at all with newer versions of Premiere?
Also, any opinions on Sony Vegas? I've seen that thrown around a lot as a Premiere alternative, but I don't know if its worth it (especially given Premiere's easy integration with After Effects).
Wait, why not just have your characters using an open source OS. Just install Ubuntu for the desktop, and you're good to go, you don't need any sign off for that. For phones, I can't say for sure. I would think that Android would be safe since its open source as well (and I can't imagine why google would care), but I'm not 100%
You should probably do his final director's cut (its on the blu-ray), which has the scenes he wanted to keep from the special edition and ditches the shitty special edition ending.
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