Strike "Vancouver Film School" from that first credit. And as many other credits as you can. Education should be way way way down at the bottom of a resume if it's there at all. Any project you did while in school you can claim as a production, employers don't care if it was for "school" or not. You still did it. Claiming "SCHOOL!" or "COLLEGE!" (does uni =/= college in Canada like GB?) is something that amateurs and recent graduates cling to. Differentiate yourself. Present as professional.

Your descriptors don't need to be complete sentences. "I was responsible for the" are five words that add nothing to the description of your work.

Stuff that isn't directly related to the job you're applying for, like working at Toys R Us and a library when looking for vfx work, are pointless.

ESPECIALLY if you're applying for a position that requires some sort of visual eye, take some time to design something nice out of your resume. Pay attention to the layout, the typefaces, all of it. Your email address says "chriswalkerisanartist" but I sure as fuck wouldn't be able to tell from the way this word document is laid out.

What's heard is more important than what's said.

Am stoked.

There's an issue with current releases. Nine out of ten times, the films available to discuss on a given week will turn out to be forgettable bullshit, which can really drag down the level of discourse. Which is a bummer, since we've been treated to thoughtful discussion of the most notable (for good, ill, or otherwise) films of the last 40 years since the show started.