Hee hee. That one took a while to pay off, but it was just a matter of time.
That's nothing compared to the number of verbal timebombs in DIF episodes that will all go off when _I_ die.
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Friends In Your Head | Forums → Posts by Trey
Hee hee. That one took a while to pay off, but it was just a matter of time.
That's nothing compared to the number of verbal timebombs in DIF episodes that will all go off when _I_ die.
which version of Tropic Thunder? Theatrical or Director's cut?
Theatrical.
In the end, they decide based on whatever they decide. But their general rule says:
"For a work to be eligible for inclusion in the database it must be of general public interest and should be available to the public or have been available in the past. "
"General public interest" can mean that the project involves a name or company that verifiably exists and has a track record. So yes, there's a certain level of favoritism, only because if Paramount says they're shooting a movie, IMDB has good reason to believe it, even before it comes out. Or if there are any reputable third-party sources that can show why the project-to-be is of interest - a magazine article or something at the very least.
Without something like the above, there's no reason for IMDB to believe the project exists at all until it's assembled and viewable by an audience. Once you can prove THAT happened, then a listing will be much more likely to be approved.
But you can see why IMDB works this way - the number of vapor-ware project submissions they receive, that then never really amount to anything, must be staggering.
I have to admit, I was pleasantly surprised to learn the head of Universal disliked Cowboys and Aliens almost as much as I did.
Speaking of which, is that thing out on video yet? Prime DIF material, I still think. It's the Terra Nova of movies.
An interesting take on this topic, from the other side of the fence - excerpts from an interview with Ron Meyer, the head of Universal.
In which he talks about canceling blockbusters, and also gives a list of which of their recent movies were "shitty".
I have two guns. One for each of you.
We are mentioned on Trey's wiki, though. Last I checked, we were a red link.
So's Ark, which had a page for a short while until it was deemed not relevant enough to have a page.
If Ark doesn't pass the relevancy test, I dunno if DIF would, but there's no harm in trying...
I'm not actually in this one, despite the cast list...
I know, right?
/just started reading A Feast for Crows
/hoping the series lasts long enough to do all the books
/damn
also I'm not sure if your familiar with the awesome Doug Trumbull hippy space flick "silent running" but that was done by the studio after easy rider came out and they wanted to experiment with lesser budgeted movies. So he got only one million but creative control and made a very interesting film.
In 1972 Universal gave several young filmmakers that million dollar deal - Doug Trumbull was one, another was George Lucas, who used his million to make American Graffiti.
Silent Running didn't make many waves, but Graffiti was a huge hit, got nominated for five Oscars including Best Picture and Best Director... which gave that Lucas kid the clout to make his wacky scifi fantasy about robots and wizards.
Which, ironically enough, helped propel the studios toward the blockbuster mentality they still have today. And so the circle is complete.
On listening to this one, I was amused to hear myself say Terra Nova was a bad concept, and then later say there's no such thing as a bad concept.
My intended point was that "People go back in time and live with dinosaurs" may sound like a fully-realized concept, but in actual practice it's not as much of a slam-dunk as it seems. As evidenced by the Terra Nova episodes thus far - every one has had to contrive some reason for the characters to leave the safety of their walled, sonic-cannon protected community, just to give them an excuse to bump into a dinosaur in the first place. To put it perspective, if Terra Nova was a show about a family that went to live on the Serengeti, they'd have to be pretty stupid and/or unlucky to get chased by lions every goddam week.
But to be fair, the core Terra Nova concept might have worked, just with a different approach. For example, nobody at Terra Nova wanted to go hang out with dinosaurs, the time-whatsis just happens to dump them into the Cretaceous. So naturally, the first thing they did was build a big wall to keep dinosaurs out of their tomato gardens. But the show could have started earlier in Terra Nova's history, before the wall was even up. You could get at least a few episodes of hot dino-action outa that.
And it sure would be nice if the colonists had a reason to HAVE to interact with the dinos every week. Hell, at least Jurassic Park had that - the main characters were paleontologists. So even though they knew it was dangerous, they WANTED to go poke the dinosaurs. From what I've seen, Terra Nova doesn't have dino experts on staff at all - presumably all those slots were taken up by teenage guitar-strumming Twilight stand-ins.
Anyway, I retract the statement "Terra Nova was a bad concept", and hereby replace it with "Terra Nova is a terrible execution of a concept, and your mom's a whore."
Thanks for the good vibes, sir. I need it to balance against the hate.
The what now?
Someone better get molested during this commentary.
What you choose to do while listening is none of our business.
That is true.
But anyway, you're right, it's a kickass piece of music. Which is why I've known the name of it since seeing Ghost World, because I had to find out the answer to "What the heck is that crazy song she's listening to?"
It might be a little odd to see Ghost World now, knowing that one kid went on to do a topless scene in American Beauty, and the other went on to shoot arty nude pics of herself with an iPhone.
The commercial is great but mainly for the crazy awesome music, which turns out to be a piece from an 1966 Bollywood movie: "Jan Pehechan-Ho" by Indian legend Mohammed Rafi.
"You know how I know Zarban's never seen Ghost World?"
That's already happened, but so far it's pushing the studios even further toward the blockbuster ideology, not away from it. You can make a feature for 30k now, and it might even be worth watching, but it won't be Pirates of the Caribbean or Iron Man. Spectacle is one of the few things a big-budget movie can still deliver, that a youtube video can't.
Already, the occasional 2-buck feature that's actually good enough to be released theatrically often DOES get released theatrically. Monsters and Paranormal Activity have their place - but they don't come close to scratching the itch that an Independence Day or Avatar does. As much as I like and admire them, if the only movies being made were Monsters-scale, pretty soon even I'd be wanting to see a Transformers movie.
The Answer: It didn't come out NOW. And I mean RIGHT NOW, like this past weekend. Fillion has a huge, hit show, he's been in more and this is October...Same goes for Serenity.
Except Castle isn't a "huge hit show". It's been successful enough to make it through three seasons, but it's not even in the top 25 ratings-wise and it's pretty much tied in its timeslot this season with Hawaii Five-0 in raw numbers. But 5-0 is way ahead of Castle in the 18-49 demo. Which means (un-ironically) your mom watches Castle.
So it's unlikely that Castle fans would be lining up to see Fillion in a grossout '80's horror homage, OR a reboot of a niche sci-fi tv series, if either were to be released right now.
Most importantly (and I can't believe Universal made the same mistake twice, with Scott Pilgrim), DON'T SHOW YOUR MOVIE A BUNCH FOR FREE BEFORE IT COMES OUT!
I don't even know what this means. Are you suggesting that free screenings somehow hurt box office numbers? All movies do that - some are successful and some aren't. I was at one of the Serenity screenings, the theater maybe sat a thousand. If we'd all bought tickets, that'd have been maybe ten thousand bucks - not even a blip compared to box office numbers. And I bought a ticket to see it in regular release again, as did everyone else who wanted to see it. There just weren't that many of us, then or now.
I love Firefly, I love Serenity. But fanboys gots to come to Jesus on the fact that they were not, are not, and never will be mainstream successful. Those poor wretches who STILL insist that Syfy should start running Firefly episodes again because that'd equal huge ratings... they're as bad as the folks who post RON PAUL in every forum they can find. Not happening, move on.
Anyway, Fillion clearly loves his culty followers and services them nicely. (I know an actress in a similar position, and it's tricky to do well.) But he hasn't done a feature since Slither, might be because of a lack of offers, or maybe just because he doesn't want to, or need to. If he ever does headline a hit movie, it'll be a hit because it's a hit, not because he's the star.
Dunno what Trey (who obviously is both smart and had been in Berlin) was thinking when he said "German text in an English movie". Of course, Germans dub all movies with new German actors.
What I THINK you're referring to, is my questioning whether or not those alternate versions of "All work and no play..." that were talked about were actually typed and shot for the movie.
I know the movie would have been dubbed in German (I am still amazed that they dub EVERYTHING there, even the most obscure old tv shows) and other languages. But it's excessive enough that somebody had to type all those pages in English - I just found it hard to believe that that many pages were typed in several other major languages and also shot, and then inserted into multiple alternate versions of the movie. Seems more likely the pages would just have been subtitled in other languages, whether or not the rest of the movie was subtitled or dubbed.
Looking around online just now, there seems to be disagreement as to whether alternate versions were shot or not. I couldn't find any screengrabs of shots of other versions, but that doesn't mean it didn't happen. It still seems unlikely to me, but if there's any actual proof, I'll certainly accept it.
And Trey rocks, as usual.
And there's proof that Zap is a genius.
Star Trek is the thing with Ewoks, right?
You're thinking of Buck Rogers. Star Trek is the JJ Abrams movie based on a 50's tv show.
I dunno, maybe things are different now that Libyans are the good guys again.
Your mom's knockin at my door.
I'm thinking it would work better as a musical reboot. It's all fun and games at Rick's Cafe Anachronism, until one fateful day, etc. etc...
Featuring such show-stopping numbers as:
Goodness Gracious, It's the Cretaceous!
Portal To Yesterday (When She Was Mine)
Do The Pterodactyl!
Paradox, Shmaradox
It's Too Soon For Nazis
Maybe Not Today, Maybe Not Tomorrow: The Time Traveler's Lament
Comet's a'Comin'!
As Time Goes By (Kanye West Remix)
But it's not as bad as this.
Holy god. Now that's some bad web design.
It's mostly just the massive DIF logo that's making the header so fat, if that was 30% of its current size the header elements could otherwise stay the same, but be fit together more closely.
One other thing I just noticed - all the top buttons except "About" open entirely new browser windows in IE.
Much better - the issue before was that the forum text was scrolling on top of the header, and I assume it's supposed to be scrolling under it. But now it's not scrolling at all, so no problem. (Maybe you just disabled the scolling for IE? If so, that's a perfectly acceptable solution.)
My next suggestion is to make the header about 1/4 the size it currently is. The header fills almost half my browser window on my laptop, leaving not much room to read the actual forum. The big buttons make sense on the front page, which is largely graphical, but not so much in the forum which is textual. A scaled-down header, ideally with just the text of the buttons and not the icons, and a correspondingly small DIF logo (or just :Home: in the same text as the other buttons) would make the thing much less obtrusive.
Friends In Your Head | Forums → Posts by Trey
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