Re: G.I. Joe
By that logic you could replace any movie with one sentence: "Things happen to people."
It's about how far down the chain you want to go, and where do you draw the line really?
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By that logic you could replace any movie with one sentence: "Things happen to people."
It's about how far down the chain you want to go, and where do you draw the line really?
My litmus test for any action movie is that if you could replace the action sequences with a simple sentence, then your action scene fails.
That is a great way of looking at things. That makes me think differently about movies.
I'm not saying I completely agree, but it's something I will have to think about.
Perhaps I misunderstand, but can this not be rephrased as: any scene that does not advance the plot or affect characters is redundant? That it might be an action scene is then beside the point. It just means that, in such cases, you've watched 20 minutes of CGI shoe-leathering that could be replaced with: "and then, we drove across town to here without being killed by the flying sharks with frickin' lasers on their heads. So, what's up with you?"
It's possible that he didn't mean a third party could describe it in one sentence, but that one character in the movie could have explained what happened to them in one sentence.
But that might be a distinction without a difference.
You could look at the Asylums films as a perfect argument for how bad big-budget movies have gotten. They are like a mirror that removes the budget so you can see what they look like deep down inside.
Oh please, you're giving way too much credit to Asylum films and making a gross generalisation about the state of current cinema. I doubt your like for the Asylum filmography is anything but ironic. There's a big difference between a commercial product that aims to be good entertainment and falls short and an exploitive film that aims to entertain by falling short. A stupid scene or two does not mean that a film is in Asylum's league. It's not even the same sport.
And as others have said, any action scene can be distilled into a sentence! Vader duels Luke and chops his hand off. There, you've just trimmed ESB by a few minutes.
Yes, but if "Vader duels Luke and chops off his hand" was cut out entirely, the story wouldn't make sense. If the Paris sequence in G.I. Joe was removed, the story would not suffer at all. You could cut the Vader fight and just have Luke explain it later, but it's the climactic moment of that film, and it is essential, unlike the entire Paris scene.
Perhaps I misunderstand, but can this not be rephrased as: any scene that does not advance the plot or affect characters is redundant? That it might be an action scene is then beside the point.
I'm going to give Squiggly the benefit of the doubt and say that this is what he was really getting at, until he lets us know otherwise.
You can boil any action scene down to a sentence (and it's not out of the question that it was simply a sentence in the script). I think it's less about the ability to do that, and more about looking at a scene and asking the question Doctor Submarine mentions -- could this be cut out of the film entirely without affecting the narrative? If the answer is yes, you've got a problem.
I think this is why some action films get credit for being "smarter" than others. Christopher Nolan's films, for example, have their share of problems, but one thing they do very well is have a clear justification for their action beats, a clear mini-story where the outcome will determine the course of the rest of the film, and therefore the struggle actually matters to the narrative.
As opposed to a lot of action films which just have people/robots/whatever chasing and punching each other, and we're supposed to root for one side because we've been told they're the "good guys," even though we have no clear concept of what would happen if the "bad guys" triumphed.
You can boil any action scene down to a sentence (and it's not out of the question that it was simply a sentence in the script). I think it's less about the ability to do that, and more about looking at a scene and asking the question Doctor Submarine mentions -- could this be cut out of the film entirely without affecting the narrative? If the answer is yes, you've got a problem.
I think this is why some action films get credit for being "smarter" than others. Christopher Nolan's films, for example, have their share of problems, but one thing they do very well is have a clear justification for their action beats, a clear mini-story where the outcome will determine the course of the rest of the film, and therefore the struggle actually matters to the narrative.
As opposed to a lot of action films which just have people/robots/whatever chasing and punching each other, and we're supposed to root for one side because we've been told they're the "good guys," even though we have no clear concept of what would happen if the "bad guys" triumphed.
This...I do agree with.
The duel in Empire is actually an example of the PERFECT action sequence. Both characters are very substantially advanced by their dialog during the fight AND the outcome has a huge impact on the way the rest of the saga plays.
Vader TESTS Luke's light saber ability and, realizing he won't be able to capture Luke and freeze him easily as planned, PRAISES him. Luke fights back with all his might, but Vader merely DEFENDS himself and tests the boy's strengths further. He OFFERS the dark side to Luke, but Luke refuses, and Vader CUTS OFF his hand to force the boy to RETREAT to a vulnerable position to hear him out. Vader then DROPS his bomb: contrary to what Obi-Wan TOLD Luke, Vader didn't kill Luke's father: he IS Luke's father. Luke is horrified and incredulous. Vader OFFERS to take Luke as his dark apprentice and BETRAY the Emperor and destroy him so father and son can RULE the galaxy. Luke refuses and instead allows himself to FALL from his perch into some fucking wacko bullshit tube thing that dumps him onto a TV antenna where he can be RESCUED by CALLING to Leia.
Everything in caps reveals an unexpected aspect of character or advances the plot. Leave any of it out, and you change the story. No way you capture that in one sentence.
A. Good point.
B. Did you really just spoiler-text a Star Wars plot point on the Down in Front forum?
And not just any Star Wars plot point. The single most well-known Star Wars plot point, even and especially to people who have never seen the films.
Heh heh heh. That's my point, tho. You can't yada-yada-yada the Vader-Luke fight. It's got THINGS in it!
I will say that, sometimes, action-for-the-sake-of-action is great. Because maybe it's the payoff to some build-up ("Don't make me angry. You wouldn't like me when I'm angry.") or speaks to character in a broad way ("Oh shit. Everybody HOLD ON!") or whatever.
Still, a GREAT action scene is certainly one that has THINGS in it. The hero unmasks the baddie, shows his mettle, saves somebody, stops the monster, or whatever.
Yeah, I guess I didn't think about how people might take that bit about action sequences. You guys see what I was trying to say, tho. I'm not all film-schooled, so I dunno how more well read people refer to this stuff. It's just stuff I've noticed when comparing movies I loved vs movies I didn't like and trying to figure out where one succeeded and the other failed to impress.
I do agree, tho, that sometimes I just wanna see some shit asplode.
I kinda felt like I was watching an Asylum movie earlier today when I want to see Captain America. The movie overall is pretty good and fun, but there's one scene where... These characters come out of nowhere twice to save his ass..... Add to that the couple of montages of CA doing hero poses while shit explodes behind him....
That car is established in a previous scene as being in that location. Also, those characters have just as much of a right to be there as anyone else on that platoon. It's not out of nowhere. They're leading the mission/objective. Just because the movie doesn't bother with the shoe leather of them making their way to those locations, it doesn't mean it didn't happen. They're not teleporting, we just didn't see them travel.
I feel like Captain America is exactly what it should/wants to be. A throwback to classic adventure serials of the era it's set in, just like Indiana Jones. To me, the action montage totally fits in this movie. Captain America had many adventures in his day, and those were just glimpses of them. I like that they bothered. To make them more than a montage, well, then it's no longer a movie, but a TV miniseries. To compare it to Asylum by any means is quite the exaggeration and one I feel the movie does not deserve at all, but to each their own.
By the way, it would take about an hour to fly from Moscow To Washington D.C. at mach 6. I'm assuming they say the plane goes to mach 6 because before that they mention the missiles go to mach 5.
Last edited by ShadowDuelist (2011-07-28 09:17:25)
Wasn't the plane flying from the Austrian Alps to New York? I'm still trying to figure out how Greenland got between them. http://www.gcmap.com/mapui?P=jfk-inn
Anyway, I enjoyed Captain America about as much as G.I. Joe. It occurs to me that ShadowDuelist might be talking about some planes and missiles from G.I. Joe, not Captain America, which shows how much I remember about it...
Wasn't the plane flying from the Austrian Alps to New York? I'm still trying to figure out how Greenland got between them. http://www.gcmap.com/mapui?P=jfk-inn
Maybe he was flying some weird ETOPS route involving the mandatory scaring of polar bears.
Squiggly_P wrote:I kinda felt like I was watching an Asylum movie earlier today when I want to see Captain America. The movie overall is pretty good and fun, but there's one scene where... These characters come out of nowhere twice to save his ass..... Add to that the couple of montages of CA doing hero poses while shit explodes behind him....
That car is established in a previous scene as being in that location. Also, those characters have just as much of a right to be there as anyone else on that platoon. It's not out of nowhere. They're leading the mission/objective. Just because the movie doesn't bother with the shoe leather of them making their way to those locations, it doesn't mean it didn't happen. They're not teleporting, we just didn't see them travel.
I feel like Captain America is exactly what it should/wants to be. A throwback to classic adventure serials of the era it's set in, just like Indiana Jones. To me, the action montage totally fits in this movie. Captain America had many adventures in his day, and those were just glimpses of them. I like that they bothered. To make them more than a montage, well, then it's no longer a movie, but a TV miniseries. To compare it to Asylum by any means is quite the exaggeration and one I feel the movie does not deserve at all, but to each their own.
I didn't hate it or anything. I love Asylum movies, so having cheesy campy stuff like that blows my whistles. The car was established, and them being there is established, but the shot of them blasting into frame in this car was hysterically cheesy to me. That scene felt like the sort of thing you see in movies where the characters in the movie are, themselves, watching a cheesy action movie.
The serial thing is interesting, tho, and I think that could explain some things, including the montage and the way the Cap has two separate character arcs one after the other. Thing is, if you think of this flick in terms of movie serials, then what you have is episode one, a montage of the climaxes of the next several episodes, and then the final episode. If you think about it that way, then I liked the series, but I loved the first episode. The last episode just felt a lot cheesier and hokier to me.
Anyway, I enjoyed Captain America about as much as G.I. Joe. It occurs to me that ShadowDuelist might be talking about some planes and missiles from G.I. Joe, not Captain America, which shows how much I remember about it...
Yeah, I'm talking about G.I. Joe. In the commentary, Trey says they probably got the mach 6 number by doing the math to find how fast he would have to go to catch the missiles, and I'm proving him wrong. When he's in Moscow the other missile will hit in 12 minutes, and he has to travel roughly 4870 miles in that time. Doing that math, he has to travel at around mach 38.5. Assuming he can accelerate to that speed instantaneously. I'm saying they got the mach 6 number because Dr. Evil Face says something like, "Once these missiles reach their top speed of mach 5, nothing the Joes have can catch them!"
Last edited by ShadowDuelist (2011-07-29 21:24:24)
That car is established in a previous scene as being in that location. Also, those characters have just as much of a right to be there as anyone else on that platoon. It's not out of nowhere. They're leading the mission/objective. Just because the movie doesn't bother with the shoe leather of them making their way to those locations, it doesn't mean it didn't happen. They're not teleporting, we just didn't see them travel.
I feel like Captain America is exactly what it should/wants to be. A throwback to classic adventure serials of the era it's set in, just like Indiana Jones. To me, the action montage totally fits in this movie. Captain America had many adventures in his day, and those were just glimpses of them. I like that they bothered. To make them more than a montage, well, then it's no longer a movie, but a TV miniseries. To compare it to Asylum by any means is quite the exaggeration and one I feel the movie does not deserve at all, but to each their own.
I agree. Captain America was a different movie from most superhero movies in that it is not dirty, gritty with a brooding lead. Instead, it is a genuine guy, who wants to do the right thing, and is hampered by the real world pulling him down, either because of his size, his being a gimmick, or the villain taunting him.
G.I. Joe seems to be more camp because it does not have a strong moral foundation like Captain America establishes. The fact that things go BOOM! in Captain America is not the heart of the movie. G.I. Joe seems to be founded on things exploding. It might have done better if Michael Bay had been in charge of it.
I can't believe the anti-Annie Hall comment went unchecked. (shakes fist)
One of the panelists mentioned a blog post refuting the claim of "It's fucking transformers, what did you expect?" Anyone know where I can find that?
http://dorkmanscott.wordpress.com/2010/ … grey-area/
Ah thank you, and can someone please for the love of the gods put a comma in that image, it drives me nuts everytime I see it.
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