Re: Suggest a movie!
I hated Cloverfield so hard. I kinda hope the crew likes if for some crazy reason and can get me to a little.
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I hated Cloverfield so hard. I kinda hope the crew likes if for some crazy reason and can get me to a little.
Oh, come on. Alien Resurrection was not an objectively bad movie. It ranks way above, say, Pandorum.
Alien vs. Predator, on the other hand, was just boring.
Oh god. I try to imagine I live in a world without AVP/AVPR/Robocop2/3/Godfather 3/Rocky 5/6/Beverley Hills Cop 3 and Indy 4.
Every day I wake up and check the internet, but, they still exist. God help us all.
I hated Cloverfield so hard. I kinda hope the crew likes if for some crazy reason and can get me to a little.
I actually kinda liked Cloverfield if that means anything.
Same goes with Superman Returns and Batman Forever and Robin by the way. Three expenive turds.
Welcome to the forums, sir.
TrowaGP02a wrote:I hated Cloverfield so hard. I kinda hope the crew likes if for some crazy reason and can get me to a little.
I actually kinda liked Cloverfield if that means anything.
I'm a big fan of Cloverfield...
... Aside from all the geographic inconsistencies. It's really not that hard people. Just try even a little.
- Branco
Never having been to New York, I didn't even notice the geography.
But last night I was watching an episode of "The West Wing" — I think I mentioned I've been on a DVD binge lately — and Josh and Hoynes were out jogging on the Memorial Bridge here in DC. Josh makes a big dramatic speech, as he's wont to do, and smugly walks away, ostensibly back to the White House … away from the Lincoln and towards Virginia.
I had this idea in my head that like ten frames after the cut, he walked back across the frame sheepishly and said, "I gotta go that way."
Geography in movies is one of those things, like the amount of wine in glasses and the lengths of cigarettes, that I try my best just to ignore. The story is more important than continuity of incidental props, or of geography. And whoever it was that directed that episode I watched didn't give a good goddamn — rightly! — about where Virginia was relative to the characters. He wanted to compose the shot with the Lincoln Memorial in the background, and if you don't actually live here and pass that Memorial on the way to work every day, you'd never know it was anything other than a nicely composed and all-around gorgeous shot.
Plus back in the early years of the last decade I wrote a novel, and when faced with a conflict between real-world geography and the needs of my plot, I went with plot every time. It'd be hypocritical to whine about it when others do the same.
EDIT: I guess I should make a token attempt to stay on-topic. I forget which commentary it was — Constantine probably — where you guys talked about "Legion," and the consensus was that nobody, like anywhere, had seen it. Well I rented it on the strength of that, and I think you should do that one. Assuming you guys don't care for it — and I think that's a very safe assumption — I'd love to hear what you think about where and how it went wrong.
Plus Adrianne Palicki and Paul Bettany are in it, so there's some rowr-factor for people of all tastes.
(Edited a second time 'cause verbs are cool. Stay in verbs, kids.)
Last edited by Jeffery Harrell (2010-05-29 11:44:40)
Can we give Jeffery some sort of Poster of the Week award? He's been on fire.
Oh, leave me alone. I drank a lot of coffee today, that's all.
I'm surprised you guys haven't done one for A Clockwork Orange.
Welcome to the forums, sir.
Thank you very much! It is a pleasure to be here!
I actually like The Patriot quite a bit. It's got some surprisingly brutal moments, and I like being brutally surprised. *
However, I can say with certainty that we won't be recording a commentary for Master and Commander anytime in the future. **
* in movies, not in real life, so don't get any ideas.
** think it through, it'll come to you...
Gasp! You've already recorded one?
The Patriot is entertaining in the same way as Braveheart, but they butcher history. I could go on but I'll... stop before I pop.
The Patriot is entertaining in the same way as Braveheart, but they butcher history. I could go on but I'll... stop before I pop.
Yeah. I love that it's called "The Patriot" but the protagonist's motivation is actually revenge.
...And furniture curiosity. Seriously, what was up with that?
Last edited by Zarban (2010-06-03 14:45:43)
Yuck. Patriot is just Sugar Tits Gibson bashing us twatty Brits. Yes, we oppressed him, but he deserved it for being anti Semitic.
Hmm, I love that movie. Gotta watch it again tonight haven't seen it in years, probably just liked it for the battles/whatnot, will try to widen my perspective.
I saw an ad for some big budget movie about someone entering dreams and immediately thought, "that's it, Down in Front should do Dreamscape!"
Natalie Wood's last movie? With Chris Walken and Louise Fletcher? I saw that one on HBO when I was little and it scared the shit out of me.
Oh, wait. Upon further (i.e., some) googling, that's "Brainstorm." Which you guys should totally do.
EDIT: Okayfine, I'll actually tell you guys about it, since the odds are fair you've never seen it.
If you've ever seen "Strange Days," "Brainstorm" is basically an accidental prequel. Chris Walken, Natalie Wood and Louise Fletcher are scientists who invent a device that can record thoughts and play them back. The military tries to take over the project, and subsequently one of the scientists suffers a fatal heart attack … but she was using the machine to record her thoughts at the time. The rest of the movie is Walken's quest to watch the recording to see what she saw as she died.
The meta-story's interesting too. The movie was directed by Douglas Trumbull, and he shot big chunks of it in Showscan, intending to show them in 60fps 70mm in cinemas. But Natalie Wood accidentally drowned before the movie was finished, and it sat incomplete for nearly two years, by which time the studios had balked at releasing it in the Showscan format. I think it was ultimately released in regular old 35, though some home video releases played with the aspect ratio a bit.
The vintage special effects are worth a watch, and as I mentioned, the whole visions-of-death aspect of it scared the livin' fuck out of me as a kid.
Last edited by Jeffery Harrell (2010-06-05 11:17:17)
I totally dig The Patriot. It has its flaws and gets a bit formulaic towards the end, but some good characters all around and it doesn't play it safe, to be sure.
I'm sure it's been said, but I would LOVE to see the first Ninja Turtles.
Another bunch of ideas:
- Xanadu: who doesn't love Olivia Newton-John?
- Bicentennial Man: Robin Williams is an android (or something) and tries to be a human (or something);
- Frankenstein with De Niro;
- Casper: 1995 not-really-for-kids version;
- Supergirl.
I request, no, DEMAND, you do The Pirates of Penzance.
TRIBBEY
Did you just walk out of The Pirates of Penzance?
AINSLEY
Sir?
TRIBBEY
"Why, he's an Englishman."
AINSLEY
"He is an Englishman" is from H.M.S. Pinafore.
TRIBBEY
It's from Penzance. Don't tell me about Gilbert and Sullivan. It's from Penzance … or Iolanthe. One of the ones about duty.
AINSLEY
They're all about duty. And it's from Pinafore.
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