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Friends In Your Head | Forums → Posts by BigDamnArtist
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I mean, you're not wrong. I'm not sure it would even be possible for modern civilization to go back to working through hard copies of everything without a complete societal collapse first.
As for Cyberpunk Dystopia concepts, my brain went the route of what happens when DeepFake meets the rise of the all consuming surveillance state. Either the one we can see (London) or the one we can't (NSA in every phone, XBox and fridge near you). What happens when anyone with the penchant to go looking, can find hours upon hours of high resolution surveillance footage being feed live to central government storage for processing.
I mean, one day I'm absolutely working this into an actual project, but this is verbatim what I wrote in my random ideas doc last night:
"Identity Scraper. Virus that spreads out across the omni-present CCTV network that covers the City. Silently gathering thousands of hours of behavioral data, voice and visual reference on a specified target, which is then sent to an Identity Duper that process’s that data into a fully functioning digital clone for all your nefarious needs."
The Hu, singing in an alien language developed specifically for Star Wars. Absolutely badass.
BDG has been going very existential with the Unraveled episodes lately, and I both love it and fear it deeply.
Just shifting the conversation in here so we're not clogging the Good Videos thread if people want to continue it.
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"Rise of Skywalker" opened while I was ever so briefly in LA last December.
In the immediate debrief of our communal viewing [namedrop] Ryan and Seth [/namedrop] strenuously disagreed with me that deepfake tech might have been (or should have been) used to enhance the late Ms. Fisher's performances. I have yet to re-watch, so I remain on the fence.
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All things being equal?
Me being an idiot?
Me having not seen the movie?
Me being the most arrogant thing that has ever happened?
...
I think you're right.
...
This is going to be a touchy subject for VFXers.
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Teague wrote:This is going to be a touchy subject for VFXers.
So here's the thing: It's gonna be used. Absolutely no studio on the face of the planet is going to turn down what DeepFake, even in it's current infancy, can do. That's a given.
The problem (in my mind, other may not agree) is that it has just suddenly skyrocketed into this position of putting the morality of what VFX is and does at the forefront. There was a bit of a kerfuffle around Tarkin and Leia and things like that, but for the most part it was just the BIG studios that had the manpower and skills to be able to pull it off effectively, so it got swept under the rug and everyone moved on with their lives. DeepFakes though? Assholes were making /damn/ convincing fakes on their home computers 2 years ago. Today they're making stuff that completely passes for real.
Suddenly this is tech that is and will be available to everyone a couple years from now to do WHATEVER they want with it . And I think that /when/ the VFX industry decides it's gonna be okay with all the possibilities that brings; good, bad, and oh shit russia just took over the world; they'll be the single biggest force advancing the tech (that the public will know about *puts on tinfoil hat*). And like all things it can't and won't stay proprietary for very long. Granted it's probably going to take another decade for publicly available versions of the tech to get to the point where you could build a fake out of a feasibly small sample pool for it to learn from (AFAIU the tech, it needs a LOT of training data to make it work right now, which is really limiting on who you can dupe)... but even still.
Kinda went off the rails there for a sec... but to the actual point. I honestly don't give a shit about any arguments about whether or not it's valid VFX, or a lazy cheat or blehwhatever, everything we've ever done since we figured out how to project light onto chemicals to make an image has been a hack and a cheat to improve the quality and make it cheaper and easier. But I think there's gonna be a turning point, not just in VFX, but as a society around the morality and ultimately legality of DeepFakes, that VFX is gonna be a part of whether it wants to or not.
And this is where we start entering that section where near future theorizing gets real cyberpunk... what with governments banning Identity Scapers and Dupers while they secretly use them for their own gain, VFX studios are heavily regulated as to what they are and aren't allowed to do, and the world is forced to reckon with the idea that literally nothing they see can be trusted, and gaddamn I really need to go play Deus Ex again...
TLDR: BDA is a fatalistic asshole. DeepFake exists in the world now, it's too powerful and useful to not be used and improved, regardless of who's doing it. So how we proceed from there is a question of morality, not an if.
EDIT: MOVED CONVO TO NEW THREAD
Another weird way BDA knows things...the reason I know of them and specifically this song is because 8Bit Drummer covered it in one of his streams and I now listen to it fairly regularly. Haven't really dug into the rest of their catalogue yet.
These fuckers move so much faster than the cartoons of my childhood would have led me to believe.
That is a terrifying amount of steel and steam moving very quickly, it's utterly astonishing to think of these sorts of batshit insane inventions being common place and the on cutting edge of technology.
*grabby hand motions*
I'm sorry but are we all just gonna not acknowledge the beauty that is the phrase "Yellow Duckmarine"?
Haven't the foggiest, now if you'll excuse me I'm gonna go watch some bog standard, normal everyday motorbike racing that isn't even remotely freak out worthy...
I did actually know that, and the singular reason that I do is because the music video for Macklemore's Downtown has one (1) shot of a sidecar racing duo and I got curious if that was a real thing and fell down a rabbit hole.
Which might be one of the more random ways I've fallen down a rabbit hole to a new to me sport.
(2:00)
It's still awesome and I will take any excuse to rewatch a bunch of races.
EDIT: One of the drivers in the race you posted has my name, and it's WEIRDING ME OUT.
By the way? Watch that fucking blocking. Watch how the camera moves and the actors move.
That Zemeckis guy man, he's gonna be big one day, just you watch.
Big brain voice: omgomgomg this is amazing, I need the whole movie of this.
Little Brain Voice: *overwhelming technological dystopian nightmares*
DeepFakes are getting /scary/ good y'all.
The cover of "Your Song" from this movie is my favorite rendition of any Elton John song, including his own.
Such is the power and majesty of Ewan Mcgregor.
We are not worthy.
(I fucking /love/ this movie y'all. Like, it's not even funny.)
I can only imagine how absolutely batshit it must be to hear this live.
I know nothing about this movie except this trailer, but I am ON BOARD.
Making the rounds on science twitter right now. For obvious reasons.
shhhhiiiiiiiiiiiiiiiiiiiiiiiiiiiiiinnnnnnnnyyyyyyy
Discord = MSN Messenger smashed with forums + Skype.
You can create different text chat rooms for specific topics, control who can and can't enter different areas (A lot of podcasts and shows I follow use this with their patreon to great effect). But it also has the ability to just hop into a voice chat room and talk to people, and in the last couple years added video chat support.
We used to use it a lot (And tons of people still do) for running TTRPG games remotely, among other things.
Moulin Rouge was the first musical I ever remember /really/ falling in love with. And you're absolutely right, it's one of those shows that either you're on board with and you fall deeply madly in love with it, or you just look at it and want to throw up (actual review from someone I knew). And I think that's part of why I loved it so much back in High School and still do to this day, it's not safe. Even kind of. It knows the story it wants to tell and how it wants to tell it (Through the lens of bohemian excess and absinthe haze) and fucking COMMITS to it.
Also I just love anachronistic music and Ewan Mcgregor, full stop, so k'know, it's kind of the perfect movie for me.
Re-purposing the tools of rampant corporate capitalism to create art... this is some serious cyberpunk shit right here.
An orchestra performs a previously unheard piece composed by Sir Anthony Hopkins in 1964 with him in the audience. It's exactly as lovely as it sounds.
I mean, we always /assumed/, but it's nice to have a solid concrete conclusion.
Oh yeah. We officially figured out that I am DEFINITELY cursed.
Friends In Your Head | Forums → Posts by BigDamnArtist
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