These are both old, but they're finished, unlike most of my recent stuff which is all just snippets of stuff. I've got a new piece I'm working on, but it needs much more work until it's ready.

https://soundcloud.com/auralstimulation/frozen-glory

https://soundcloud.com/auralstimulation … ance-theme

Nice. I'm no composer, but I've cobbled together a tiny setup over the years. I'm currently using a trial of Reaper for my DAW, which I love and intend to purchase.

For VSTs, I've got various incarnations of EWQL Colossus, Orchestra and Gold. I also like Reason because it's fun to play with.

My issues are twofold. 1) I'm not classically trained or well versed from a theoretical or music appreciation standpoint, aside from my minor in music. 2) I'm a dad and have practically no time to sit down and invest in composing.

Some day, I hope to live the dream and create something worthwhile, even if it's only one finished piece.

Fuck and yes. Dude, you're doing exactly what I wish I had the wherewithal to do.

What DAW are you using? VSTs?

Really great stuff!

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This is my current favorite and go-to group. I guess you could call it cinematic electronica.

They've done scoring for video games, Tony Scott's Unstoppable and Man on Fire, the new Total Recall, tv shows, movie trailers, car commercials etc. etc. etc., but it's their album work that I love.

Hybrid - Break My Soul

Hybrid - Can You Hear Me

Hybrid - If I Survive

Hybrid - Falling Down

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Dave wrote:

Knife Party - Australian dubstep.

Y'know, at first, I HATED everything about dubstep. But then I started exploring good dubstep and everything was okay.

Highly recommend Aleksander Vinter (aka Savant). He's one hell of a producer and the sheer amount of high quality shit he puts out is impressive.

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Dave wrote:

Pop Will Eat Itself - Dos Dedos Mis Amigos. Political themed early industrial from the UK is pretty hard to pass up.!

One of my ALL TIME favorite industrial albums. What's so strange is how their sound before this was so incredibly different. Like, EMF style poppy dance music different.

"Cape Connection" might be my favorite track from the album: https://www.youtube.com/watch?v=VGobQriQNGc

Shut up and take my money!

Seriously though, I cannot wait to hear the final result. You're a really, really talented guy. This project will be hard, it might be stressful, but it'll be awesome and with such awesome talent helping you along the way, it's sure to be something special.

I just watched Fighting in Plain Sight and listened to your tracks on YouTube. You've also got serious scoring chops, dude. I know you said it was something you hadn't done much and weren't sure you were good at; but you are. Trent Reznor said the same thing.

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SoundCloud: https://soundcloud.com/auralstimulation … atic-recut
YouTube: http://www.youtube.com/watch?v=YDTfDpoDI6A

A little while back, I made what I call a cinematic recut of "Razors.Out" by Mike Shinoda and Joseph Trapanese from The Raid: Redemption soundtrack.

When I first saw the original 2011 trailer for The Raid, it featured an original track by Mike Shinoda and Joseph Trapanese. That track later became the basis for the song "Razors.Out" (feat. Chino Moreno).

The original trailer ended in this really exciting orchestral crescendo and after hearing "Razors.Out" I was kind of disappointed that it wasn't kept in. So I added it back in. If you've seen the film or heard the soundtrack you may have noticed that the same theme is repeated several times with different arrangements. So I added those in to. It's kind of a supermix.

The overall goal was to make what started out as a single from the album into a more cinematic experience that captured the mood of the film, centering everything around the main theme.

Anyway, if you care to check it out, I'd love to hear your thoughts.

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That. Is. Damn impressive. Kudos, Seth.

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Don't we all, amirite?

Anyways, I'm trying to be legit with it in a manner of speaking. It's called... *drumroll*.... Aural Stimulation. Did I just blow your mind?

The idea behind the channel is to be a showcase for my various audio-related mini projects. It's a venue for my narrations, remixes and mashups, original music and any other stuff I might come up with. I don't have a clear vision content-wise; it just has to be as professionally made as my abilities will allow.

Really, it's just an excuse to have a YouTube channel. But I do put a lot of work into my stuff, which is why there's so little of it at the moment. Slowly but surely, I'm hoping that'll change. Also, kids tend to gum up the works. It's hard to be creative when you've only got about 3 hours a day to yourself.

Anyways, if you want to check it out head on over to http://www.youtube.com/auralstimulations.

Let me know what you think. I'm especially interested in collaborating with other people, so if that's something you might wanna try gimme a PM or message me on YouTube.

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A Storm of Shits?

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I think you're on to something there, redxavier. It's too mainstream and too watered down. They kept the violence of Greek mythology, but left out the magic and mystery of it. Instead of something unsettling and striking, it's an ultraviolent Power Rangers movie.

Take this same story premise, same characters, same setting, but put it in the hands of, say, a Lars von Trier. THAT's a Greek mythos movie I'd pay to see.

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Finished A Storm of Swords in anticipation of season 3 of the show.

I really liked it. It was more twisty and turny than the previous two books. There were some downright badass character moments and more than a few jaw dropping surprises.

Knowing what's coming, I can't wait to see what people have to say after the season finale.

Oh, hey, Teague. I heard you mention Robert Charles Wilson's Spin on one of the podcasts. I read that book a couple of years ago and loved it, too.

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Wached Immortals last night. A big ol' pile of "meh".

I would say that at least it had striking visuals, but it didn't even have that. The geography was so flat and uninspired. The sets looked cheap. 300 did everything so much better.

I did like the interesting transitions. They were clever and artistic, but out of place in such a vapid film.

The one cool shot was at the very end. That was the movie I wanted to see.

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Thanks for the welcomes and the warm wishes, guys. smile

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Fair warning: this is a love letter to DIF. It's long, it gets gushy and sentimental. If you don't mind that and actually want to read about my experience with DIF, read on. If you don't care, I don't blame you.

I'm a 30-something dude who lives in a little town beside a big city in Ontario, Canada. I work every day on the web and I'd like to think I'm generally up on the movings and shakings of the Internet and its various points of awesomeness - certain funny websites, geek hubs, forums, blogs, memes, podcasts and whatnot. Oh, and I like movies a lot.

I'm a husband and a dad. I love my family to death and enjoy the time I get to spend with my wife and two boys. My desk job isn't particularly exciting, but it holds my interest and pays well enough. I'm happy with where I'm at, but I need just that little extra... something in my life; adult conversation, dry humour, biting sarcasm, intelligent discussion. And besides my wife, who is awesome at all of those things all at once all the time, there aren't many other people around to fill that need. And she ain't no geek.

So lo and behold, I came across a post on TheOneRing.net back in May of last year called "Unique, new commentary on LOTR movie trilogy" (http://www.theonering.net/torwp/2012/03 … e-trilogy/). They linked to the DIF LOTR movie marathon.

Clicked. Subscribed. Downloaded. I put it on my phone to listen to on the long commute home. I listened. And I was in love. THIS was what had been missing in my diet; fun, smart, witty, insightful discussion about movies and pop culture from a bunch of friends in my head.

I began to consume every single episode from the inception of the show, in order, over the course of a year. I listened during long commutes, runs, trips, snow storms, bike rides, late nights pulling overtime, while coding, cooking, relaxing and going to bed.

Every time I listened, I felt like I was sitting right there on the couch with the guys, silently watching the discussion and hilarity unfold. I felt like I was one of them, even though in reality I'm just a listener like everyone else.

And that's the biggie for me. The DIF crew aren't just a bunch of silent bloggers or yammering YouTubers talking at me. I'm part of the conversation, in a way. I find myself laughing out loud, talking back to the show, inserting my own banter. It feels entirely different from other content. Somehow, the show feels more fulfilling than a blog post, more meaningful than a tweet, more satisfying than a video clip.

I've gained a lot more knowledge and insight into movies and how they're made thanks to DIF. I've learned how to take what might be a popular movie, look under the hood and see how it can actually be incredibly broken. I've learned that there are movies I've discounted over the years that are actually gold nuggets. I've learned that, you know what, even though it sounds cool I DON'T actually want to see attack ships on fire off the shoulder of Orion because sometimes it’s better to leave things out of a story and let the audience fill in the details. I've seen movies that seemed okay but left a nagging feeling, only to have that feeling exposed, diagnosed and dissected by the guys.

And Brian? I completely agree with you about Spider-Man 2.

There have been some adverse side effects. I now find myself a little bit out of sync with my friends. My friends are intelligent guys, but we'll come out of a movie and I'll be the only one who wants to talk about it on a deeper level than "that was awesome." I'll ask them if they checked out The Skin I Live In or if they saw Dogtooth and they'll look at me like I'm crazy because it wasn't something starring Nicholas Cage or directed by Tony Scott. They don’t have a problem with the Phantom Menace. They're not even into the idea of a viewing of The Room, fer chrissakes! My wife doesn't get half the references I make anymore. My Facebook feed is an enigma to all but a few friends. I find myself using terms like "magic bean", "save the cat" and "hang a lantern" to confused faces. That's okay, though. In a way it makes it feel like DIF is something just for me; that I'm in on something cool.

And all of this enjoyment isn't even taking into account participating in the community that surrounds the show. Because I haven't been. I'm brand new to the community. But I've experienced it, nonetheless. It's in the forum; it's on Facebook, on Twitter; it's on the show itself in every episode. Its presence has taken what at its core is a good show and has vaulted it to great show status. But "show" isn't the right word, is it? It's become a bigger thing than that.

Anyway, today is my one year anniversary of listening to DIF.

I've been listener and community creeper but not a community member. For some reason I can't explain, I maintained a self-imposed community embargo to be lifted only when I hit a year of listening to the show and was all caught up. Why? So I could write an overlong, meandering love letter to the show and its fans? I really have no idea why. I just got far enough along that it seemed like the thing to do and because I'm anal like that. So I stuck with it.

But today is the day I de-lurk. I’m looking forward to hanging out with you guys. It might sound funny to you, but people like Zarban, apchrist, Doctor Submarine, Ewing and many others are - after listening to their input from the forums and chat on the show - practically celebrities to me. Wait, that’s weird. More like… hmm. The extended friends in my head?

Anyways. At this point, if your brain isn't complete mush and your eyes haven’t rolled out of your head and you happen to have gotten this far into my inane rambling, you made it. This is the end. This is also the part where I say thank you. Thank you to the show and everyone involved with it. And thank you to the fans who make this awesome community of which I hope to become a part.