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Friends In Your Head | Forums → Episodes → The Intermission - 004 - How We Write Movies
For the record, Maul, most of your points are points that we discussed and discuss internally. They're not being ignored, they're just things we've thought about and mulled over and decided not to go with. (Yet?)
Not a big deal.
Actually on second thought,
I have never had to put up with so much over sanctimonious bullshit than I've had to on this site. So, for once, you're right, you don't need me.
Don't let the door hit you, princess.
Anyway, actually on the topic, an addendum I wanted to make in the following ep but didn't get around to is that when I say it's a big no-no to give your script to someone if you know it has problems, I mean to say that if you're giving it to someone and you know it has problems that you could fix, and have just chosen not to before giving it to them, that's lazy and shitty and you ought to be caned in the street.
On the other hand, if you know the script has problems and you can't figure out how to fix them, and the point of giving it to that person is to get a new perspective and maybe some new ideas for solutions, then of course that's perfectly valid and a great reason to seek a second pair of eyes.
Well that could've gone better.
Damn. Now we're nothing.
Okay, folks. Don't make me go all forum-administrator on your asses.
Maul, you need to calm down dude. If you ask nicely during the live video feed in the chat, there's a chance you'll get your question answered right then and there. I asked very nicely how would you write a spit screen scene into a script and not a minute later, both Michael and Trey were nice enough to offer their advice.
Thanks for that BTW guys. It was very helpful!
I've started to add notes to myself about subtext when things get too obvious, so that writing things like, "You are so afraid of ______ that you are willing to _______!" feel okay for the moment.
Zarban, you're my favorite.
Great podcast, guys. Gave me a few things to think about the next time I'm crying over one of my unwritten scripts 
That makes a lot of sense. I have two feature script ideas at the moment, one of which has remained in the brainstorming stage for months now and the other which has just been an inkling. I think I'm going to tackle the latter with this vomit draft approach much sooner than I would do normally. The first draft, however forced and rushed, will at least be something I can work with. I have to admit, the discovery aspect of creative writing is probably the best part, so why not get there sooner and discover more?
Thanks Dorkman.
DON'T STOP WRITING
^ refer to the above every time you stop writing
totally agree, Teague... i do the same thing when i'm working on a new tune.. i generally do some sort of "vomit take" and just keep playing till i find a groove or progression that i like. I'll then go back and edit/splice/loop as needed.
I usually find that my first take is the most inspired, but can be sloppy. it's about finding those nuggets and developing them.
Friends In Your Head | Forums → Episodes → The Intermission - 004 - How We Write Movies
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