Let's look at some numbers
Tyler was full of useful information.
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Friends In Your Head | Forums → Posts by oTom
Let's look at some numbers
Tyler was full of useful information.
Oh no. I have Age Assisted Being a Cynical Asshole. AABCA.
Best. After Lincoln everything is basically tied.
1) Lincoln (the only movie I truly loved this year)
2) Skyfall
3) Django
4) Dredd
5) The Invisible War (on Netflix instant if you haven't seen it)
6) Pitch Perfect
7) Argo
8) Zero Dark Thirty
9) Hunger Games? I dunno. Why not.
10) Your Mom
Worst. I know most of these are fan favorites but I'm not trolling. They sucked the hardest of what I've seen in 2012.
1) Looper
2) Prometheus
3) Battleship
4) Dark Knight Rises (taking its predecessors into context)
5) Avengers (try arguing that the last 30 minutes is anything but meaningless noise)
6) Amazing Spider-Man (le yawn)
Special Mention. Titanic should be #1 but that feels against the rules.
I dunno. Either this year *really* sucked or I'm entering a new phase of my life wherein movies (not just new ones - all movies) are rapidly feeling like a waste of my time. The returns are diminishing. I'm getting more entertainment from ripping on bad movies than experiencing good ones. Almost invariably the good ones feel recycled. So while I can't call well constructed movies bad, I don't feel comfortable calling the above "best" movies good either. Just well made. The amount of data mining that has to happen before finding a Lincoln or Dredd makes me question the value of searching at all. I mean. End of the day, the payoff for Lincoln wasn't that big. 35 hours of work and nearly $200 (just from the list above) for maybe 4 hours of legit payoff.
It has been more than a year since a movie has been better than its resulting conversation. Or maybe I have really interesting friends. People capable of making any topic interesting. But I guess I'll keep going so long as the conversations work. Just don't know how long that lasts.
Is this a a documented phenomena? Like the Tarantino/Kubrick/Film Snob phase?
I liked it. Jessica Chastain's character makes the film worth watching. It's like Kathryn Bigelow took characters from Sunshine and mixed them into a Discovery Channel documentary. I say this as a positive.
I agree with everything Bullet said only I'm less in love with it.
I strongly suspect this will go down as the definitive film work about American foreign policy over the last decade, an Apocalypse Now for my generation.
Ehhh. I doubt anyone cares about this movie in 30 years. I posted this article on my Facebook - http://www.newyorker.com/reporting/2011 … t_schmidle - and if you've read it (plus a couple others on the topic) you get ZDT's script. Like, almost to the beat. There were no surprises in this film aside from a handful of character moments. In the four or five conversations I've had about the movie today I keep coming back to one thing: a really well done Discovery Channel documentary. But the virtues of that are limiting.
I don't know how non-political junkies feel about All the President's Men, but ZDT occupies the same space in my brain. I'd never watch ATPM for anything other than an interest in the material. Whereas I watch Apocalypse Now for the artistry of the damn thing. There is a lot of craft in ZDT but not a lot of art, ya know? Since that's my premise for judging the longevity of ZDT, I think its appeal dies with the interest in the OBL manhunt. Which I think is pretty quick. 20 years maybe? Certainly not as long as the downfall of an American president. And of course I'm pulling all of this out of my ass. I have no idea. But there's my guess.
The more I type the less I agree with what I'm saying. But I'm leaving it here for posterity and my biographical historians.
Bottom line: the movie is a good blow-by-blow account of how they nixed OBL. Not much more. If you think that makes for a Great Movie, there you go. For me it was just a good movie. And I don't know why I say that like it's a bad thing. Not like I'm knee deep in good movies over here. Everyone go see it.
iJim wrote:This was the dumbest movie I've seen in years. Comically bad. So overwheliming bad that I don't know how to approach it. Like. Look at it. It should be self evident.
EDIT: 94% on Rotten Tomatoes!? Wow. I'd have guessed 60-65%.
And yet you thought Dredd was "perfect." I mean, come on. Looper has a few plot flaws, but at least it aspires to be something more than a brain-dead sci-fi shoot-em-up.
My opinions on Dredd aren't relevant to Looper. I also think Godfather is perfect. And that Melancholia is one of the worst films ever made.
Looper fails at whatever it was trying to be (still not sure what that was). And it gets really goofy. When the mute shows up and is unresponsive to flashing and banging shotguns... because mutes can't hear and see... cracked me up.
This was the dumbest movie I've seen in years. Comically bad. So overwheliming bad that I don't know how to approach it. Like. Look at it. It should be self evident.
EDIT: 94% on Rotten Tomatoes!? Wow. I'd have guessed 60-65%.
Oh, yeah, and Holden, iJim, and Zarban all had to deal with me trying to figure out how to communicate with no voice. Success rate: 50%.
The text to speech program only works if *everyone* is using text to speech. Fun at first, but aggravating after a while.
So for his sins Teague got to hear me and Holden talk football and basketball.
Right now I'm reading 1493: Uncovering the New World Columbus Created. It's sort of dry, but it's also thoroughly explaining how the Columbian Exchange changed the world. Literally and figuratively. Like, did you know there were no earthworms in north america pre-1500? Me neither. And that introduction has huge implications. Stuff like that.
I have a small problem with Dredd
But is otherwise pretty damn perfect. And while you can argue the value of including certain things in Lincoln, I'd call it perfect. Sets up and delivers on everything.
And Skyfall feels pretty flawless, but I'd need to see it again.
Congrats, Dave!
Sam, if you see Tom Cruise and Dakota running you might try to catch up.
An outtake from Return of the King.
When [the Allied Forces learn of Hitler's plans to watch a movie], [a team of Nazi scalpers in occupied France] must [kill him] or else [catastrophe].
Lincoln
Skyfall
And, by all accounts, Zero Dark will end up on this list.
I forgot to mention American Prometheus. If you have any interest in Oppenheimer, the Manhattan Project, or that era in science in general, I highly recommend it.
1) The film makes a point of saying (as in, Daniel Day Lewis actually says on camera) that Lincoln was always against slavery.
I agree for the most part. Though, like you indicated, that wasn't exactly the movie they were making. I'd love to see a movie that focuses on Lincoln's transition. I'd also love to see a film about Brown. Dude was a madman. In a good way.
2) The "race against time," was neither a race nor time sensitive. Lincoln had already pledged prior to the vote on the 13th amendment, that if it didn't pass, he would call congress into a special session in March to vote again, AFTER the Republican majority had expanded, which would have easily given him the votes needed.
The movie makes the point (and this *is* accurate) that once the war was over, any support for freeing slaves by amendment would have been severely diminished in the north and the especially the south. There is a misconception that the north was somehow vastly more progressive than the south because its economic interests weren't as tied to slavery. Not true. Racism was just a prevalent in the north and a lot of Lincoln's public statements on slavery were poorly received in the north. There were riots everywhere, some very significant ones on NY. Capitalizing on lame duck representatives DURING war was integral. And since the war very easily could have been over by March, once the new class was sworn in, building a coalition with enough votes would have been much harder. Was the race against time amped up for cinematic purposes? Sure. But it wasn't an invented urgency. And it NEVER would have passed had the south been involved. So don't say time wasn't a factor. It was. And I can't wait for the sequel that focuses on the 14th, because boy howdy.
3) The vote tally's of congress were not done by delegates based on state representatives. This is the House, mind you. There are districts and states were by no means uniform.
I'm not a parliamentary historian. I know that the rules of the house have changed drastically since 1865. Hell, they've changed drastically since 1960. So the order of roll call? I have no idea what it was. So that slipped by me. But point taken.
4) Mary Todd Lincoln was not at the vote
*side-eye*
5) The Confederate delegate never made it to DC.
Huh. Didn't know that.
6) Prior to the events of Lincoln's opening shot, Louisiana, Tennesse, and Virginia, had already dismantled and reformed their state constitution and ABOLISHED slavery on their own. This is important to note because it reiterates the fact that the 13th amendment was a foregone conclusion. Lincoln VERY BADLY wanted it passed in his first term, but he didnt need to in order for the future of Black America.
The 13th Amendment was not a foregone conclusion. The fight over slavery had been in NEW territory. Not existing. The 13th killed that argument for states like Wyoming and Washington and Idaho. Furthermore, the Tennessee and Virginia constitutions that abolished slavery? I've heard this argument before and it has problems. For example, it fell under that pesky "uncertain legal status" and was not recognized as one of the iterations of the Virginia state constitution. It was meaningless. Additionally, the slave states that didn't secede may not have abolished slavery. Maybe you can point to those reformed state constitutions as proof of changing tides, but in no way does an unrecognized iteration of a state document translate into federal law for all states. They could either act immediately and secure freedom for the entire nation or let it linger for another 75-100 years in a state-by-state process.
This also ignores half of the fight over slavery and why was it such a big deal to get it passed. In terms of what kind of fight it was, it was like The New Deal, The Great Society, Prescription Drugs, and ObamaCare all rolled into one.
7) Speaking of Black America, where were the Black Americans? I understand the movie wasn't named Douglass or Tubman but it would have bee nice to ACKNOWLEDGE that emancipation would not have happened without leadership from Black Americans.
Truth.
iJim wrote:Perfect movie on every level......historically....
Nope.
You'll have to explain. Because I didn't see anything inaccurate.
Just watched it. Perfect movie on every level. Legally, historically, politically, story-ly... And with respect to the aesthetics argument I made above? Consider that revoked. It all worked for me within the movie. The trailer just didn't work.
Generally speaking, I don't read fiction. So my suggestions are non-fiction.
Any David Mccullough. But I'm especially partial to Path Between the Seas.
http://www.amazon.com/The-Path-Between- … 671244094/
Edmund Morris' series on Teddy is great, Rex in particular:
http://www.amazon.com/Theodore-Rex-Edmu … 812966007/
Incognito is a TON of fun. It's all about your brain and how it ticks. You wouldn't expect a neuroscientist to have such a light and easy writing style. Sounds similar to one of the books Mike mentioned:
http://www.amazon.com/Incognito-Secret- … 307389928/
Gideon's Trumpet is one of those books I had to read for a con-law class in college. But it has become an all time favorite:
http://www.amazon.com/Gideons-Trumpet-A … 0679723129
Finally, like Mccullough, anything Bill Bryson. Walk in the Woods is hilarious.
http://www.amazon.com/Walk-Woods-Redisc … 307279464/
Also. Your theories are the worst kind of popular tripe, your methods are sloppy, and your conclusions are highly questionable. You are a poor scientist, Mr. Gladwell.
I second Stiff. That's one of my favorite books.
I guess at this stage in the discussion my point is that there is such an incredible level of ignorance about the basic facts (for example the pervasive belief that copyright infringement is theft, or that content creators own their work), even on a board populated by content creation professionals, that it's hard to have a discussion about this without constantly being bombarded by completely untrue assertions (for example, that the text of a book is like a sandwich in any reasonable way).
First, that's not a point or a thesis. You're weaseling out and it's obvious. At no point in this thread until now have you bemoaned the general ignorance of people re: copyright.
Second, you have a hardwired misunderstanding of copyright. Not us. My gf, who is a lawyer, is looking over my shoulder right now and can't make out anything you're arguing either.
iJim wrote:TheGreg wrote:Plagiarism is fraud. It's got nothing to do with copying, most academia is built on the copying (with attribution) of other's work. The problem with plagiarism is that it is deception.
No it's not. How can it be fraud if the ideas are everyone's? It was never the original creator's idea. It's the public's. Duh.
That's right - the idea is in the public domain, but the rules of academia require citation of references. Plagiarism isn't a crime, its a breach of academic etiquette.
OK. If you're confused, think about these cases:
1. Theft. You own a copy of MS's Frankenstein. I take it from you without your permission.
2. Copying. I make an exact replica of the book. It isn't under copyright. You still have it. I have it.
3. Copyright infringement. I make an exact copy of a different book, that is under copyright.
4. Plagiarism. I take a marker, cross out Mary Shelley, and write TheGreg, passing the work off as my own.
OK. So now that you've established that tell me what your thesis in this thread is. What, exactly, is your point. Because I've yet to figure it out.
Plagiarism is fraud. It's got nothing to do with copying, most academia is built on the copying (with attribution) of other's work. The problem with plagiarism is that it is deception.
No it's not. How can it be fraud if the ideas are everyone's? It was never the original creator's idea. It's the public's. Duh.
If you make sandwiches, then fine, but if your job is to have ideas, or make items that are essentially information, and have no physical form (like the contents of books, movies, plays etc) then understand that you don't own the product.
[...]
The work is not owned by the author, it can't be.
No. They don't physically own the part of your brain that remembers the book. But they do own the reproduction rights.
And I'm dying to know - what are your thoughts on plagiarism in a classroom? Cause it sounds like you think copying off of someone's work is okay. That's the syllogism you're setting up here.
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