It's not a bad book, I just prefer it the least. You know? Please post when you start The Fault In Our Stars, it really is amazing.
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Friends In Your Head | Forums → Posts by Allison
It's not a bad book, I just prefer it the least. You know? Please post when you start The Fault In Our Stars, it really is amazing.
BDA, have you read John Green's stuff before, or is Katherines your first? It's my least favorite of his books.
I remember really enjoying Inside Man when I saw it a few years ago, but I can't remember why.
I've decided to postpone my re-read of A Storm of Swords and start The Corrections by Jonathan Franzen. I'll be spending Valentine's Day at a lecture from him so I figured I should start preparing.
I burned 7 Christmas trees at a bonfire, which is much more fun than it sounds.
Dorkman wrote:Spork wrote:I have a few other vague thoughts that are tough for me to really explain in text form, but I think my biggest issue with Les Mis was the "romance" between Cosette and Marius. They see each other across the street and simultaneously decide they need to spend the rest of their lives together? ...What? Cosette singing a song about how her life has completely changed... Because she saw a boy she thinks is cute? I... What?
Eh, I let this slide because that's how romance worked in fiction for a long, long time. I mean, look at any Disney fairy tale. Snow White, Cinderella, Sleeping Beauty, Little Mermaid -- it's all love at first sight. It's stupid but you can't really fault the film for an element of the story dating back to the novel.
Yeah, I know it's a thing that stories do, but it's a bit of disbelief that I had a hard time suspending.
I was waiting for someone to bring this up. You all have such hard hearts around here!
First: Marius feels the exact same way you do, Spork. When he says "I'm doing this all wrong" he's referring to falling in love. He is not supposed to fall in love with some random girl because he is an intellectual and a revolutionary, but he still finds himself kissing her handkerchief to feel close to her. He doesn't even know if she'll mourn his death, much less if her love for him is real.
Second: I love Marius because his arc is all about feeling this totally irrational and passionate love for someone you barely know. It's a contrast to Enjolras's deadly passion for the revolution. I don't think it made it into most productions, but in the early workshops when Marius was talking about the girl he saw, Enjolras had a great moment where he declares his mistress is France.
And this is my problem with the movie. It simplified the theme of young boys rushing into decisions by cutting down Enjolras' part (Marius sings love songs to Cosette, Enjolras sings them to the barricade) and by cutting Turning (the women clean the streets lamenting how these schoolboys died for nothing, despite how much they wanted to change the world).
(Have I mentioned I really care about Les Mis?)
Get ready for a very long, possibly emotional post because I am a huge Les Mis fan.
Because I'm a fan who is very familiar with the stage show, I came into the movie with different expectations than you guys seem to have had. I was excited for a few things (Aaron Tveit, Eddie Redmayne, and Sam Barks finally being on the big screen, namely) and worried about quite a few more (Tom Hooper's direction, Hugh Jackman singing a part that is out of his range, Russel Crowe singing).
The things I was excited for didn't disappoint me at all. I would have liked more of Enjolras (his part was cut down) but Eddie and Sam were just perfect. Say what you will, but I love Eddie's face and voice.
As for the things I was worried about...Hugh sounded good, but when he had to pretend to be a tenor it did not work out. I winced during Bring Him Home, which was not the reaction I should have had.
Tom Hooper continues to be Tom Hooper. During Look Down/Paris 1832, I found myself wondering if we'd seen anyone's waist while they were singing. Some songs (I Dreamed a Dream) benefitted from the close ups. But it annoying very quickly. Dorkman, you are totally right about the focus. I just don't think Hooper was the right guy to handle this kind of film. Yes, it's sweeping and melodramatic but it's mostly about loving someone/something before you die. Shoving a camera into someone's face won't create that closeness, no matter how many times you do it. I think a better director could have made that intimacy happen.
tl;dr: the movie was close, but not quite on point. When it worked it worked very well (Fantine's chapters; Grantaire being executed with Enjolras). But by cutting out important story beats (Eponine being the "first to fall" at the barricade; Eponine appearing with Fantine to take Valjean to heaven) I think it lost a bit of the theme.
Of course, I suppose that also saves us from endless we-are-great-big-lesbians-what-do-you-think-of-that scenes.
I will take anything that ends those kinds of scenes.
Right now I'm just sitting through the current episodes, waiting for Moffat's run to end. I hate feeling this way but I just can't seem to rustle up any affectionate feelings for his writing anymore.
The West Wing being added to Netflix Streaming
WHAT? REALLY? WEST WING?
Oh, yeah, thanks for Firefly too, guys. I'll get around to that sometime.
This looks great! I'm always excited to hear more from Robert & Michelle King.
With the disappointment that we've seen from big hype movies like Prometheus and The Hobbit, maybe "wait and see" mode will be good for this film in the long run.
Congratulations, Dave! Looks you're going to get an adorable human.
Despite the apocalyptic rainstorm my town is experiencing, I managed to throw recklessness to the wind and settle down and write some papers for finals. I thought a college campus would have at least one party to celebrate the End of Days. I was wrong.
Here's a lengthy article by Vincent Laforet on why he HATED the 3D HFR, after seeing The Hobbit in 3D HFR, 3D 24p, and 2D 24p, all in one night.
I've been reading a lot of reports on the 3D and HFR, but I really liked this one. The comparison was great.
Unfortunately the only CPK I've been to was at the Anaheim Garden Walk so I'm a bit out of my element.
Loki speaks the All Tongue, meaning the Germans understand him even though we hear him in English.
Sorry, I am just SO tired of hearing that complaint.
On the Rooney Mara future projects topic: she's starring in a new film called Side Effects which just had a trailer come out. Seems to be some sort of medical psychological thriller. I believe it was originally called "Bitter Pill". She's also going to be in the next Terrence Malick film with Ryan Gosling.
What do you guys think about the future of the franchise? I was checking IMDb earlier and the sequel has been announced, but it's stil being written.
Oh, if we're talking about the level of enjoyment a movie provided, Breaking Dawn Part II is number one on my list. Saw it with my film professor, a feminist and queer film scholar. The experience was ideal.
I thought Bane was a far more interesting villain then The Joker.
Damn. Shots fired.
Pitch Perfect is... just, such my shit. Non-a capella enthusiasts I know have enjoyed it muchly (Frommeyer, for one), but dude. That movie is solid Teague Porn.
I have watched Pitch Perfect three times in the last week and it was great every time. We'll see if viewing #4 keeps it up.
I'll echo what others have said with Skyfall and the Avengers. I'm betting Zero Dark Thirty, Life of Pi, and Beasts of the Southern Wild will end up on my list when I see them. I'm worried that my expectations about Les Mis will lead me to be disappointed, especially with Tom Hooper directing.
Great episode. Will try to remember not to do or say anything if I get the PA job I'm gunning for next year.
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Bible scholar Robert Price has a book where he considers JSC as an actual Gospel, which at some point I'll have to get.
I am totally going to check that out. I remember having a conversation with Rob Bell (an influential pastor from Michigan) about the show and he had some great stuff to say about it's portrayal of Jesus as a complex human. But he's a progressive, so I don't know if it's a typical opinion.
Fireproof, good talk about the toy section in stores. My roommate and I have a game where we document any and all Tasha merch we see in stores. So far, the grand total is 3 pieces. Zarban is right about the demographics stuff but I think you're on point about the fact that attitudes are learned young and are hard to erase. I remember reading a study that watching TV decreased every child's self esteem, unless you were white and male. I'll try and find it.
I've looked at the question objectively, and I'm done talking about sexism in The Avengers.
I feel you. I think it'd be more valuable to discuss other works. Dollhouse, anybody? Angel? Any hope on future Leia-types in Star Wars 7?
BigDamnArtist wrote:But what is the difference between every girl I know watching the trailer for Magic Mike and going "I would fuck the shit out of those guys." (Literal quote from one of my friends... and several more had variations on it), and a guy watching the trailer for Transformers or Avengers or whatever and thinking or saying the exact same thing about Megan Fox or ScarJo or whoever?
MAGIC MIKE is one movie.
TRANSFORMERS or AVENGERS or whatever are all other movies.
Also, it's worth noting the counterexamples of male objectification being brought to bear here -- MAGIC MIKE, TWILIGHT -- are all extremely recent examples with a very limited sample size, whereas the examples of women existing solely in the context of the men around them goes back pretty much the whole way. See: the Bechdel test.
You go, Dorkman.
Okay, I think this thread should focus on women (and the men who write them) in media, so these are going to be my last responses about "real"/"legitimate" sexism. It exists, deal with it.
I have never met anyone who was openly anti-gender who wasn't divorced or otherwise had a formative experience.
As it stands, in the last 50 years women have moved forwards so much in society that while sure, there are pockets of life where they are legitimately oppressed or behind, I don't think it's worth being so angry about something that is clearly fading.
It is great that you have never experienced anti-woman sentiments. Seriously, that is a gift.
I'm not going to tell stories about my life because I don't think it's productive. Any examples I bring up of sexism directly impacting me wil probably be dismissed. But I encourage you to acknowledge that this is something worth being angry about.
Off topic but I'll bite since it's I'm writing about this for my anthropology final. It's explained in Paula England's “Devaluation and the Pay of Comparable Male and Female Occupations”,
Francine D Blau and Lawrence Khan's, "The Gender Pay Gap", Lisa Belkin's "The Opt Out Revolution", and Jerry Jacobs and Kathleen Gerson's "The Time Divide". Check 'em out.
I will certainly look into those. I have recently discovered, to my horror, that the internet has eroded my attention span to the point that sitting and reading anything more taxing than a Harry Potter book for longer than a good sized article is a physical and mental struggle, but I'm trying to fix that.
They are all roughly 5-15 pages, so please do. I think reading other testimonies about misogyny in daily life would also really be great. Catcalled NYC, Hollaback, Tiger Beatdown, etc.
It's weird to say, but I have absolutely no feelings about this movie at all. I'll go see it, but I just have no feelings about it. It's looks like it will be a thing...so...okay.
It's hard to describe.
I feel exactly the same way. I really enjoyed the last film, but I just can't get excited about this? Between hype for this and the Hobbit I am just too tired.
Allison wrote:Channing Tatum and Ryan Reynolds do not belong to a gender group that has historically been oppressed, otherized, and objectified. Idealized men are the powerful, complex people you want to be.
Channing and Ryan are none of these things.
I actually can't argue with that.
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