avatar wrote:TechNoir wrote:I don't really even know who is in it besides Cavill and Russell Crowe. When I know I will be watching a film I usually go into lockdown mode.
yep - me too. I don't even want to know if the reviews are positive or negative, but that's hard to avoid. Seeing the teaser trailer was enough and when the full trailer showed before IM3 and STID, I wondered what's that piece of fluff on the floor there.
Yep, I recognize that. I tend to love trailers that have as little dialogue as possible, because then I can just look away and not mind hearing tons of explosions etc. Saves me from having to plug my ears and look like an idiot in the cinema.
As for Zimmer (@Squiggly), I like Inception for the most part, atleast in the context of the movie where it is superb IMO. My problem lately has been that as standalone listening, his slow repetitive approach with stiff, drawnout themes and little to no detail to make it interesting, his scores can be just so boring on their own. Pirates 3 was the last score from him I really enjoyed at all times, because there is detail inserted everywhere, alot of diversity in the instruments that are used, and the score overall was actually agile (ie he hit alot of points of accentuation and importance throughout). The Batman scores and other stuff just feel like he composed everything ahead of time, and without detailed reference to the scenes. If that is the case he also cannot really allow himself to actually make the score interesting, since he cannot accidentally signal to the audience that something is emotionally or otherwise changing if this isn't reflected in the movie. He's forced to making 2-3 minute underscore pieces that only serve to bring across the most basic of emotions the scene is supposed to convey.
For reference (and because why not post good Zimmer music at any point), this is the ending of Pirates 3 with the fight as the ships circle the drain of the maelstrom in the storm. There is so much detail and twists and turns here that are matched beautifully to the film. and there is actually some different melodies played off the strings and brass at times instead of the entire orchestra just playing the same stuff at the same time.
http://youtu.be/B5IlxIzL8mw?t=4m54s
I hope he actually puts effort into diversifying the music and adding the smaller nuances that John Williams does so well. There is a way to get Zimmers more powerful approach but also keeping the detail and nuance of other composers. Frankly the nuance and detail is what keeps me coming back to a score. If I can hear a new little layer on the 10th listen of a score, that is the mark of something great for me personally. You listen to the Batman scores and there is absolutely no depth, it's just one layer of brass, string and percussion.
Last edited by TechNoir (2013-05-31 12:35:07)