301

(23 replies, posted in Episodes)

It was awesome, Eddie.  This was one of my favorite rants in the show's history.

302

(4 replies, posted in Creations)

That was straight-up cool. 

Earlier I was thinking that, pooled together, the DiF community is like its own movie studio stacked with scary talent.  Stuff like that reel reenforces it.

Also, what were the Chicago skyline shots for?

There are a lot of ways to judge this, but all things considered, Melancholia is the worst film I've ever seen.  And I'm not a Lars hater or anything.  5 Obstructions was fun, and Anti-Christ had some great things going on.

But Melancholia.  Damn. 

I want to explain why, but it seems so self-evident that I don't know how.  I shouldn't have to.  Just like I shouldn't have to explain why AIDs or school shootings are bad.  Those are just bad things, okay?

304

(173 replies, posted in Episodes)

I'm switching from Happening to Airbender.  For Quimby.

305

(173 replies, posted in Episodes)

http://www.hairinthewind.com/wp-content/uploads/2010/10/Groucho-marx-glasses-nose.jpg

Godfather!

AND Captain America?  Karma is yours.

Wow.  AND you worked on Black Swan?  You, sir, are one of the heroes.

308

(173 replies, posted in Episodes)

1. The Dark Knight
2. Airbender
3. Transformers 3
4. Lethal Weapon
5. Wizard of Oz
6. Battlefield Earth

Or, take all those points and give them to Godfather.

309

(89 replies, posted in Episodes)

Godfather.

310

(35 replies, posted in Creations)

Red, Jimmy, Drew, Gareth - Thanks!

Dean - We were crossing our fingers that it could stand alone and still appeal to some non-C&H fans.  So it's great to read that.  smile  But since you dug it, you should probably check out some of the strips.  Stuff is hilarious.

Harbin - After the failure of A Very Calvin and Hobbes Boxing Day, we're on a C&H hiatus.

311

(21 replies, posted in Off Topic)

Teague wrote:

Ohhhhhhhhh, hey. This might explain the title sequence.

I think that the modernity, the thing that made it a new take on the locked room mystery, was not the foundation of socialism on the Third Reich war profiteering... That's perfectly good and that's perfectly understandable, but that's what [author] Stieg Larsson was about and what he was up in arms about. He certainly was talking about the dark black liquid underbelly of this other... Sweden is still - I still saw it on the list the other day of the top 10 countries for women to live in. It was number three or something. And yet, Larsson would say, and there are many, many reports that would say to you, there's a disproportionately high rate of rape in this country.

-Fincher

From this.

That interview keys in on what I'm discovering to be the hardest part of filmmaking.  You have plenty of options.  If you can't find those, you're in deep trouble cause that's the easiest aspect.  The real struggle is deciding which choices are the best. 

And while having final cut would be nice, not having it forces more articulated and reasoned choices.  Which probably results in a better overall project.  Assuming all parties are interested in quality.  Because it's much easier to go with a half baked gut-instinct that lacks justification than to go against it.  Final cut is probably a curse for a lesser filmmaker.  Like an evil genie granting George Lucas' wish. 

Speaking of which, I'm assuming Lucas had final cut on the entire prequel, but what about the originals?  Did he have final cut after A New Hope?

Also, I'm karma-ing Zarban.  Not only was he not a serial killer, but he also bought everyone pizza.  I like Zarban.

drewjmore wrote:

I feel jealous and slightly snubbed. hmm

It's okay, I guess, you guys have your parties without me.  I mean, <snif>, I know I'm not one of the 'cool' kids everyondy wants to hang out with, or be seen with, or ride on the same bus with...but I have feelings, darn it!

We were just talking about you too.  Behind your back.  It was mostly negative.

But seriously, Zarban and I were like, "who else is around here?"  And it was, "shit, Drew.  Shit.  We should have asked this question sooner."

314

(21 replies, posted in Off Topic)

I have a problem with the info dump at the end.  Inside Man had the same issue of having a complicated answer to a simple question.

That said, this is the best movie of 2011.  Hands down.

Yeah, these are crazy-good replicas.  Props, Avant... so to speak.

316

(35 replies, posted in Creations)

In the Howard the Duck commentary everyone side-tracked to talk about a Calvin & Hobbes film. Remember that? Well, Teague and I made a YouTube thing inspired by that conversation. Only instead of an intentionally terrible video we made one we're proud of. We recreated some of the snowman scenes from the comics. Check it, yo.

People have asked how we made it so here are the broad strokes:

First, every shot is practical and each snowman was built from scratch... and it was all filmed on my dining table.

No single method was used. Some snowmen were playdough, some were wire framed sculptures covered in bake-dry clay, and some were papier-mâché. I tried to keep builds consistent within shots though, i.e. only sculpty or only playdough. The snowmonster was a mix of everything. I papier-mâché a wire-frame, used bake-dry clay for the details like eyes and teeth, and then threw all the sugar and flower CVS would sell me on top of it. Depending on the size of the shot and model either sugar, flour, or a 1:4 mix of both was used. The smaller stuff used flour because it scaled better. Paint the model white and roll it in sugar. Boom. Snowman.

The key to this was patience, a willingness to get my living room very messy (I haven't done arts and crafts since 2nd grade), and copious amounts of sugar.

Oh, and Teague. Yeah, you need Teague to make this happen, like, at all. This is the raw footage he had to make work:

http://www.friendsinyourhead.com/images/jim1.png


And


http://www.friendsinyourhead.com/images/jim2.png


He'll have to 'splain exactly what he did. It's all witchcraft to me but I know Adobe was involved. Always with the Adobe.

Besides the VFX, another key aspect was lighting. And that's a whole thing. At any given moment I'd have between 8-12 lights focused on the set. And dozens of lil' LED flashlights hiding behind models for that coolish-blue backlight.

That's what we did in a nutshell. All the snowmen were practical models that were cleaned, sexied-up, and covered in falling snow by Teague and his fantastic computer device.

Anyway, here's me talking to a lump of sugar at 4am.

http://www.friendsinyourhead.com/images/jim3.png

I have nothing but positive things to say about the HVX200a with Redrock 35mm adapter.  It's getting up there in age now, but you can find a used one for less than $2k.  It's pretty versatile, has a huge online user base which is good for assistance, and it has been a great starter camera for me.

But, it all depends on what you're looking to do with the camera.   If you want to shoot a documentary or wedding video, stay the hell away from DSLRs.  If you're looking to shoot 30 second ads, a DSLR is the ideal choice.  Also, you need consider whether things like framerate matter to you a lot or a little.  XLR is another consideration.

And I second what Brian said - get a good camera, but remember that the accessories matter almost as much.  The technology is reaching a point where, pretty soon, it's all gonna be equal.  So what sets you apart will probably be how you stage scenes.  You know.  Filmmaking.  Call me crazy, but I spent WAY more money on light kits than cameras and I don't regret it.  Also, get a really good tripod.

318

(13 replies, posted in Off Topic)

What I really like in Bram's Dracula is something they drop after the first act.  The story is told through found materials.  Journals, diaries, etc.  That was a great framing device that was wasted, and I think one of the reasons the movie is so easily forgettable.  Because the film forgot how to tell itself.

And I should love Watchmen.  But I hate that movie.

You make strong points, Paulou.  This thread has made me realize that I'm stubbornly set on this idea.  Foolishly or not remains to be seen.

And Drew, I know that pain.  Everyone wants to work on a project but no one has the time.

Paulou, while I'm sure there are some very talented people on Craigslist, I imagine it's like picking up day laborers at Home Depot.  It'd be silly to expect more than someone who can wield a hammer and has an idea of how to space drywall screws.  Not interested in a diamond-in-the-rough-craigslist-hunt.  And from my experience, DiF is a rarity.  This place is loaded with smart, talented folks who have real-world sensibilities.   Have you met the internet?  Most places aren't like this.

Basically, I'm looking to find and work with a core group of like-minded, driven people who don't have their head in the clouds.  A school environment seems like the fastest way to weed through people.  I'll post listings when I need a gaffer.

EDIT: "Graduate school is a really, really expensive way to find people to make movies."  Troof.  But I also get the benefit of working with optical printers and whatnot.

Holy crap.  Thanks for posting this.  And I'd happily watch a 6 hour-long Fincher movie.

I have a regular ol' BA and some graduate work under my belt.  But I was just accepted to an MFA cinematography program.  The largest reason I enrolled is because my network of peeps consists of bio, poli sci and econ majors.   Great debates at Christmas parties, but they can't really help me make movies.  And there's no way in hell I'm moving to LA.  So it seems like the best route.

Any thoughts on MFAs?

I don't know if I'm disappointed or relieved that 9/11 wasn't brought up.  That's a most outrageous CT.  And the less attention those people get the better.

Fun episode, guys.  And I'm convinced that Trey spends 99% of his time in front of the internet with a palm to his face.  Can't even find solace in his FB feed.

324

(33 replies, posted in Off Topic)

I was just about to order Alien vs Predator.  This seems like a much better use of my money.

325

(25 replies, posted in Episodes)

FixedR6 wrote:

Yay sentimentality! Writing movies is easy!

I'm glad you said this.  It's one of those words a lot of moviepeople I love throw around disparagingly.  What is the difference between story sentimentality and actual sentimentality?  There must be a difference because I don't see anything inherently wrong with it.  Is it Norman Rockwell vs Piss Christ? 

Is it Hallmark? Not that I want everything to be a Hallmark card, but sometimes a Hallmark card does the trick.

I hear Spielberg described as sentimental frequently.  What does that mean?

...help.