Topic: A.I.
Spielbrick! Heyo!
I have a tendency to fix your typos.
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Spielbrick! Heyo!
Why?
/asks the hard-hitting questions
Goal for tomorrow: Drop the word 'Finifterian' into normal conversation and refuse to explain it.
When I saw this in the theater, I just went, "What? Is that all there is?" It's a film that just went nowhere and seemed take forever to get there. I look forward to listening to your disassembly of it.
My main issue with AI is best expressed with this commercial
If they had ended the movie with HJO at the bottom of the ocean forever, I probably would have dug it. But instead, future robots dig him up and through no other reason than sentimentality, we ge the ultimate Spielberg ending, and that is not a good thing.
There's an ending that could have worked here, that TNG did with Ship in a Bottle. After a semantic misunderstanding in a previous episode, the holodeck creates a sentient character. In Ship in a Bottle, the character, stored in memory, is reactivated and demands to know if any progress has been made in allowing him to leave the holodeck. In the end, he is tricked into believing he has departed the Enterprise in a shuttle, when in reality, his program has been transfered to a stand alone memory module. Thus is he able to live out his life in the belief that he has been liberated, when in fact, such a thing is not possible.
David is a machine, and the SuperMechas clearly have the ability to enter his mind, or create believable reality. I do not believe that they actually dug up David's home, or that the Blue Fairy was really there; all of that was generated for his benefit. So use the hair to create a program with Monica's appearance and memories, and set it on loop. As a machine David will never age, and as a program, Monica will never die, so loving mother and son get to live forever, happily ever after. The End.
One of the panelists (I think Trey) suggested precisely that as an alternative ending. I love the fact that it's a really twisted and unsettling "happily ever after." That ending would have been genius.
What was the original plan for David in the first place? Even if his parents loved him to the end of their days, he would never age and would certainly outlive them. A non-reprogrammable robot that requires continuous care and affection for hundreds of years seems like a terrible idea on its face.
That was me, I think. I said "there's your 2001 Kubricky ending."
Never seen it.
My contribution, ladies and gents...
Me either, maybe an excuse to do so though.
That scene with the motorcycles always seemed out of place to me, like it came from a bad '80s Arnold movie (I think Trey mentioned Running Man). A thoughtful, beautifully made movie but with big story problems as the guys mentioned. I wonder, if it wasn't for Spielberg's wish to "pay tribute" to Kubrick by finishing a project he started, if Spielberg would even have made the movie in the first place. I remember reading about the movie before it came out and that's the vibe i got.
I've never done it and i don't want to sound like a know it all but flying a chopper sounds like juggling 3 balls, just practice and... you're doing it. Watch a few Magnum PI episodes and you've got the basic theory.
For future reference, it's generally preferable to say which movie you're spoiling at the outset, rather than making us read the spoiler in order to find out.
Normally you mention the movie and black out the spoiler part, but I guess this way works too
I watched A.I. for the first time so I can listen to the comm and what a mess of a film it is. Far too long, the last 20 minutes are like watching the deleted scenes on the dvd straight after the film.
Teddy is fucking awesome, though. I want one!
OK, Teddy is obviously Jiminy Cricket. Wise and not wanting to be human (doesnt have as many smart arse quips though).
David BECOMES human, when he gets the hate on the other David back at water world head office. Killing the robot (which he feels he is not), what could be more human? Eliminate the "other".
Perhaps that is what the uber mechs are wanting, an authentic human existence coloured by the actual history/actual emotions, rather than there twee "disney-mo-co" type similcrums.
+1 for loop reality, I never got why they didn't just simulate it for him internally.
And yes I thought that it was a pastiche of moods and styles, that were to hard to reconcile, I'm glad that you guys identified for me the Kubrickien observational concept though.
P.S. I loved this movie at the cinema, but my wife (who doesnt read hard SF) hated it. I think she felt emotionaly manipulated. But I had the existential torment goin on!
P.P.S It is obvious that Speilberg just knew that he would have to revisit this and tack on a new ending (ala' CE3K aliens inside mother ship), so he just did it on the 1st draft instead!
+1 for loop reality, I never got why they didn't just simulate it for him internally.
Because this is Spielbergian magic, and Spielberg doesn't recognize a difference between aliens, super-advanced robots, and ghosts. They are all one thing to him and follow his logic.
There's no significant difference between what the aliens in Close Encounters do and what the ghosts in Poltergeist do. And the robots at the end of AI are not are not significantly different from the aliens at the end of Crystal Skull. ET rises from the dead and phones home with a makeshift radio. And the wrathful spirits at the end of Raiders come out of a "radio to God".
*grabby hand* PhD, please.
The guys and Trey discuss the water levels at the end of the film being higher after the polar caps melted, and why they still are high even after the oceans re-froze. The water wouldn't necessarily re-pool around the poles, it would just freeze where it is now. Also frozen water has a higher volume than liquid, so when frozen it would even reach higher over the buildings than when it was liquid.
During an Ice Age, the world's water DOES accumulate as ice at the poles, lowering sea levels. When the planet heats up again, the stored ice melts back into the ocean, raising sea levels again. That's exactly how it works.
AI would have us believe that sea levels rose a hundred or more feet - presumably due to ice melt, because where else could the water come from? And then a millenium later the earth froze... but somehow the water didn't recede again.
This would only happen if the whole world froze at once, a la Day After Tomorrow. Which is theoretically possible for a few reasons - supervolcano eruption, meteor or comet impact, nuclear winter - some sort of disaster that covers the whole planet in heavy cloud or dust, blocking all sunlight and creating freezing temperatures across the entire planet simultaneously.
Although it's possible the movie had that in mind, it doesn't mention it.
So at face value the movie seems to be saying "Earth warmed up, sea levels rose. Earth cooled down, sea levels stayed the same". Which suggests they didn't quite think their clever scheme all the way through.
Unless the movie is suggesting Manhattan sank INTO the sea, which is also rather a silly idea.
During an Ice Age, the world's water DOES accumulate as ice at the poles, lowering sea levels. When the planet heats up again, the stored ice melts back into the ocean, raising sea levels again. That's exactly how it works.
AI would have us believe that sea levels rose a hundred or more feet - presumably due to ice melt, because where else could the water come from? And then a millenium later the earth froze... but somehow the water didn't recede again.
This would only happen if the whole world froze at once, a la Day After Tomorrow. Which is theoretically possible for a few reasons - supervolcano eruption, meteor or comet impact, nuclear winter - some sort of disaster that covers the whole planet in heavy cloud or dust, blocking all sunlight and creating freezing temperatures across the entire planet simultaneously.
Although it's possible the movie had that in mind, it doesn't mention it.
So at face value the movie seems to be saying "Earth warmed up, sea levels rose. Earth cooled down, sea levels stayed the same". Which suggests they didn't quite think their clever scheme all the way through.
Unless the movie is suggesting Manhattan sank INTO the sea, which is also rather a silly idea.
Hey Trey. I am deeply ignorant in the subject so excuse any obvious factual flaws and thanks for clarifying. As far as I know even if all polar ice melted and flowed into the oceans the water level would not rise nearly as much as in A.I. (or Waterworld for that matter, though it doesn't take much for it to become a huge disaster). I figured if the movie went with water implausibly high, as it does, it might also have gone for some disastrous event a la DAT causing a more flashfreeze scenario.
Something I thought of though, during normal ice age > heating > ice age cycles the ice tends to expand from the poles during ice ages, as you mention, and then contract back as the planet heats, causing a percentile change in the volume of ice around the poles. However if ALL ice melted from the poles, as we might presume is necessary for the sea levels to rise nearly as high as they do in the film, might it be correct to think that the poles wouldn't be able to accumulate nearly as much mass as normal once they freeze over again, leaving sea levels higher than normal as in the film?
It would seem to make sense if we consider that. with all ice melted, the poles no longer have a large stockpiled ice mass protruding from the surrounding sea, keeping the sea levels low.
Since the now liquid water will pool in equal levels across the planet, forming a roughly equally levelled surface, if the poles freeze over again during a new ice age, that should mean that the water currently at the poles is converted to ice, but it not being nearly as high or massive as before, and also expanding in volume as it freezes, which will actually further raise the sea levels slightly since the water at the poles gain volume when frozen, giving less room for the rest of it around the planet.
Not expecting an answer unless we have some climatologists on the board, just idle thoughts.
As for the movie, I like it, but I think watching it once is enough. So many scenes in the film seem to have been filmed with a very low pace, when they could have been concentrated and distilled to something more efficient. It's like they filmed the scenes and really liked them individually, but then got to the edit bay and realized that they couldn't cut down or around alot of the longer shots or scenes. They could really have cut a few scenes, or done a few more montage scenes since they already have a voice over element. As it is now the film really feels like slow motion alot of the time. You just wish characters would move a bit faster, get to the point a bit sooner, or the editors cutting around long movements or slow expository scenes.
The part of the equation you're skipping is that the water on Earth doesn't stay in one place - it's in a constant cycle of evaporation and precipitation. Water evaporates everywhere, and air currents carry the water vapor to other parts of the planet. Some of the vapor ends up at the poles, where it gets cold and falls as snow.
If global temps are above a certain level, that snow - plus a little extra - melts every summer. So over time the ice caps shrink, and more liquid water is added to the global system. That's the state we're in right now. To be fair, this has been the state of the planet since the end of the last Ice Age - technically we're still IN the last stages of the last Ice Age. The concept of "global warming" is really about the great acceleration of the warming process that we're seeing now.
Conversely, in a cooling trend the snow at the poles doesn't all melt in the summer. So every year the poles trap a bit more of the planet's water and prevent it from returning to the sea. Also, the colder the planet gets, the farther from the poles the "no-melt" zone gets too, and so the ice sheets grow outward as well as upward. At the height of the last Ice Age, much of North America and Europe were covered in glaciers. That adds up to a lot of water that isn't in the ocean anymore.
This is the natural process of the planet, it's ongoing every day. When the overall temperature trends one direction or other, the world's ice/water ratio gradually shifts as well, over thousands of years. The polar ice sheets have disappeared and re-formed at least five times in Earth's history.
But nothing in AI suggests an explanation for the completely unnatural scenario of a frozen Earth with a high sea level.
I suspect it's ignorance on the part of the filmmakers, rather than some grand plan, in the case of both AI and Waterworld. You're right that semi-flooded Manhattan is sorta plausible if the ice caps melted completely. But "Waterworld" isn't - even with a total thaw there'd still be a lot of land left.
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