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bullet3 wrote:

Recently re-watched it on the big screen, and I'm convinced Apocalypse Now is the best film ever made. Don't think anything before or since will ever reach that combination of artistry and incredible big-budget scale. The lighting alone makes me want to cry its so gorgeous.

This is no doubt stating the obvious, but the helicopter attack blew my fucking mind. I was simultaneously awed by the scale of it all and horrified for Coppola at the thought of having to direct something of that magnitude.

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http://upload.wikimedia.org/wikipedia/en/7/7c/Fanboys_ver2.jpg

I revisited it recently. What can I say... It's Free Enterprise's ugly brother.

Fanboys needs to be classified as a dramedy, 'cause it's based on a rather cruel joke:

SPOILER Show
Those guys are ready to commit major crimes to see The Phantom Menace, a movie that turned out to be the worst disappointment in sci-fi history. To make matters worse, one of them has cancer and won't live to see another Star Wars premiere.

It probably won't work for the non-geeky moviegoer. If you disregard the geek culture references, all that's left is a pretty forgettable story and some uninspired jokes that occasionally venture into toilet humor territory.

So honor the valiant who die 'neath your sword
But pity the warrior who slays all his foes...

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I'm in love with a mooooooooooooooovie and it's this one.

"The Doctor is Submarining through our brains." --Teague

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I have never been more in love with a fictional girl than I am with Emily Browning in that trailer. My gods.

ZangrethorDigital.ca

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X-Men: Days of Future Past (2014) - 9/10 (8.3)

http://i.imgur.com/rfrvYgw.jpg
http://i.imgur.com/xllmenV.jpg
http://i.imgur.com/7EsyfQd.jpg


Wow, this was fantastic. It's been years since I was able to so thoroughly enjoy a blockbuster. Fantastic performances seeping with deep emotion from interpersonal aswell as internal conflicts, wonderfully enhanced by Bryan Singers direction, and especially John Ottmans musical score, and his great editing of wonderfully vibrant, restrained cinematography. Speaking of the cinematography, it's so incredible to see vivid, unrestrained color in a blockbuster. Some scenes are very "overlit" in that sense, and the use of distinct color is very obvious, but it's so gorgeous that it's impossible to dislike.
Also I could have sworn this was shot on film, but looks like it's the Arri Alexa. They've added some great texture and tone curves to mimic film, this film looks great.




2 Guns (2013) - 7/10 (6.8)

http://i.imgur.com/zGf8D7k.jpg

Mainly Action-comedy. Great chemistry between Wahlberg and Denzel. Interesting plot with multiple parties after a big chunk of money. Almost impossible to predict, very interesting ride. Bill Paxton plays a bad guy, and he does it very well.




The Expendables 3 (2014) - 4/10 (6.3)

http://www.flickeringmyth.com/wp-content/uploads/2014/02/gibson1.jpg

Incoherent, unfocused, monotone, droning chaos. Doesn't work as a throwback action film, modern action film, or action film in general. There's some glimpses of what could have been when Mel Gibsons villain gets to have dialogue, and some short 1-minute segments that are kind of charming, but mostly this is a film that looks like an action film, but has none of the thought necessary behind it to make the on-screen visuals interesting or engaging in the slightest.




Take Shelter (2011) - 8/10 (7.4)

http://coolpapaesreviews.files.wordpress.com/2012/02/2011_take_shelter.jpg

I only knew Michael Shannon as Zod from Man Of Steel. Then someone recommended this film, and it seemed kind of interesting. A guy gets increasingly worried something very bad is coming for the world.
Turns out this is a superb film. It's got alot of involvement from the FX company HydraulX, but unlike my expectations this is a wonderfully subdued and incredibly down-to-earth and powerfully acted film. Not saying anything else, but if you want a film with some very powerful, moving performances and a constant uneasy tension, this is great.




Star Wars (1977) - 8/10 (8.7)

http://i.imgur.com/XqdBC.jpg

Hadn't seen it in ages, and it's almost impossible to guess the same film-maker made the prequels. Such a simple, clear narrative, and distinct execution. Even more remarkable considering the risk involved in creating this universe and the characters, which on paper probably made more than one studio executive wonder just how this strange fantasy world could work.




Patriot Games (1992) - 7/10 (6.9)

http://1.bp.blogspot.com/-Dq75DAuoHVE/UtWmJvlExJI/AAAAAAAAA2k/-2oHDYKd3gs/s1600/patriot-games_harrison-ford.jpg

Harrison Fords first film portraying Jack Ryan. Fine film. Not mindblowing, rather procedural, but perfectly entertaining. Feels nice and slow and "classic" in that sense. Enjoyable, it feels like you're entering a real universe.




Clear and Present Danger (1994) - 7/10 (6.9)

http://moonwolves.files.wordpress.com/2010/07/clearandpresentdanger6.jpg

The follow-up to Patriot Games. In a similar vein to the film before it, the same director aswell. Jack Ryan is a bit more hands-on action-hero here, but also works well, and it's entertaining.




Guardians of the Galaxy (2014) - 7/10 (8.6)

http://static.comicvine.com/uploads/original/12/126128/4001862-5196891396-guard.jpg

I really enjoyed it. I like James Gunn, and he did a fine job. Good cast, and the plot is pretty good for a blockbuster, though it can get a bit overwhelming if you don't remember all the names and relationships between characters. It's not dissimilar from other Marvel tentpole movies, but here we atleast have a director who isn't afraid to put a distinct mark on the film with how individual scenes are directed and performed, aswell as using the soundtrack to create a nice and playful tone.

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Doctor Submarine wrote:

I'm in love with a mooooooooooooooovie and it's this one.

Finally someone figured out how to use Emily Browning correctly in a movie, this looks fantastic

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Of all the movies where Emily Browning escapes from a mental institution, this is probably my favorite.

"The Doctor is Submarining through our brains." --Teague

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I just rewatched Short Term 12 the other night, and I think the fact that UPSTREAM COLOR, SHORT TERM 12, HER, and THE ACT OF KILLING came out in 1 year is kind of staggering.  It's such a quiet, effortless, miracle of a story.  Brie Larson does fantastic work and the tone is just right.  If you haven't seen it, please do so.  I honestly done know if my next curated film will be this or The Pawnbroker.

Eddie Doty

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Eddie wrote:

I just rewatched Short Term 12 the other night, and I think the fact that UPSTREAM COLOR, SHORT TERM 12, HER, and THE ACT OF KILLING came out in 1 year is kind of staggering.  It's such a quiet, effortless, miracle of a story.  Brie Larson does fantastic work and the tone is just right.  If you haven't seen it, please do so.  I honestly done know if my next curated film will be this or The Pawnbroker.

2013 was an amazing year.

"The Doctor is Submarining through our brains." --Teague

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I saw the Secret Life of Walter Mitty and was pleasantly surprised by how much I enjoyed it. I'm usually don't like the characters Ben Stiller plays, but he was great in this. Superbly shot film too and I was wonderfully surprised to learn at the end that he was the director.

http://cdn01.cdnwp.celebuzz.com/wp-content/uploads/2013/07/30/ben-stiller-secret-life-of-walter-mitty-600x337.jpg

Imagination will often carry us to worlds that never were. But without it we go nowhere. - Carl Sagan

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All is Lost is on Netflix now so I finally caught up with it. Trey was right, what a fantastic movie. All visual storytelling, tense, believable, no bullshit. The thing I really didn't expect is how great it looks, there's gotta be VFX all over this thing but everything looked photo-real to me, and there's lots of stuff that had to be real that looks fantastic

SPOILER Show
There's a great shot over the shoulder of Redford in his lifeboat as he pulls away from his sinking ship just as it capsizes and goes under, and it's an unbroken shot. Can't imagine the tension setting that shot up.

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http://image.tmdb.org/t/p/original/kFoHpYz4ceLw4Yod39PEpWxBGL9.jpg

Written and directed by George A. Romero, the godfather of zombies, The Crazies (1973) is about a military plane that crashes near a small town, releasing a biochemical warfare virus - codename "Trixie" - that infects the water supply, turning the locals insane. The government decides to cover this up and the army quickly arrives into town, declaring quarantine and martial law. Going into this movie, I thought it would be a "28 Days Later" type of flick with a small group of survivors fleeing from crazy infected people. However, the real threat here are the government officials bickering among themselves (considering dropping a nuclear bomb on the town) and the soldiers dressed in creepy, white, bacteria-proof suits and gas masks; they can't control the outbreak and are killing uninfected civilians. Who are actually 'the crazies' here? The infected townspeople or the military who think they have control over the situation? The Crazies has the political undertones of Romero's zombie films. It particularly reminds me of Day of the Dead with its scientist vs. the military scenes. Although the film suffers from a limited budget, Romero still managed to deliver a really smart, gripping, dark and eerie satire of government ineptitude. It's one of Romero's best films. "A Thinking Man's exploitation film", as one review put it...

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Xtroid wrote:

http://image.tmdb.org/t/p/original/kFoHpYz4ceLw4Yod39PEpWxBGL9.jpg

Written and directed by George A. Romero, the godfather of zombies, The Crazies (1973) is about a military plane that crashes near a small town, releasing a biochemical warfare virus - codename "Trixie" - that infects the water supply, turning the locals insane. The government decides to cover this up and the army quickly arrives into town, declaring quarantine and martial law. Going into this movie, I thought it would be a "28 Days Later" type of flick with a small group of survivors fleeing from crazy infected people. However, the real threat here are the government officials bickering among themselves (considering dropping a nuclear bomb on the town) and the soldiers dressed in creepy, white, bacteria-proof suits and gas masks; they can't control the outbreak and are killing uninfected civilians. Who are actually 'the crazies' here? The infected townspeople or the military who think they have control over the situation? The Crazies has the political undertones of Romero's zombie films. It particularly reminds me of Day of the Dead with its scientist vs. the military scenes. Although the film suffers from a limited budget, Romero still managed to deliver a really smart, gripping, dark and eerie satire of government ineptitude. It's one of Romero's best films. "A Thinking Man's exploitation film", as one review put it...


I didn't know there was an original, so to speak. I saw the Timothy Olyphant version from 2008 or so and really liked it. From your description though the remake is more geared as a more conventional zombie film, lacking any real commentary on politics, and one can only infer those discussions from the actions of the military.

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TechNoir wrote:

I didn't know there was an original, so to speak. I saw the Timothy Olyphant version from 2008 or so and really liked it. From your description though the remake is more geared as a more conventional zombie film, lacking any real commentary on politics, and one can only infer those discussions from the actions of the military.

Yeah, the remake is a more conventional action packed horror flick. It has nothing to say (it's from the director of SAHARA!) I didn't care for the new Crazies. It's a technically superior, but empty, remake of Romero's film. Also, in the original film you can't tell the difference between infected townspeople and non-infected, but in the remake every infected person has goofy eyes and icky veins in their faces. Ugh.

http://3.bp.blogspot.com/-dO9MS-srqi0/TufbtUl3RAI/AAAAAAAAAJw/HKqdyWixdL0/s1600/Crazies26.jpg

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I liked the new one, there's a particularly terrifying scene in it that I'm not likely to forget, but I've not seen the original. Oh well.

Imagination will often carry us to worlds that never were. But without it we go nowhere. - Carl Sagan

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Ya I was really impressed with how much I liked the new one, having gone in with no expectations. It's creepy and intense as all hell.

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http://www.queerartfilm.com/images/ashik-kerib_large.png

http://static.squarespace.com/static/5122b2b5e4b02be7ede03698/t/519c616ce4b09e4694bee5ff/1369203053484/Kabukiesque.jpg

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http://assets2.bigstar.tv/content/movies/disk6/media/2473489/screenshots/4d3fcd2167fa19353e2d55ea11fe5701_16.jpg

http://3.bp.blogspot.com/-asIoGmSogKU/U6g0YOjleMI/AAAAAAAAGVM/a5BzIfdd19s/s1600/vlcsnap-2014-06-23-19h39m06s233.png

http://blog.pucp.edu.pe/media/1966/20101028-AshikKerib_DVD.jpg

Last edited by paulou (2014-09-14 04:13:08)

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The 4-hour making of doc "The Furious Gods" is pretty great though. Watching it actually made me feel kind of excited about the film even though I already knew it was barrel-aged diarrhea. Lots of people giving Ridley backhanded compliments, pinning all the bad decisions on him by "crediting" his creativity.

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I think I'm over the grieving process at this point and excited for new Ridley Scott movies again. Really if you look at his career it's always been hits and misses, with really big highs and really big lows. Just in the last decade, you've got Kingdom of Heaven, Matchstick Men, and American Gangster as highs, and Prometheus, Robin Hood, and The Counselor as lows. I'm super stoked for Exodus.

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bullet3 wrote:

Just in the last decade, you've got Kingdom of Heaven, Matchstick Men, and American Gangster as highs, and Prometheus, Robin Hood, and The Counselor as lows.

It doesn't concern you at least a little that those are pretty much in chronological order?

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The man's on a bit of a downslope, no doubt about it  big_smile
But then I watch this again and I get excited. Even the bad movies look gorgeous.

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Man, American Gangster left me so cold. I dunno why, but it just felt like drinking a cold cup of tea I'd forgotten about. Russell Crowe was great in it though.

Disclaimer: if you dislike the tone of a post I make, re-read it in a North/East London accent until it sounds sufficiently playful smile

Re: Last movie you watched

Ashik Kerib is great.

I saw No Good Deed the other day because I was assigned to review it and OMG it is unbelievably boring.

"The Doctor is Submarining through our brains." --Teague

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'You killed Ted you medieval dickweed!' = instant win.

I appreciate the warning though, as I loved this movie when I was young(er) and it does seem to have potential to sour on adult viewing. I still listen to and love the soundtrack to Bogus Journey though, with God Gave Rock 'n' Roll to You.

Imagination will often carry us to worlds that never were. But without it we go nowhere. - Carl Sagan

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I watched both of them recently. I think really the main problem is that there is almost no plot. It's just a series of enjoyable (ymmv) moments strung together. Excellent Adventure was kinda fun (and I still have the hots for Joan of Arc), but I was pretty impressed with how dark and unconventional and inventive Bogus Journey is.
You may or may not hate it as an adult, but more likely you'll just realize how little there is to the films.

Disclaimer: if you dislike the tone of a post I make, re-read it in a North/East London accent until it sounds sufficiently playful smile