651

(156 replies, posted in Episodes)

What to say.

Over the last five years, you guys have been more than my friends. You've been, in a very real sense, my family. Whenever I needed laughter, you were there. Something to distract me, you were there. Just something to listen to, or someone to "talk" to, you were there. Without a doubt, you were the biggest influence on my life from the ages of 14-18. You guys have taught me so much about being a storyteller, about being a critic, about just being a good person in general, and most of what I know about the movie industry I've learned from you. Teague and Mike and Brian and Trey and Eddie and Cloe and all the rest are some of the absolute smartest, wisest people I know, and are all role models, people I aspire to be like, as well as friends in my head.

You all have put in a titanic effort over the last six years. Not only have you entertained us all—you've brought a forum of completely awesome people together, you've raised thousands of dollars to save lives, you've taught a lot of people a bunch of things. You've made a real difference, and that's no small thing.

I'm still gonna continue to follow all of the hosts and the forum members in their various doings, and hang out around here, because all that's awesome. And we all have the immense backlog to listen to and share for years to come. But this is the end of an era. And I'll miss that era tremendously. Thank you so, so, so much, again, for all that you've done and will continue to do. We all, and the world in general, are a much better place for it.

Also, damn you Teague for putting that clip in at the end. I'm misty enough as it is. :-P

652

(41 replies, posted in Creations)

Shared on the 501st Legion's page (they were just discussing the similarity between snow and the trench themselves). Also, all the yes to X-Wing road trip.

653

(14 replies, posted in Episodes)

Wow, Teague, that may be your best hand-lettering yet.

654

(2,068 replies, posted in Off Topic)

http://images.best-horror-movies.com/under-the-skin-poster.jpg

Not at all sure what I thought of this one. Some absolutely stunning/haunting visuals, but I can't decide whether it was ultimately great or a meandering bit of not-much-at-all. Shall have to mull it over.

655

(17 replies, posted in Off Topic)

Whether or not it would work is rather academic at this point, anyway, as iirc the Tolkien estate has made it quite clear that there will be no more adaptations of his material as long as they have a say in the matter.

I agree that, while adapting the whole thing would be death, individual stories could work. For example, portions of it were adapted into Blind Guardian's Nightfall in Middle-earth , which works brilliantly.

656

(2,068 replies, posted in Off Topic)

Sam F wrote:
BigDamnArtist wrote:

Holy crap that sounds amazing. Unfortunately the nearest Imax is 2 hours and 200km's of death defying black ice highways away.

What if Ned and Robert had said that about King's Landing?

Each would have lived a long and happy life.  tongue

657

(149 replies, posted in Off Topic)

Am currently completely addicted to XCOM: Enemy Unknown, and as soon as I've completed it I'll be downloading the Long War mod and starting all over again. Send help.

This incident has basically become my go-to way to describe how bad 4chan is to people like my grandparents who aren't familiar with Internet stuff. The horrified reactions that invariably occur sometimes make me wish I could remember my own days of relative innocence as regards the dark corners of the web.

659

(262 replies, posted in Episodes)

Having just seen Inherent Vice, I would love to see what y'all make of it. Best film I've seen in a long while (though I know you guys weren't huge fans of the previous Anderson/Phoenix collaboration).

Question: Teague, d'you think you could put up the lyrics for ICPOS? First two verses are clear but the speed-rap part of the climax is more than my codebreaking skills can take.

Also, Leonard has been stuck in my head for about three weeks now, with no end in sight. Dammit Chrystie.

So sorry to hear this. sad You, she and your family are in our thoughts.

662

(23 replies, posted in Episodes)

Interesting tidbit: according to Chris Taylor's book How Star Wars Conquered the Universe, the "ellipsis period" thing is a direct homage to the early Flash Gordon films, which had the same thing.

663

(2,068 replies, posted in Off Topic)

http://ia.media-imdb.com/images/M/MV5BMTY4MzQ4OTY3NF5BMl5BanBnXkFtZTgwNjM5MDI3MjE@._V1_SX214_AL_.jpg

Apart from the brilliant Sweeney Todd, this is the best Sondheim adaptation to make it to screen thus far, but that doesn't make it the perfection that the stage show is. On the contrary, while many of its cuts are wise a few are horribly ill-advised and result in a third act that feels incredibly rushed. Some of the casting was spot-on, but Johnny Depp is distracting as The Wolf, and Daniel Huttlestone is far too young for Jack. The most annoying thing had to be the singing. Half of the vocal performances were pitch-shifted to hell and back; on some it was only noticeable as an unsettlingly shiny-sounding feel, but on others the garbled sliding is completely up front and is horribly distracting. Sondheim's songs don't require note-perfect vocal performances, and trying to "fix" the ones here by computerizing them does his music a horrible disservice.

664

(262 replies, posted in Episodes)

My family watched Saving Mr. Banks again today, which reminded me that I really want to see you guys unleashed on it. That and the original Mary Poppins could make quite the interesting double commentary.

665

(23 replies, posted in Episodes)

This was so nice. Just hearing you guys talk about Star Wars again is the podcast equivalent of a warm blanket and cup of hot cocoa on a cold winter evening.

Teague wrote:

big_smile

There's three voices. I'm doing the singing and I'm most-forward in most of the lah-da-da-da's. Alex is a lot of the throatier lah-da-da-da's and side comments. ("kin-der-gart-ten.") He's also the scream at the very end, which is a funny story.

The communist-Watto that's ranting at the end is Andy. 100%, undiluted, improvised Andy.

Nice! For some reason the "but none of us could bury our suspicions to be wary" vocal from Alex is one of my favorite parts of the whole song.

Heh, the raw footage of that from the doc is fantastic. I kind of feel like anytime there's a song that needs a little something extra in the studio they should just bring in Andy to rant about mooses and fur and vodka for an hour. Hell, just do that with everything. Turns out the only thing Sgt. Pepper's Lonely Hearts Club Band was missing all these years was a forty-foot moose in the middle of "Lovely Rita".

A random thought: Alex's backing vocals in ICPOS make my day every. Fucking. Time.

Ranking it, after the initial listen:

1. ICPOS
2. Limp-Dick Christmas Lights
3. Writing a Letter
4. Blank Walls and Crowded Shelves
5. I Feel More Like a Leonard

Doing a track-by-track analysis from start to finish:

"Limp-Dick Christmas Lights" is a fantastic opener, and was the ideal choice for lead single. The horn section is a crucial asset, and the overall message is one that I think every single one of us here on the forum can get behind. "Blank Walls and Crowded Shelves" is sentimental without teetering into schmaltz—the string section could have come dangerously close to collapsing under its own weight, but it's just restrained enough to work very well for the song. Rather reminiscent of Folds' "Fred Jones Part 2". "I Feel More Like a Leonard"'s fusion of Queen and Green Day is quite the interesting sound, and as probably the straightest rocker on the album it succeeds in its task admirably. "Writing a Letter" was, for me, more emotionally affecting than "Blank Walls", probably because its first-person narration feels less distant than its predecessor's third-person. Again, poignancy without falling into something unintended (in this case the risk would have been whining rather than schmaltz, but yet again the writing soars over that and retains its quality). And of course, ICPOS is the crown jewel of the piece. Insanely catchy, an escalating trainwreck, lots of hilarious ad-libbing from the backup vocalists. It could only have been the conclusion.

The only negative point I can think of is that the vocals are mixed a bit low, but that's obviously largely down to personal preference. And look at all the positives that outweigh this: killer instrumental production, lyrics that are by turns witty and heartfelt, and a singer who's definitely come a way since Sad Max. Overall, this managed to be everything I was hoping for while still surprising me. And, as WAYDM says, an ending that's both surprising yet inevitable is what to strive for. Well done, good sir, well done.

669

(57 replies, posted in Episodes)

Just wanted to acknowledge that, five years later, Dorkman's "We're doing it to Cuba" embargo statement has finally dated the podcast as he wished would happen.  big_smile

670

(24 replies, posted in Episodes)

avatar wrote:

I saw Interstellar in 70mm and Imax. One screening was ruined by an atrocious dialogue track. But both were not as sharp as a digitally shot movie projected digitally. I think Nolan's flogging a dead horse with film. Digital in 2014 has tipped the balance, and is now unequivocally sharper than (even IMAX) film and will only improve as sensors go to 8K and beyond. Film loses something in the mastering, copying, and scanning process.

You'll hear no argument from me there, though I actually liked the semi-grainy look; I don't know if this was intentional, but it fit the almost documentary feel that stuff like the fuselage shots emulated. I'm sure a lot of that is just my fondness for "ineffable" older stuff speaking, though--I own a vinyl collection and everything, after all. I'm very much in favor of bringing practical effects and sets back as much as possible, but film is a hill that really shouldn't be died upon, as much as I love watching movies shot that way.

671

(24 replies, posted in Episodes)

paulou wrote:
Darth Praxus wrote:

pretty much all practical effects

This myth has to stop getting thrown around. Totally false statement.

Totally right to call me out on that, that was far too broadly worded a statement. What I should have said was all the ship shots (though is that part of the myth as well? I haven't looked at much behind the scenes stuff, but what I did read seemed to indicate that all the ship shots were practical--my bad if they werent). Black hole and tesseract and planet shots and whatnot obviously weren't practical, and I should have said as much.

TL;DR version, sorry for the uninformed overly broad comment and thanks for the correction.

Insert ecstatic GIF of your choice here. FINALLY!!!!!

673

(24 replies, posted in Episodes)

avatar wrote:

I don't think Interstellar was that impressive from a VFX viewpoint. We've seen all that done better elsewhere e.g. Gravity.

The thing is, though, Interstellar is basically the polar opposite to Gravity in terms of VFX—where the latter is entirely CG, the former is pretty much all practical effects work, which we haven't seen in a space movie in a long damn time. Plus, as the guys discussed on the episode, it just has that art-house classy kind of look to it.

674

(248 replies, posted in Off Topic)

According to Darksol he's scrolling through twitter on his iPad to catch up on what he's missed. That's our boy.

675

(17 replies, posted in Episodes)

avatar wrote:
Darth Praxus wrote:
avatar wrote:

The list of movies that Cate Blanchett sucks in is indeed a short one: I can only think of Crystal Skull.

I wouldn't even say she sucks in that one; the movie sucks, and the writing for her character sucks, but her performance is doing the best it goddamn can, and she at least recognizes what kind of movie she's in.

I dunno - I felt it was a bit flat. She's versatile, but that was stretching it too far. Like Jodie Foster in Elysium, it's hard to create a great female villain in a PG13 movie. Cate is such an ethereal beauty that she'd need to do something really twisted, like kill a child in cold blood or claw a man's dick off for us to hate her. Any examples of successful PG13 female villains?

I question why a woman's beauty should matter any more than a man's handsomeness in terms of their villainy, but for the sake of argument--Bellatrix Lestrange?  She's the one who springs immediately to mind, anyway. Also the White Witch, and any number of Disney villains (the latter aren't PG13, but the point still stands, I think).