Re: 2010: Moby Dick.
...it looked to me like the same kinda lens package that I've seen being used on other shoots. So once or twice during the shoot I would get sneaky and say something like "let's try this with a 50" as if I knew what the hell that meant. If I didn't like the result, then I would say "hmm, nah, let's go wider". It seemed to work, and I recommend this clever trick to all directors.
Also, the lenses were all kept in a gray metal box with some writing on it, if that helps?
Sorry; just writing this down. "Gray... metal.... box". Got it.
/gaining confidence about my screenplay for 1066: The Norman Invasion vs Sharkasaurus.
Last edited by Zarban (2010-12-04 03:15:30)