Re: Plot Hole Film Criticism
You all know it's possible to just, like, ignore awful bullshit, right? There is greatness in this field, in these arts, on this planet. This reads as arguing about exacting semantics and edu-splaining why dumb thing is dumb. Like sorting your garbage alphabetically. To what end? Some people just don't get it, and that's okay, but you don't have to suffer it. Get out of the Facebook slums where this stuff gets tossed around by some rando that added you because they liked your lightsabers video.
Move on. Elevate the fucking discussion.
Here's a bridge to what I consider a more interesting angle on the whole thing. An article written by Armond White a couple years ago framing Pauline Kael against the last 50 years of film criticism.
http://www.cjr.org/essay/why_kael_is_go … p?page=all
Kael elevated reviewing from the low function of “consumer advice,” a designation that inherently limited the form’s literary potential, and one that automatically implied film was nothing more than commercial product. Today, the profession’s stature has changed. Box-office stats are foregrounded in the media. Filmgoers increasingly gauge a movie’s worth based on its aggregate rating, as individual critics grow less and less important. Indeed, many newspapers no longer employ their own critics, instead running syndicated material or capsule synopses. Reviews have shrunk, and so has Kael’s reputation. Her 13 books (published collections and compilations) have been out of print until recently. The biography and new compendium suggest a recovery, yet negative press reactions seem to take it all back.
PS: I love me some Crit Hulk and even being in the same jokey breath as him is a super compliment. Just read the first part of his James Bond book last night. It's great.