Fatale is essentially a Film Noir procedural meets Lovecraft. It's pretty epic.
And I'm sold on it.
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Friends In Your Head | Forums → Posts by Allison
Fatale is essentially a Film Noir procedural meets Lovecraft. It's pretty epic.
And I'm sold on it.
Allison wrote:...well I guess that's another item to be added to the "women must be broken to be strong" and "rape to move male characters forward" lists.
Would it "move only the male characters forward" if it was Jane instead of Inara?
Jane sees Inara shoot up, steals her stash and takes the drug himself for whatever reason. Then Reavers attack and capture Jane. The rest of the crew go after them, storm their ship and find Jane barely alive, surrounded by corpses.
Mal: You killed them all
Jane: (staring at the floor)...yes.....I killed themThen he and Inara share a look because only she knows the truth.
Who gets character development points in that scenario?
Oh, I don't think that's a comparable example. The original scene moves Mal's character forward because, before the scene happened, he says that Inara acts like a lady and wants people to kiss her hand, but she's just a whore. After the rape, Mal kisses her hand. It's showing how Mal has moved forward in his perception of Inara.
I didn't say it moves only the male characters forward, but I object to subjected a character to brutal rape to show that your hero is not as huge a jerk as he seemed.
Allison wrote:Lamer wrote:I guess it's a good thing Joss didn't get to make that Inara gangrape episode of Firefly then...
Somehow I have never heard of this. Should I ask for elaboration or let it be?
...well I guess that's another item to be added to the "women must be broken to be strong" and "rape to move male characters forward" lists.
On the nudity thing: am I imagining it, or has Game of Thrones received some backlash for not including a balanced amount of nudity? I think they've only had full-frontal from the guys two of three times, as opposed to the constant female nudity. Nothing wrong with the latter of course (they've toned it down from the books), but still.
I guess it's a good thing Joss didn't get to make that Inara gangrape episode of Firefly then...
Somehow I have never heard of this. Should I ask for elaboration or let it be?
I am so happy this thread is getting replies.
One of Joss' oft-repeated quips, addressing the question "why do you keep writing strong female characters," is "because you're still asking me that question." Zarban linked to the source in that YouTube clip. It's a great line.
So.
I guess what I'd ask Allison is simply: what about Joss's position, with regards to female empowerment* in the geekworld understanding, alarms you?
*ugh
Zarban's link is a good start to my problems with Joss, but this quote also sums them up nicely.
Girls and women can be strong without being broken first, but Joss rarely writes them this way. Joss has a very specific brand of feminism that consists of thin little girls being broken down and then becoming badasses. Usually the breaking of his women involves rape or something akin to it. The easiest examples of this are River's "training" by the Alliance and the first Slayer having powers put into her against her will by men. Let's ignore the romanticized rape-fest that is Dollhouse for now.
I hate to make generalizations, but I think this trend is echoed in a lot of geek culture. Female characters are thin and broken and falling apart before they start kicking ass. You guys mention Jim Cameron for strong females*, and he does an alright job on this front. Sarah Connor can't make a bomb without learning how to first, but we see that she's still a pretty capable human before the T-800 comes to town. Aliens also has some good ladies that didn't go through a trauma in order to be interesting. But, oh man, do I love that line about writing strong women who need a stronger man.
And, a fair question raised in the previous thread: who better? It's a serious question. We can acknowledge that Joss' perspective on women is still problematic, but just because he's not the end of the path doesn't mean he's not a step along it -- and is anyone further along that can serve as a role model?
I would say George RR Martin, who is by no means perfect, is much further along in his portrayal of women. I hate having a male example, but he's the commercial one I can always go to. In ASOIAF, the women are strong in a lot of different ways. You have Cersei using her sexuality to move up, Sansa using her courtesy as a political tool, Arya the warrior, Catelyn the protective mother, Brienne the soldier, Ygritte the liberated fighter, Daenerys the caretaker and leader, all of the Mormont women, and Ellaria Sand and all of the Sand Snakes. Those are just the big names at the top of a long list. GRRM presents his female characters as strong in many different ways, and while some of them have gone through a lot to make them strong (Dany, Arya, and Cersei) some of them are using the strength they already had to respond to changing situations (Sansa, Cat, Ygritte, Ellaria). And none of them are presented as better than the other within the text, despite their differences.
I guess this adds on to what Teague asked. People cite Joss as a great creator of "strong women"* and don't talk about what should come next. Joss wrote it, it's great, and that's the end of the discussion. Where are my female creators? Why is Gail Simone our only big example in the comic book world?
Outside of the geekworld, Robert and Michelle King are doing great work on The Good Wife. I actually wrote my Common App essay on the show. I write a lot of essays.
*I second the "ugh", Teague. There is a great article that I cannot currently find that talks about why we should discuss "strong characters, female" not "STRONG FEMALE CHARACTERS". I'll try and dig it up.
Aw. Aw. Allison was gonna segue into a really interesting thing!
But I strongly endorse the prospect of an Allison-penned Joss thread, because I'm curious as all hell.
And, seriously, I did not notice the Hulk hair until now. Maybe because I hadn't seen the other Hulks since their release so I wasn't struck by the difference?
I'm not sure where he wants this to go, but Teague asked for it.
I guess that all I'm here to say is that Joss Whedon is not my feminist icon, and he probably shouldn't be yours.
However, the question now is: hairy Hulk, Yes or no?
I suppose it was done to Ruffalize him. And who am I to judge the chest hair of such a great man?
noted empowered female character creator Joss Whedon
Can we stop acting like Joss Whedon gets a free pass because he calls himself a feminist? The guy has some issues with women and a lot of his work is problematic and damaging.
And now I would really like to move on to the discussion of the Hulk's pants because it bothered me too. But is he really that hairy? I haven't really noticed it in any of my viewings.
No I haven't read a lot of romance novels. That was a joke.
Ah, my feminist wrath glasses were on so I missed the humor. I do that a lot, so I apologize.
Zarban wrote:People keep posting links to comic books like comic books are the heart of the problem.
No, but comic books were the heart of the discussion.
Yup.
Allison, thanks for the posts. I understand you being tired of this (ongoing, worldwide) conversation.
For the idiots like myself, could you summarize your view on the subject before moving on? Is it basically "yep, a lot of this shit is sexist, some of it isn't, and the bigger problem is communicating why it's the case to folks who don't understand?"
Well the bigger problem is obviously the sexism and misogyny that fills comic books, posters, etc. but communicating that is that way is definitely the bigger hurdle to jump over. I think once people start realized the way women are portrayed is a problem things will change. As long as we say things like "it's just a poster!" or "Joss Whedon made this so it's not sexist!" nothing is ever going to get done. That's not much of a summary but it'll do.
I will probably stick around to lurk because this thread is overflowing with material for my paper on Joss and post-feminism. Go, guys, go!
Women's romance novels, which I hold to reveal the darkest heart of the female psyche, uniformly depict protagonist men as handsome, confident, and competent. On the few occasions when those novels depict sex graphically, it has become something of a scandal.
This makes me think that you have not read a lot of romance novels. Their depiction of men is hardly uniform, at least in the way you're describing. If you don't want to dive into that section of the library, I would recommend you check out Janice Radway's Reading the Romance, or perhaps Tania Modeleski's Loving With a Vengeance.
Also, what are you trying to prove with those magazine shots you're posting? Because all I'm seeing is that even women who run magazines have internalized the idea that everyone wants women filtered through the male gaze. Even Anna Wintour can be wrong.
You have to admit that since Ellen Ripley and Sarah Connor, women are portrayed a lot less passively than in previous decades. Today they can be strong, independent, snarky, decisive, and confident.
Yeah, they can be. Are they? Or are Ellen Ripley and Sarah Connor the minority? One, two, or ten examples doesn't mean sexism is over anymore than Uncle Tom's Cabin being popular meant racism was over. Women have a long way to go, especially in the media.
I did not intend to limit the expression of sexism to only clothing, but clothing has been one of the many ways liberated women have expressed themselves. Rising hemlines, bikinis, these things happened as part of women's battle against sexism.
Y'all should check out the brilliant Ariel Levy and her book "Female Chauvinist Pigs" or this link that I posted earlier: http://www.comicsalliance.com/2011/09/2 … rheroine/.
It is the way in which these things are utilized that makes them empowering, not their presence. There is nothing inherently sexist or empowering about a bikini or a hijab. It is the way our culture views them and forces them onto us that makes them good or bad. Or forces them onto me, that is, speaking as the (only?) lady in this discussion.
On that note, I will probably bow out of this discussion soon. Being someone who has to deal with sexism and misogyny in this fandom, reading some of this is frustrating.
ETA:
But my point is only that all of this is a discussion about gender politics in Western culture that has almost nothing to do with this particular movie or with comic books.
Unless this movie was made in some vacuum where it was not influenced by Western culture or gender politics, this is wrong. If it was made in that way, please point me to that vacuum because I would love to live there, especially with Joss Whedon.
I was going to catch it on DVD later, but since Tony Kushner wrote it I may have to go to the theatre.
Allison wrote:the immediate example that comes to mind is Catwoman in both the New 52 books and the 2004 film.
I don't think the Catwoman movie was sexist. Although I've missed most of it because my eyes, ears and the empty chair beside me were bleeding each time a new frame appeared onscreen.
You didn't mention the comics (I'm guess you're not defending them?) but I will take every opportunity to share this photo:
I have also blocked most of the film from my memory, but here's what I think: it took what could have been a really empowering story (fighting back against a patriarchal beauty standard, ladies with grey morals, etc.) and turned it into a party about Halle Berry's thighs in ripped leather. It wasn't so much the text of the film that I object to (on a feminist level) but the fact that it is all shot with the male gaze in mind.
Here's a good write up of sexualization in DC right now, regarding Catwoman and Starfire specifically. http://www.comicsalliance.com/2011/09/2 … erheroine/
Allison wrote:As for female characters having their agency taken away, let's talk about the mess with Babs and Steph Brown happening over at DC.
Go on, what mess?
There's more to read about this if you want to dig around the interwebs for it, but here's your summary:
Dan Didio refuses to allow any of the DC writers to use Steph Brown or Cass Cain. But Cass and Steph aren’t just not allowed to be Batgirl, they’re not allowed to exist at all. He said it's because Babs is "more iconic" than the other two but a) Babs was added only after he ordered the removal of Steph and b) that's still no excuse to remove Steph from her well-received position as Spoiler AND not let her be a Robin anymore.
Also, by having Babs be Bat Girl again, DC managed to erase years of amazing character development and everything she had as Oracle in favor of giving Babs her youth and legs back.
I think Judd Winick is demonstrative of the problem as a whole. This guy, who is paid to make Catwoman an interesting and well rounded character, said that she "comes down to about three things: she's beautiful, she wears a very tight costume, and she steals". That's not how you pass the Plinkett test, Judd.
Allison wrote:I'm not okay with every female character being set dressing.
Every female character? Care to narrow it down a bit for the sake of the discussion?
I don't think this applies to Black Widow in the Avengers (even though people reduced her to that in interviews and reviews) but the immediate example that comes to mind is Catwoman in both the New 52 books and the 2004 film.
As for female characters having their agency taken away, let's talk about the mess with Babs and Steph Brown happening over at DC.
Okay, let's say that men are sexualized in this industry too (they're not, but let's do with it). If we're talking about sexism you have to look at it within a larger context. Are male characters going to have their agency taken away from them time and time again? No. Are male readers lacking for representation in an industry that has been repeatedly hostile to them? No.
I'm fine with some female characters being sexy. I'm not okay with every female character being set dressing.
Also everything Dorkman has said. Way to be on top of things, bro.
So I saw this with my film class (Women and Pop Culture) and let me tell you that sitting next to your professor/a film scholar who knows nothing about the franchise is great.
And the deviation/only good sequence was honestly kind of a thrilling experience. Everyone was screaming and I would be lying if I said I didn't get sucked into it.
Just saw Attack the Block with my hallmates. Currently too impressed to form sentences.
I'm looking back at the crackdown Warner Brothers did on Harry Potter fansites when they first acquired HP. They issued hundreds of C&Ds, but eventually backed down. I believe that the only real effects felt was the fact that you can now only sell merch with certain words ("Muggle", "Potter", etc.) at live events, not online. The outcome of the later WB v RDR Books case (where a print version of a HP encyclopedia site was published) was very different.
Do y'all think anyone in the community would push back against the monster that is Disney?
Seriously, guys: Joss is a BIT busy at the moment. I think we can rule his involvement out.
Watching the season premiere in one of my school's largest lecture game. Very excited.
Faldor wrote:I'm rather fond of Love and Monsters despite everyone else declaring it to be wank =/
I also like Love and Monsters (and I believe is has the peculiar honour of having the most costume changes of any episode). If the complaint against it is that the Doctor isn't in it much, then I guess Blink and Turn Left must also be terrible.
Those episodes did it well though. I didn't like the format of Love and Monsters, it felt...I don't know, wrong. There was no one I was really interested in seeing more of.
Still kind of hard to believe he's gone. Such a great man.
Oh, Trey, you're so out of touch! On Tumblr, you tag your posts (like a hash tag on Twitter). People track tags for things they're interested in, like shows or characters or people.
I only have a few hundred followers, but I'd be happy to start promoting the project there. Anyone else have a blog and interest in helping?
Have you guys tried to hit up the Tumblr community yet? Putting a promo image and the link into the SW tracked tags may help bring in some more cash.
New series starts September 1st on BBC One. I believe will air in the US a week later.
The "air them in the US on the same day" decision was short lived, I suppose. This is disappointing.
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