Topic: Saving Private Ryan

I hate these first posts.

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"amazing and broken", you say?  Sounds like a trip to my local public library is in order (and it's one of the last Nathan Fillion film appearances I still haven't seen).

For the next hour, everything in this post is strictly based on the available facts.

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This is one of the most somber episodes I've heard from you lot. Not a criticism, just a note as I usually have these on while working and I couldn't help but notice that it was not the lively conversation I'm used to.

That aside, it is interesting to hear your criticisms and comments on this film as the most I usually get out of people is "It's a masterpiece. The end."

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I think the movie is, generally, about all veterans of foreign wars and the survivor guilt they feel. "All these men—on both sides—died, some of them in the very act of saving my ass, and yet I survived. Do I deserve it?"

No. Nobody does.

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7 (edited by fireproof78 2013-07-29 19:42:26)

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God loves you!

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9 (edited by bullet3 2013-07-30 12:20:25)

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11 (edited by ThrowbackSoul 2013-07-30 13:08:10)

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I'm not sure if you brought it up as I've not listened to the commentary yet (on my list!), but the scene with the killing of the jewish GI as his fellow soldier stands by on the staircase would appear to be an analogy for the rest of the world standing by letting the jews be killed. Of course, that's a pretty simplistic interpretation (especially since the Third Reich didn't really start killing Jews and other undesirables until after the war had started, by which time the allies were doing something about it).

I think SPR is a good film, but I'd argue it thrives on its portrayal of the D-Day landing. After this opening, it sort of becomes quite boring, following the steroetypical 'select few on a mission' format of virtually every WW2 movie. A Bridge too Far is much better overall too, and doesn't villify the Germans as all evil Nazis.

It also has some atrocious editing in the final battle, a moment where some paratroopers are frozen in time before being killed atop a German tank.

Imagination will often carry us to worlds that never were. But without it we go nowhere. - Carl Sagan

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The sun shines on the grand opening of the brand new local Iowa VFW. Private Reiben (Ed Burns) having finally tracked down that little shit that cost his friends their lives, squarely lands a punch in his face. Private Ryan (Matt Damon) instinctively returns his volley. In the aftermath of broken furniture and glass, wasted alcohol, injured bystanders, blood, tears, and yes sweat; the two men have it out. In a heap Ryan realizes who he has been fighting, and is told the story of how many lives it took to save his.

  Or, maybe nothing that hackneyed happened. Maybe, in the years between the end of World War II and Ryan finally being able to take that trip to Europe with his family (What is so wrong with being into big tits?); Reiber ran into him, and told the story. Ryan thought it a good gesture to visit the white crosses of the men who saved him and Spielberg thought it a good idea for his little war movie.

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For the next hour, everything in this post is strictly based on the available facts.

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Just a couple quick notes:

@Dorkman Kevin Smith was a Producer on Good Will Hunting.

@Trey The caper movie with Ed Burns you were thinking of is called Confidence. And yes, it is indeed pretty fun. Coincidentally, it also stars both Leland Orser and Paul Giamatti.

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You make some great points sellew.

Imagination will often carry us to worlds that never were. But without it we go nowhere. - Carl Sagan

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And, of course, another easy way around the problems at the end is simply to have one officer at the bridge who outranked Hanks. Given how scattered everyone was, as the movie showed, you made up units of whoever wandered by. Hanks and friends show up? Guess what! You're holding the north line, and you're not getting Ryan until we're relieved.

Actually, that would make a fun movie: start with them FINDING Ryan, and on the way back they keep bumping into units where a half dozen more soldiers are the key to holding out.

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I have always wondered why I never want to revisit this film - I wondered if it was just me, if I wasn't getting what everyone had always been going on about regarding how good this film is. Your commentary really pointed out what it was that had been bothering me with the film. Strangely, this is also making me want to revisit it.

I had a similar reaction to your commentary on Titanic. Although with that one, I am 'almost' wanting to see it again.

Almost smile

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19 (edited by Inner Prop 2013-08-05 11:04:20)

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I was just so happy that my wife suggested we see this in the theater that I gave it a pass, but since I knew the units involved I knew at the beginning that the old man with the Screaming Eagle pin on his windbreaker had to be Ryan since the Rangers were all part of one of the Ranger Battalions and not part of the 101st Airborne Division.  it was never a surprise who he was.

BTW there were 2 Ranger Battalions that existed in June 1944.  One of those Battalions went up Pont Du Hoc and one went on Omaha Beach (further BTWs the 2 AMERICAN beaches were Utah and Omaha, the Brits and Canadians had Gold, Sword and Juno beaches).  The way I figure it Hanks best fits a guy named Major Brown who took a Company of Rangers into Normandy on Omaha Beach section Red Dog One.  By the time the movie's Saving Private Ryan part would have taken place Brown's company was down to 11 guys.

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(UTC-06:00) Central Time (US & Canada)

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I'm sure there have been better books written on the subject, but the movie The Longest Day gives a great breakdown of the entire invasion. You fully understand what units went where, and why.

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Gangrene is caused by an anaerobic bacteria called Clostridium perfringens. 

Also, Saving Private Ryan and War Of The Worlds make me realize why I love Munich so much.  It's the only dark and complex Spielberg movie that maintains its tone and doesn't dissolve into a puddle of sap at the end.

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I'll try to make a defense of SPR, my second favorite Tom Hanks film after Road To Perdition.

About Ed Burns and the beef about risking so many men's lives on a mission to save one soldier:
Hanks and his men were combat infantrymen liberating Europe, they were either going on this mission or another one that would have probably been much more dangerous on the surface. Put yourself in their shoes, would you rather be ordered to take a fortified enemy position- like an artillery battery, anti-aircraft guns, or some machine gun bunkers, or be sent to find and bring back one paratrooper? The only way they were getting out of that combat theater was death, serious injury, or the end of the war. I served in the Marine Corps infantry myself, and let me tell you that Ed Burns and the other guys' problems with the mission were just par for the course. Beefing, moaning, groaning, and complaining are perhaps the #1 past time of foot soldiers. It's normal that they would be complaining leading up to D-Day, the Ryan mission, and complaining about the next mission after this one as well, it's what these guys do. Of course, as the story went, most of them died. But any other mission could have resulted in high casualties just as easily. 20/20 hindsight and all that, but I'd rather be assigned that mission and look forward to it maybe stretching out to a month or so of roaming the French countryside for one guy while staying out of the bigger battles.

I disagree that the film tried to have it both ways regarding the subject of war. War is not a black & white affair. Sometimes it's senseless, horrific, and decisions are made that are totally indefensible. At other times nobility and honor show up, and the idea that being a part of something bigger than oneself makes total sense. I like how the film showed both sides of the coin.

Lastly, some people actually have sincere and genuine feelings when they see the American flag and hear some emotional music playing. Maybe they lost a loved one who died in service to our country. Maybe they know someone who works as a firefighter or in law enforcement, and they appreciate people willingly placing themselves in danger for the well being of others. When it comes to something obviously designed to pull on our hearts strings, I get it if it doesn't work for everyone. I don't think that justifies dismissing it as manipulative tripe.

That's just my opinion, sorry for my lack of brevity. It's a movie, and if you don't love it that's okay. I just don't like Goldman's wet blanket approach.

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I saw this movie as one of the strangest double features in the theater.  This was first, followed immediately by BASEketball.  The day got cheerier as we went on.

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