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Friends In Your Head | Forums → Posts by TechNoir
Yeah, that scene was great. Great contribution, was a long time since I saw WOTW and forgot this existed. ![]()
This made me think "The Onion" several times. Sharing this one, thanks for posting it. ![]()
Aliens was really poor to begin with I believe, whatever transfer they had was in quite bad shape. I would guess that the example with Ripley in the hive was intended to be cold blue in light. It looks practical. Some other example shots I've seen were a huge improvement over older versions. However comparing Newt before/after, my god the new grade looks shitty. Her hair looks like she has been in a chlorine swimming pool for a month. That definitely does not seem like restoration to me. The before picture looks neutral, the new grade looks, just bleh. Would I have given it thought if I hadn't seen the comparison? Probably not.
The Star Wars examples are horrible aswell. "I love film because it has such wonderful dynamic range and smoothness. Let's get a great DP to shoot it so the exposure and balance is just right. Also, can you completely negate all that by dropping shadow detail into an abyss of 0, 0, 0? Lovely."
"Remember, all I'm offering is the truth, nothing more".
*Swallows pill*
"'The truth' of course being the nickname for my junk".
Now I will never be able to not think about this whenever I see a poster for a kids movie. It will be interesting to see how many will follow the trend.
and if you are like me and avoid pre-screening exposure to movies, let me just strongly dissuade anyone from going to see this at the cinema, and making the mistake I made.
It is a lazy, soulless thing with a very poor script, of which 40% is nothing but quick quips back and forth that ultimately have no meaning whatsoever. The cinematography is pretty nice, but the camers operation is constantly jittering to the point where I would gladly have paid for a f*cking tripod with my own money if it had given me one steady shot. Editing pace is not Bourne 2/3 bad, but almost. Lenses used are also like Bourne almost only long tight shots (again, unstabilized) so the action scenes are completely unintelligible, which is exacerbated by the movie cutting between shots in ways where they do not even try to establish geography or situational awareness. They cut from inside car A to outside car B to again inside car A, which makes you think the 2nd shot was outside car A rather than car B. I guarantee if you even try to make sense of it your brain will just automatically zone out for a few seconds. For those of you who remember the car chase in the beginning of Quantum Of Solace, if you like me just cannot stand that, it's more of the same here.
Another weird thing was framing for many scenes was way off, and not entire reels, just some shots. The film was shot Super35, and matted to 2:35 in post. In 2-person shots where 2 people are standing facing the camera, the lower end of the screen cuts them off just by their hips, and the eyes of the 2 people are JUST under the top of the frame. For many closeups, it looks like the camera is trying to impress upon you that the mouth or nose of the person is the important part, because the eyes keep drifting up and almost out of the frame. The cinema I saw it in also does digital and 3D-projections, so it had to have been a digital screening, thus the projectionist could not have matted it too low. Also some scenes had an important item just at the bottom edge of the frame, which obviously would have been much higher if the projector was showing information too low in the frame.
At this point I almost put AGDTDH next to Taken 2 as some of the worst moviemaking I've seen recently. I wish I had seen the Rotten Tomatoes score beforehand.
If you've sen the film, please share your opinion, I'd love to hear some contrasting views.
EDIT: IMDB stated movie is indeed shot with intended 1.85 aspect ratio. What my cinema was doing I do not know...
I can sometimes like it almost by default since it does stir things up a bit. However when I find myself loving the first half and then the movie suddenly becomes something else, I feel disappointed that I won't get more of the same.
I just watched The Rock today. The car chase sequence almost only uses zoom lenses it seems. It is extremely annoying to fel so confined by the frame. Also I am currently watching The Bourne Supremacy, and almost 80% of shots so far uses +70mm focal lenghts it feels like. You know something is wrong when the original widescreen image feels like it is panned & scanned to a 4:3 image, and then re-cropped to 2:35.
In recent years there have been a fair few instances, in my subjective opinion, of big-budget movies that have been almost visually unintelligible at times. The examples I can think of are the Bourne sequels, Quantum Of Solace, and Taken 2.
The 2 main causes of this to me is a combination of fast editing, and long lenses/shaky camerawork. Either of these things will generally work fine, fast cutting can be great if you have enough air in the footage to allow a better overview of what is happening. Likewise, shakycam can work well if we are allowed time to process each cut enough, since long lenses and shaky operating both reduce the amount of useful information we are given.
So, which aspect do you prefer, or dislike more? Personally I always hate fast cutting way more than anything else, when it is done wrong. It more than anything else often feels used to hide poor stuntwork or other things they couldn't be bothered to do well, or to infuse a sense of tension which does not exist natively in the situations or characters.
Great examples so far, I'm loving it. Keep in mind, no need to write alot. Just something, and with specific video examples if readily available.
I am completely ignorant of Kurosawa and many other older directors and DPs. This is a great way to find specific examples. I've held up watching Mr Nobody for a loong time, but now I'm gonna watch it ASAP.
Friends In Your Head | Forums → Posts by TechNoir
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